Val Muller

The Electronic Wordsmith

Welcome to the Spot Writers. Today’s contribution comes from Tom Robson, author of WRITTEN WHILE I STILL REMEMBER a patchwork memoir. If you want to know more about the author, find the book online at Amazon.com.

 The topic for April is Spring Flowers.

***

Winston A. Flowers

by Tom Robson

He was surprised it had remained a secret for this long. But it was not surprising that his phenomenal success in the two months since his call-up to the majors had led to research into his background.

He’d always lied and said that the middle initial was for Abraham. Some had even called him Abe while he was playing in Binghampton, though there had been wild and increasingly frequent chants of “Winston! Winston! Winston!” as the goals kept coming. And that had continued since February when he been promoted to the parent club, the expansion Renaissance, in Quebec City. And, to the amazement of all the pundits, they had reached the playoffs. Those same pundits had determined that Winston Flowers’ goal scoring feats had been largely responsible for the late surge which got them there.

And now he was, all set to take the opening face-off of the play-offs at the Maple Leaf’s rink where, it seemed, many of the Leaf’s supporters were waving daffodils. If he was hearing it right the words they were singing were,

It’s April Showers that comes your way’

He won’t be playing when we get to May.

And the Renaissance, they will regret’

Cos they won’t be playing hockey

They’ll be picking violets.

He’d seen the verse a couple of days ago, on line from The Toronto Globe and Mail. Some researcher had discovered his baptismal name.

He had been a spring baby. His mother had said that, after she gave birth to her fifth son, she feared she’d never get to use one of the names she’d picked out for the hoped-for daughter. So he was Winston April Flowers. And a Toronto columnist had questioned how an expansion team could pin its hopes on a hockey player called April? Could be worse! Mom’s other choice of names for the never to happen daughter was ‘Spring Flowers’.

The rhythmic, derogatory chants of “April! April! April!” kept raining down from the stands. They ceased, midway through the second period after he scored his third goal and then – when checked, very late and very illegally by the Leaf’s goon, – April clearly won the fight that ensued.

At game’s end, a six zero thrashing of the home side, he returned to the ice to acknowledge his selection as man of the match. The traveling Renaissance supporters were gloating as they chanted “Winston! Winston! Winston!”

As he entered the tunnel to the dressing room a Leaf’s supporter, obvious from the paraphernalia he wore, leaned over and handed Winston his daffodil. “Nice game, April!” he praised.

Winston April Flowers accepted both with a broad grin back at the donor.

***

The Spot Writers–our members:

 RC Bonitz: rcbonitz.com

Val Muller: https://valmuller.com/blog/

Catherine A. MacKenzie: https://writingwicket.wordpress.com/wicker-chitter/

Tom Robson: https://robsonswritings.wordpress.com/

As I’m having my own Back-to-Work Apocalypse, I would be remiss if I did not share this hilarious video that has something like a billion views (okay, maybe 10 million or so). It turns out, it was created by three of my current and former students.

If you haven’t heard about it yet, two brothers picked up their sister from wisdom tooth surgery. While she was loopy from the drugs required for surgery, they convinced her that a zombie apocalypse had broken out. While she does readily accept the apocalypse, she is quite logical in a number of ways. All in all, it’s a fun video. My favorite one-liner: “The cat, you idiot!”

Congrats to the siblings for creating a video that went global!

The video:

They even made a special appearance on Ellen:


I would also like to take this time to thank my parents for never filming me while recovering from wisdom tooth surgery. Though I had my wisdom teeth removed once at age 12 and once at age twenty-something, I don’t remember acting loopy like many of the videos out there today. Nonetheless, my parents, sister, and husband all had “access” to me during those recoveries, and they chose not to mess with me.

With the prevalence of social media, it has become a popular fad to video one’s children as they say silly things coming off of the drugs from surgery. Sure, it’s funny to watch, but I always feel sorry for the “victims.” What do you think: when my kid is old enough to get her wisdom teeth out, should I make a hilarious video? Or should I pay back the favor my parents did me and leave her alone?

Welcome to the Spot Writers. The prompt for this month is “spring flowers.” This poem comes from Cathy MacKenzie (an old poem from her “archives” since she forgot about writing something new for today). Check out her website at the bottom of the post.

***

The Sunflower

The fragile crayon picked, a soft pastel,
Out of the waiting tray of rainbow shades,
Brushed onto the outline a sunshine belle,
With grace and form, subtle beauty cascades.

The loving smoothness massaged in the light,
Gives birth to a once-pale flower,
Blossoming into a beaming yellow bright,
Its hidden root grasping so much power.

How stunning, she says to the mirror,
Its sturdy stalk rising high to the sun,
The seeds she’ll scatter, growing dearer,
Buds bursting forth, living has begun.

Later…

She snatches the fragment, the broken end,
Posing naked beside her in the looming tray,
The pastel crayon, stiff, unable to bend,
Breaks easily, shades of betraying grey.

The scratching of the jaundiced piece
Scrapes across the outline as she mourns,
Covering the smudged paper, hiding a crease,
While a brighter one laughs and scorns.

The sickly pallor on the leaves do wave,
Colouring the roughness, the grain peeking,
Applied like a shovel attacking a grave,
The wilted sunflower leering and weeping.

***

The Spot Writers–our members:

 RC Bonitz: rcbonitz.com

Val Muller: https://valmuller.com/blog/

Catherine A. MacKenzie: https://writingwicket.wordpress.com/wicker-chitter/

Tom Robson: https://robsonswritings.wordpress.com/

 

This week, I had the opportunity to talk with Alana Woods, author of two contemporary Australian thrillers. 

  1. Tell us about yourself:

UK Coast to Coast walk 1Career public servant in a past life.  And a professional editor for much of it.  After giving up full-time employment some years ago I took on contract editing, and that ended up being full-time as well, which was not my intention.  Now I only take on jobs I really want, and something needs to persuade me to do it—such as knowing the author and being sweet-talked into it :), or because the project excites me.

I live in Canberra, Australia’s national capital, and love it—but my husband is less taken with the place so we’re in the process of selling our house.  Right now I have no idea where we’ll end up but we intend doing a lot of travelling.  We love travelling.  We love walking tours, in the UK so far because we have a daughter there and we combine visiting her with our travelling.

UK Walking Tour

UK Walking Tour

  1. Tell us about your book:

BookCover6x9_BW_410pp_Automaton III have two I’d like to tell your readers about.  Both are contemporary Australian thrillers, although I think of them as suspense intrigue.  Automaton is a legal suspense and Imbroglio an intrigue suspense.  They both have principal characters I think of as very likable but also very human, with the frailties, prejudices, strengths and ethics we all have.  If your readers would like to see who I’d cast in films of the books they can check them out on my website.  All well-known Australian actors, some internationally known.  Automaton is set in my home town of Canberra and Imbroglio in Sydney—and I have some great location shots for both.Imbroglio 244KB

Imbroglio location shot--Sydney Harbour

Imbroglio location shot–Sydney Harbour

Automaton location shot--Canberra

Automaton location shot–Canberra

3. Who is your favorite character in your book, and why?

I’m rather fond of all of my principal characters and don’t have an outright favourite.  But one that I’m rather partial to—a main character without being a principal—is Marion Davies in Imbroglio.  She’s a young widow with two small children and she’s dragged into the story on the strength of her dead husband’s past—but she holds her own and doesn’t compromise her beliefs and morals.  Continuing the if-a-film-were-made theme and I was given casting choice, I’d offer the role of Marion to Australian actor Anna Torv in a shot.

Anna Torv

Anna Torv

4. Are any elements of your book autobiographical or inspired by elements of your life?

Yes.  My novels so far have been inspired by jobs I’ve had.  I worked at a weapons research establishment many years ago and eventually that experience resulted in Imbroglio.  The idea for Automaton was sparked when I spent five years court reporting criminal trials in Canberra’s Supreme Court.  So many of the people on trial were old hands and knew the system, as did their families.  But the ones that got under my skin were the families new to it all.  They used to look totally lost and my heart bled for them.  I wanted to write a story around that.

Alana in front of ACT Supreme Court

Alana in front of ACT Supreme Court

And my daughters tell me they can see some of my traits and idiosyncrasies in my female characters.  Inevitable, I think, when fleshing out characters.

  1. What’s the strangest place you’ve ever been?

What springs immediately to mind are some of the weird places I found myself in as a child because I never refused a dare.  I’m the total opposite nowadays!—probably based on youthful experiences.  Once I swam way way past the safe swimming point to retrieve a little wooden boat my older brother had let float away.  He wouldn’t go out for it and dared me.  We were living in a remote spot on the Great Australian Bight at the time and everyone in Australia knows how big the sharks are out there!

Then there was the time friends dared me to climb up the side of a disused quarry.  The surface was slick and slippery with dust and half way up I found myself without good foot and hand holds.  My toes still curl when I remember the fear!  Obviously I eventually made it to the top—where I lay on the grass for a minute or two to recover!! 🙂

  1. What’s your favorite scene or location in the work you’re currently promoting, and why?
Location shot: Coogee Beach

Location shot: Coogee Beach

The scene that jumps immediately to mind is in Imbroglio where my two principles finally meet.  Noel Valentine, the heroine, and David Cameron, who I can only describe as charismatic but shady.  It’s early morning on Coogee Beach, a Sydneyside suburb.  Noel has gone for her daily morning swim across the bay and David follows and waits for her on-shore.  It really resonates with me because I love swimming and grew up beachside in South Australia.  And should I say that they have already met, but this is the first time they’re both awake!

 

  1. What book or author has been most inspirational for you, and why?

It’s an author.  Dorothy Dunnett.  A Scottish writer who died several years ago, much to the distress of her many fans world-wide.  She wrote historical as well as contemporary fiction.  She was, and continues to be, inspirational because of the beauty of her writing.  In my opinion no superlative would be too extreme or fanciful to describe her talent with words and the way she could put them together.

  1. Are you working on any other projects at the moment?

Two.  One is a thriller I wrote years ago and put in a drawer to think about—I don’t like to rush into publication because I’ve learned that I inevitably decide I’m not happy with the first draft.  But I’ve recently started working on it again.  It’s a corporate legal thriller based on my years working at the Australian Competition and Consumer Commission.  Think big business and mergers.

The other is a story based on true events.  In 2013 I was in Italy for my daughter’s wedding.  I’d taken my best jewellery with me to wear, and also because my daughter wanted to wear my favourite bangle as her something borrowed.  Two days before the wedding it was all stolen.  I was devastated.  But I always knew I’d write about it one day, when I could bear to think about it.  I’m about a quarter of the way into the story.  The robbery itself is the starting point and from there it enters the realms of fiction because, unlike reality, in the story I make sure the thieves get their comeuppance.  I’m going to enjoy writing that!  I put a curse on them at the time—May you and everyone involved never find peace!—and it remains in force.

  1. Finally, where can we find you?

I have a new website which I’m really pleased with.  Your readers are invited to visit and if they left a comment to say how they like it, that would be wonderful.

Website bannerI have two blogs for which I’d love some Likes and Follows, for both or either.

My World of Books

Walking Boots: the travel tales of Alana Woods, the Intrigue Queen of thriller fiction

My World of Books bannerMy other links:  Amazon author page  |  Facebook  |  Twitter   |  Google+  |  Goodreads  |  Pinterest

Likes and Follows to any or all are always greatly appreciated.  🙂


 

All pictures for this interview were provided by and used with permission of Alana Woods.

I usually post only book reviews, but with a newborn at home, I’ve been slipping just a bit in my one-book-per-week goal. While I play catch-up, I thought I’d review a movie I saw yesterday, The Witch. I have never gone to a movie theatre all alone before, but because of the newborn at home and my extreme desire to see this film (based on the trailer), I decided to go for it.

I heard such amazing things about this film, so I had high expectations. Unfortunately, they were not fully met.

The film uses historical records woven into a tale of a family that leaves a Puritan settlement after the father has disagreements with the Puritans over their strict views. The initial scene is short to set up this premise: it assumes a knowledge of the strict and hypocritical nature of the Puritans just enough to show why William would be excommunicated for pride. He takes his pride and his family into the wilderness to start his own farm.

The main character is William’s daughter, Tomasin, who is on the verge of womanhood. She has a younger, responsible brother named Caleb and two demonic younger siblings named Mercy and Jonas—fraternal twins. In the first few moments of the film, the family’s baby, Samuel, disappears under Tomasin’s watch. Though his disappearance is attributed to wolves, some of the family members (as well as the audience, thanks to some scenes we were privy to) believe that a witch is to blame. Katherine, the mother, is understandably devastated by the loss of her baby, but she takes it out on Tomasin. I won’t go into further detail on the plot to avoid spoilers.

I love The Crucible because of its authentic use of court records and historical documents to highlight the paranoia of the time. I was hoping for this same level of detail in The Witch, and in that sense, I was not disappointed. The costumes and the dialogue were authentic, even to the point of having to pay close attention to understand the mix of Puritan and British accents and word choice. Even if you paid no mind to plot, simply watching and listening to the film is an experience itself, transporting you back in time.

It’s the plot I have a gripe with—and mostly, its execution. It was implied throughout the film that each family member was perhaps carrying his or her own sin. There was certainly enough talk about religion and forgiveness—which is understandable, given that the family came over from England as Puritans. The problem for me was the film’s point of view. The film shifted point of view at times to let us see what was happening to different characters; however, the perspective was never deep enough to allow me to truly understand the psychological and moral battle that was going on in each character. Rather, I had to bring my own imagination into the film.

For instance, Caleb at least twice in the movie sneaks a glimpse at his sister’s budding chest (through her shirt, of course). This, it is implied, is his sin. When he later encounters what appears to be a witch, she is young and big-bosomed, implying that Caleb’s sin is lust. But I never felt fully engaged with his point of view—or any other family member, for that matter. For me, the characterization seemed superficial.

The only time I felt truly engaged was during the last five minutes of the film, when we are deep, deep in Tomasin’s point of view. For me, those last five minutes were frightening. But that’s how I expected the entire film to be. Part of it is managing expectations. In the beginning, we as the audience are shown a witch doing horrible witch things (I won’t spoil the plot any more than that). To me as a viewer, this tells me I can expect the supernatural in this film. But much of the film seemed more like The Crucible—where most of the “supernatural” was happening inside character’s minds as a result of stress or paranoia. I felt the film never achieved the right balance there. I wonder if the filmmaker intentionally wanted to be ambiguous. I prefer when a filmmaker takes a stronger stance in shaping the narrative.

It was really the lack of depth in characterization that made the film fall short for me. Better characterization could have added depth to the psychological ambiguity, which is an important element in all horror stories.

In short, the film was interesting from a historical perspective, and there were moments that were a little bit scary. It was certainly rated “R” for a reason, and many of the scenes to me were more sad than scary (perhaps because I have a young baby at home…). I don’t regret seeing the film; I only wish it lived up to the expectations I had built for it in my head.

I was excited to learn recently that the Powerpuff Girls, a cartoon show I watched in my youth, is making a comeback with a new series. In celebration, there is a website allowing you to make yourself into a Powerpuff Girl—with excessively large (and adorable) eyes, a large head, and a kick-butt attitude. Here’s my PPG avatar:

Val_PPG-animated

I even made one for my kid:

animated-baby

What I love about the Powerpuff Girls is the way they contradict stereotypes. I’m conflicted about the term “strong female character” because it implies that female characters aren’t usually strong. But the PPGs are indeed strong female characters. They look like cute little kindergarteners, but they can lift buildings and defeat bad guys.

As a kid, my mom, sister, and I watched the show together, each of us choosing a PPG who we most resonated with—Bubbles, the really cute one, just like my sister; Blossom, the kind of bossy one, the one with the red hair like me; and Buttercup, the fierce one, the dark-haired one like my mom.

I hope the new series will be done right—so that when my daughter is old enough to watch the show, I can draw from a whole new set of episodes that teaches her how to kick butt. Because every kid should be shown that with the right attitude, they can punch their way through limitations. After all, it’s a major part of the human spirit. And that’s something to celebrate.

Welcome to the Spot Writers. The prompt for this month simply: spring flowers. This tale takes a darker twist on that theme and comes to you from Val Muller, author of the YA reboot The Scarred Letter—fighting for the truth in a world that lives a lie.

 

The Lavender Peony

 By Val Muller

 

Maude Stevenson hated parent-teacher conferences. It seemed teachers wanted to meet about everything these days. She dreaded the second and fourth Wednesdays of each month—conference afternoons, when the teachers cleared satanic little slots in their schedules to call in parents to address the misbehaviors of their children. Not to mention the need for two afternoons of daycare.

The sitter had cancelled, so Rose would just have to come along. “What’s this about, Rose?” Maude asked her daughter.

Rose sat in the back seat, mixing a concoction in a paper cup. She’d been playing in the back yard since school let out, and Maude allowed her to take along the concoction of ground leaves she’d made. “I don’t know, Mommy.” Rose shrugged and then looked out the window, her second-grade mind already distracted by spring’s burgeoning flowers.

“Did you hit someone? Say something rude? Did you forget your homework or cheat on a test?”

Rose shook her head. “I don’t know what this is about, Mommy. I try to be a good girl.”

Maude sighed and pulled into the school parking lot. The clock on the dashboard blinked 2:43. The meeting was for 2:50. Somehow Mrs. Spencer had the conferences timed to the minute like that. 2:50 exactly.

As she got out of her car seat, Rose asked her mother, “Do I have time to pick a peony from the school garden?”

“Are you allowed to pick peonies from the school garden?” Maude asked.

Rose shrugged. “No one will miss just one flower.”

Maude looked at the clock. What else were they going to do for the next seven minutes? “Alright,” she sighed.

Inside, Maude knocked on Mrs. Spencer’s door. A smile greeted her. “Just two minutes,” Mrs. Spencer announced from behind her desk.

Maude looked at her watch. 2:48. Really, now! Maude craned her neck to peek into the classroom. It was empty, otherwise. Rose was busy playing with her peony, which now sat in the paper cup, chanting to the flower. To be a kid again—and be able to lose all sense of time to imagination. Her mind too tired to entertain itself, Maude checked out the artwork lining the hallway. The children had been given a coloring page with spring flowers. Some of them also featured animals—frogs, deer, chicks, bunnies.

“Honey, where’s yours?” Maude asked.

Rose shrugged. “Mrs. Spencer didn’t want to hang it up, I guess.”

Maude didn’t have time to respond. Mrs. Spencer called her in. Inside, the woman sat behind her large desk. She motioned to two chairs on the opposite side. Each chair was meant for a second-grader. Rose sat, her legs comfortably resting on the floor. Maude sat, her knees angled up awkwardly. Her hands hung nearly to the floor.

Mrs. Spencer seemed not to notice.

“I’ve called you in,” she said, without further introduction, “because of some concerns I had for Rose’s flower story.”

“Her flower story?” Maude asked.

Mrs. Spencer kept that same smile. It had all the semblances of caring and warmth, though it was missing those qualities in actuality. The teacher’s eyes reflected that same mannequin-like quality. Maude shivered. “You must have seen them in the hallway. I hung all the appropriate stories out there.” She held up a blank sheet. It contained the outline of a rose garden with an owl perched overhead. She flipped it over. A series of blank lines graced the back side.

“The children were to color the picture and then write a narrative about what is happening in the picture.”

“A narrative?”

Mrs. Spencer smirked. “You know—a story. Some children wrote about a gardener. Others wrote about helping animals or saving the environment by planting more greenery—you know, to offset carbon footprints. All stellar examples of stories.”

“And I take it my Rose’s story was a less than stellar example?”

The teacher’s smile faded. “Mrs. Stevenson, I had to hold myself back from contacting School Counselling about this little tale.” She opened her desk drawer and slapped a sheet of paper onto the desk. On the bottom corner was drawn a red frowny face.

“What on earth could Rose have written about that got you so upset?” Maude asked. She looked at her daughter, and Rose offered a knowing smile. Maude raised an eyebrow.

“This story of hers—The Lavender Peony—is about a flower that—” She glanced toward the door and then lowered her voice—“kills people.”

Maude bit her tongue to keep from laughing. “Just a child’s imagination, I’m sure.”

“Mrs. Stevenson, the level of detail is alarming. She’s got potions in here—lists of ingredients I’d never heard of. I had to Google some of these. Wolfsbane and hemlock. It’s witchcraft, I tell you. There’s got to be somewhere she learned of all this. In the story, the main character makes a potion and spreads it on a flower, and the flower has to thus obey commands. And the main character instructs the flower to kill people. There are three murders in this story, Mrs. Stevenson. Three. Little Rose over there could be the next school shooter if we don’t watch out.”

Maude felt the humor drain from her face. “Mrs. Spencer, I’m sorry that my daughter’s story offended you, but to compare a little girl with a vivid imagination—to compare that to a school shooter is beyond asinine. It’s insulting! What should we do, call the Inquisition, and then the police? Or should we just send her to a shrink? Are flowers now considered a weapon? You know, Mrs. Spencer, I thought long and hard about whether to homeschool Rose, as I did last year, and now I’m beginning to regret my decision to send her to public school. I’d like to talk to your principal.”

The panic registered on Mrs. Spencer’s face immediately. “Let’s not be hasty here, Mrs. Stevenson. Perhaps there was just a misunderstanding.”

Maude allowed her eyes to travel deliberately from the paper on the desk to the hallway. Knowingly, Mrs. Spencer nodded, took four pieces of tape from her desk, and shuffled out to the hallway. Maude stayed seated and watched her hang Rose’s flower story prominently above the rest.

Then she turned to her daughter. “I told you, Rose, not to let out the secret recipes.”

Rose shrugged. “I’m sorry, Mommy. I thought she’d think it fictional.”

Maude shook her head. “You never know who you can trust, Rose. This better be the last time.”

Rose puckered her lips, holding up the peony. “Shall I?”

Maude nodded. Rose stood slowly and placed the peony in the center of Mrs. Spencer’s desk, bits of the leafy concoction clinging to it.

 

The lavender flower caught the light from the classroom window as Mrs. Spencer watched her two guests exit the room. It was only after they left that she noticed the flower sitting there rather audaciously—as if it had its own personality—a peace offering from a little girl that nonetheless sent shivers down the teacher’s spine long after its pedals had withered and the offending Rose had been promoted to the third grade.

 

The Spot Writers–our members:

 RC Bonitz: rcbonitz.com

Val Muller: https://valmuller.com/blog/

Catherine A. MacKenzie:https://writingwicket.wordpress.com/wicker-chitter/

Tom Robson: https://robsonswritings.wordpress.com/

 

 

This week I had a chance to interview Jo Marshall, a fellow children’s author. I love learning the “back story” about how authors became inspired for their series, and I enjoyed learning more about Jo. Her books will eventually appear on my Monday book review feature of this blog, so stay tuned 🙂

  1. Tell us about yourself:

Thank you, Val, for the invitation to be on your blog and also to follow your wonderful ‘Corgi Capers’. It’s a privilege to be included with other children’s book authors like you who hope to offer entertaining and enlightening books with a valuable, underlying purpose.  I hope my four novels called Twig Stories for ages 8-12 will also be considered fun and worthwhile contributions to children’s literature.  I think, the only way to tell you about myself is to tell you what I’ve been doing for six years.

My daughter Ali and I began writing Twig Stories when she was in elementary school.  We were Cover Ad - Twig Stories for SEJ 11-29-11saddened by the terrible devastation bark beetles had wrought on the forests of British Columbia.  Millions of trees were lost due to this infestation which is sweeping the West and Southwest areas of North America.  The beetles used to die off in the frigid temperatures of winter, but now they are unstoppable and swarm by the billions because of a warming climate.

After learning about the cause of millions of trees being destroyed, Ali and I imagined a tiny hero created from a twig named Leaf who might find a way to survive in this changing world.  Soon his Twig and animal friends populated the stories we told at bedtime.

Of course then we imagined writing a book about Twig adventures.  That idea turned into four books.  So I organized my day around finding time to write in the morning.  I’ve pretty much been absorbed by this ‘hobby’ for the last six years.  Other than being a stay-at-home mom, avid birdwatcher, and taking walks in the beautiful, old forests around my home in Snohomish, Washington there isn’t that much to say about me.  I’m a terrible cook, an awful housekeeper, and doting mom to two kids and five pets.

But even though my books are based on small stick creatures struggling with the terrible effects of climate change impacts on their Pacific Northwest forests, I actually have an optimistic outlook on the world.  I believe creative and successful adaptation by wildlife and ecosystems is possible, even if sometimes only with the intervention of passionate, conservation activists.  Amazing nonprofits, biologists, researchers, and others are working hard every day to protect critically endangered wildlife and forests.  I’m continually impressed with their selfless dedication.

  1. Tell us about your book:

Cover - front Leaf & Echo PeakI just finished my fourth and final novel in the Twig Stories collection ‘Leaf & Echo Peak’.  It is now available in paperback and Kindle worldwide on Amazon.com and most online bookstores like Barnes & Nobel and Powell’s.  All my stories are illustrated by Disney’s David Murray. His film credits include Mulan, Tarzan, Brother Bear, Lilo & Stitch, Curious, George, and many, many others.

 Leaf & Echo Peak

In a vast forest impish stick creatures called Twigs are caught up in an extraordinary adventure when a mammoth volcano rumbles a warning.  Changes are coming to the old forest!  One young Twig named Leaf and his brave friends must escape when Echo Peak wakes up, but all the forest paths are perilous. Some try a river escape, while others dare the cliffs of a gorge. Leaf and his Twig friends Rustle and Feather risk the gloom of a snaking, prehistoric lava tube, but deadly bats and a vicious mole block the way.  Twigs must stick together for their only safety may be in the distant Red Forest to the west, but does it even exist?

(Here’s a little about the other three ‘Twig Stories’ books.)

In the previous three adventure novels Twigs are thrust upon dangerous paths.  Still, they discover their world has unexpected help.  In the midst of disappearing habitats, beavers build mighty dams to control floods, and quench wildfires.  Bark beetles are fought.  Rare trees are saved from extinction.  Glaciers may shrink, but their precious water is not lost.  Now Twigs must learn a lesson from the eruption of a volcano ~ incredible adaption is possible, so Leaf and his loyal Twig friends stick together and battle to survive.

  1. Who is your favorite character in your book, and why?

Well, of course, Leaf is my favorite.  He plays a key role in each book, and most of the action revolves around what he decides to do and how he chooses to respond to each crisis.  I think I relate to Leaf Cover - Leaf & the Sky of Firemost because he always has a choice ~ whether to stand up for his friends; how he will overcome his own fear or hesitation; and how he chooses to resolve the unexpected problems dropped on his doorstep, or in his case, his knothole’s branch.  We all have choices.  It’s what we choose to do that makes us who we are at heart.

But there is a great deal to be said for his best friends, Rustle and Feather.  They are both a little too daring and reckless; have had way too much freedom growing up; and are apt to not think things through before rushing into action.  But Leaf could not ask for more loyal, funny, and brave friends.

  1. Are any elements of your book autobiographical or inspired by elements of your life?

Anytime I write about the overwhelming stature and magnificence of trees thousands of years old, I write with the same feeling of awe I experienced when walking down the paths of giant sequoias and redwoods.  Everyone should experience moments like those.

  1. What’s the strangest place you’ve ever been?

The strangest place I lived is West Berlin for three years when the Wall was still fiercely guarded by Soviet troops and East Germans.  We lived on the 6th floor of an apartment building two blocks from the Wall.  Sometimes – especially during the warm nights of August – we’d sit in our living room and watch the only English speaking channel on TV.  Suddenly, flares would streak into the air above the Wall, burst, and hover there, and we’d hear the distinct pop, pop, pop of machine guns.  The West Germans who lived near us would rush to the Wall and climb up on home-made, lopsided stairs so they could bear witness to what was happening.  They risked their own lives by clinging to the Wall like that to document an attempted escape to the West.  Otherwise, no one would know.  For a while it felt even stranger to return to the peaceful neighborhoods of Virginia!

  1. What’s your favorite scene or location in the work you’re currently promoting, and why?

The chapter with Loon seems to provoke the most “Awesome!” feeling from adult readers and kids.  I get a kick getting this response from this very creepy scene in an old rainforest with its frightening creature Loon, so I’m not telling you about it!

  1. What book or author has been most inspirational for you, and why?

Cover, front - Rushing WatersI think my favorite books and authors change from time to time as I grow older and my perspective on the world changes.  When I was younger and began writing ‘Twig Stories’, then ‘The Borrowers’ series by Mary Norton was an underlying influence.  Now after years of researching climate change impacts for events in Twig Stories, David Quammen’s books inspire me to continue down a learning path, and hopefully this road will help me understand how to adapt to our changing world.  It’s so important to protect critically endangered wildlife and their habitats before we lose them forever.

  1. If you were to be stranded on a desert island, what non-survival item would you bring along that you couldn’t live without?

I’d bring all my photo albums of my children.

  1. What question do you wish I had asked?

This is very clever of you, Val!  Perhaps, “Why is ‘Leaf & Echo Peak’ your last book in the ‘Twig Stories’ collection?”  After four books I need a pause.  When I return to writing, I’d like to write about Twigs for a younger audience.  It might be fun to write shorter picture-book-style books with the same sense of adventure and message.  A wonderful illustrator Maja Sereda and I have spoken often about creating a different sort of Twig Stories books for beginning readers.  I’d like to see that happen one day.

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I’d been meaning to read this book for a while now. Even though she’s too little to read yet, I’m weaving in more middle grade and young adult literature so that I can have some excellent recommendations for my daughter. I will be recommending Ella Enchanted.

The story plays off of traditional fairy tales, but Ella’s voice and personality give the tales a modern twist. Ella has been given a “gift” by a stubborn but well-intentioned fairy. Because Ella was crying as a baby, the fairy gave her the gift of obedience: she would have to obey any command given to her, ever. And we’re talking any command. As Ella reminds us, an ogre could command her to go and cook herself, and she would. When she fails to obey, she feels sick until she obeys.

The world she lives in is a world of fairy tales: we have elves, ogres, giants, fairies. We have Ella’s father seeking to remarry after her mother’s death, and of course that includes the horrible step-mother and disgusting and despicable step-sisters. We have Prince Charming—err, Prince Char, in this case. We have glass slippers, coaches that turn back to pumpkins at midnight, and the protagonist forced into being a maid at her own house.

But these fairy tale elements take a back seat to the plot, so they never became cliché or overwhelming to me. In fact, if I weren’t familiar with fairy tales, I would barely have noticed them. What takes a front seat is Ella’s desire to break the curse. She uses her brains and bravery to figure out what she needs to do to live the life she wants. Though she is in love with Char, she knows that anyone who finds out about her curse (like her evil step-sister) can use it to get to the prince (soon to be king). Out of selflessness, she breaks the prince’s heart and avoids his proposal until and unless she can find a way to break the curse.

The idea of the curse intrigued me. I found myself wondering about loopholes in the magic. For instance, could someone simply instruct Ella, “You are not to obey any commands unless you want to?” I wished that more of those loopholes would have been examined in the story. Much of that was explained away by the fairies as “big magic” versus small magic. Anything that could seriously change the world (like a spell of obedience) is “big magic,” and fairies really aren’t supposed to do it. Small things are allowed.

All in all, I enjoyed the book. The second half went by really fast. I will be recommending this one to my daughter whenever she’s old enough. I received the book for Christmas, and it was part of a boxed set, so I plan to read the other two books in the series eventually.

My husband had been talking about getting one of those robot vacuum cleaners for years. With the addition of Baby and the prevalence of corgis and their profuse “fluff,” we thought now might be the time to splurge. Without trying to sound like an advertisement, we bought a Neato Botvac D80. (They aren’t even paying me to write this—I just love it so much!).

I was watching the bot (whom we lovingly named “Carson” after a character on Downton Abbey—but no spoilers, please—we are only on season 2!), and I thought: I’m living in the future. I have a universe of knowledge in my hand, communicating with people miles away from the comfort of a recliner while my robot vacuum cleans the floor.

The robot worked diligently, maneuvering around obstacles and not even getting angry when a dog stepped in the way. The fact that I almost—almost—felt guilty watching “Carson” work so diligently while I slacked brought all kinds of thoughts about Asimov and The Jetsons and a future of possibly-sentient machines. I almost felt that the machine was undeservedly loyal to me. When its battery wore down, it hurried to its charging station, stayed just long enough, and then continued on with his its toils.

Leia barked diligently at the robot vacuum, pausing for just a moment to give my husband the Death Stare, as if to ask, "How could you bring THIS into our house?" Funny that she knew who was responsible.

Leia barked diligently at the robot vacuum, pausing for just a moment to give my husband the Death Stare, as if to ask, “How could you bring THIS into our house?” Funny that she knew who was responsible.

The feeling passed quickly, though, as I found another reason to celebrate loyalty. While “Carson” was in the living room/dining room, the corgis watched from a distance, interested but not alarmed. When the vacuum came into the family room, Yoda jumped up on the recliner with me (out of fear), but Leia puffed out her chest and in her most fearsome bark, defended the recliner—which contained me, scaredy Yoda, and the baby—from the evil clutches of the vacuum robot.

Even when I told her “it’s just next door” and “it’s on TV,” two phrases which usually get her to calm down about weird sounds and things.

Once the robot left the room, I called Leia to come up to the recliner, wanting to scratch her ears to reward her loyalty. But unlike the robot, she practiced disobedience, planting herself at the edge of the family room to protect us—just in case the nasty robot decided to come back.

She got an extra treat that night. Such loyalty cannot be commanded, and unlike a robot’s, it must come from within.