Val Muller

The Electronic Wordsmith
I picked up this book because it had earned a Newbery Honor, and was written by the same author who wrote From the Mixed-up Files of Mrs. Basil E. Frankweiler, a Newbery winner. The book was written in the 1960s, so there are some elements that are outdated, but a good story is a good story, and this one has passed the test of time.
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This is a middle-grade book told from the point of view of Elizabeth, an only child who is new to her apartment, awkward, and short. She meets a girl named Jennifer who is quite strange, claiming to be a witch. Throughout the novel, the reader is only given Elizabeth’s perspective, so we are always wondering whether Jennifer really is a witch. Certainly Elizabeth believes she is. Jennifer initiates Elizabeth into the world of witchcraft with a series of strange and coincidental requirements. One week she must consume raw eggs—something her mother is thrilled about because Elizabeth is a picky eater (remember, it was written in the 1960s). Another time, she is given a list of restrictions that prevent her from partaking in activities at a party but end up working in her favor. I won’t reveal the ending, or whether Jennifer really is a witch.
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What I enjoyed about the book was the voice. Elizabeth’s voice is genuine and honest. She is never trying to show off. As readers, we trust her immediately to tell her perception of the truth. The book only tells the important elements of the story, so I never felt like my time was being wasted. It’s a middle-grade book, so it’s meant for younger readers and therefore was a quick read for me. I read it in two sittings (it would have been one if I had more free time!). From a writer’s perspective, the book is a good study in the building of suspense from a subjective point of view. My least favorite element was the ending, which I feel wrapped up too quickly, but overall it was an enjoyable read. I missed reading it as a child, but it was definitely something I would have enjoyed—and read more than once.

Today’s contribution to the Spot Writers comes from RC Bonitz, author of sweet contemporary love stories A LITTLE BIT OF BLACKMAIL  and  A BLANKET FOR HER HEART.

Next week’s story will be by Val Muller, author of FOR WHOM MY HEART BEATS ETERNAL, a sci-fi romance, and CORGI CAPERS: DECEIT ON DORSET DRIVE, a mystery novel for young readers.

Check out our blogs at the end of this story. You’ll also be hearing from Jessica and Cathy soon.

A June Weekend Afternoon   by RC Bonitz

 She watched him come down the street, gliding along with an easy ground-eating stride. Before she could see his face clearly he’d caught her attention. The guy looked interesting. Rising from the chair, Gail Mason moved to the steps of the porch and sat down on the top one.

One house away now, his features were becoming clear. He was one good-looking guy. And he’d seen her, she could tell. Her heart skipped a beat. He hadn’t slowed or given any sign of changing direction- which meant he’d walk right by her pretty quick. Darn, she should have opened a button or two on her shirt before she sat down.

In front of her now, he stopped. “Hi. Do you know where Eileen Ryan lives?”

Oh crap. Another of Eileen’s boyfriends. “Across the street. Two houses down.”

“The white house with black shutters?”

“That’s it.”

He grinned. “Are you a friend of hers?”

Was she a friend? Mostly. Except when Eileen moved in on her boyfriends, which she seemed to like to do lately. “Yeah, I am. I guess.”

“You don’t know?”

“Of course I know. Who are you?”

“Chris. Who are you?”

“Gail.’

“Nice to meet you.”

“Her boyfriend’s there now.” No need to be snarky. The poor guy probably had no idea.

“Oh? Okay.”

“You don’t seem too upset. I’d say he’s got the jump on you.”

“I’d say I’m ahead.”

Gail smiled. “You certainly are an optimist.”

“Realist, actually. I’m the one closest to home.”

She frowned, not sure what he meant.

He stepped to the porch and offered a handshake. “I work with Eileen. She’s been telling me about this neighbor she has. A very pretty gal, who’s been keeping her busy breaking up her dates with other guys.”

“What?” she gasped.

“Are you going to shake my hand or not? I’ll put it down if you won’t.”

She took his hand and felt him squeeze, not terribly hard, but definitely strong. And warm.

“That’s good. Now, I’m Chris Butler. You’re Gail Mason and I’m supposed to ask you to dinner tonight at Eileen’s house.”

“She sent for you?”

“Yeah. Isn’t that cool?”

“I don’t know. I do pretty well getting my own dates. Except she messes them up.”

“Yeah, that was her plan.”

She stared at him, her heart thudding in her chest. He was darn cute. And he seemed very nice. And she had liked him from a distance. “What are you talking about?”

He broke out in a zillion dollar smile. “She says we’re made for each other.”

“Oh God! And you believed her?”

“I figured it was worth checking out. I’d say she’s got good taste.”

“Oh.”

“What do you say? Dinner at Eileen’s? And a movie, just the two of us?”

 

The Spot Writers- our members.

 

Catherine A. MacKenzie

http://writingwicket.wordpress.com/

 

Jessica Degarmo

http://www.jessicadegarmo.com/

 

RC Bonitz

http://www.rcbonitz.com

 

Val Muller

https://valmuller.com/blog/

 

Dead on Town Line by Leslie Connor

This is a quick read—131 pages written in verse with lots of white space on the page. The story itself is haunting, told from the point of view of Cassie, a ghost lingering around the site of her murder and awaiting the day she will find closure for her death (note:  don’t read the back blurb if you want to figure out the murderer on your own). She encounters another ghost, Birdie, this one from the 1940s, whose missing body is buried nearby. Through the narrative, Cassie learns about a ghost’s powers and limitations while forging a friendship with Birdie, recollecting important moments and people in her life.

Though I usually enjoy prose much more than poetry, the verse is effective in this book. It’s concise, poetic, and poignant. From a writer’s point of view, it’s a good study in condensing the emotion of a story into an engaging plot.

There isn’t much I can say about the book without spoiling plot for you, so I’ll leave you with the portion of the poem that was quoted on the inside book flap:

From my perch
I’m watching the dogs miss it
Over and over again.
If I could guide them
I would.

The body changes
This is a cold October.
Rot happens slowly
But it does
Happen.

Its simplicity and eloquence paired with the actual topic make it a haunting read indeed, and one that is worth your time.

 

Book Baby

17 comments

Welcome to the Second Annual Splash into Summer Blog Hop! I’m glad to be part of the tour. Check out my blog post below, and enter to win. I’m offering a choice of prizes: winner can choose from the following:

  • a copy of Corgi Capers: Deceit on Dorset Drive for e-reader
    OR
  • a paperback version of the novel
    OR
  • a Corgi Capers t-shirt (available S-XL)

Book Baby

More than once, readers looking at my book cover have asked whether the boy on the front cover is my son. He isn’t. But even my parents commented that the boy on the cover looks the way I would have looked as a kid—if I were born a boy. This was not intentional. The artist chose a picture based on a description of my character taken from my book.

But the metaphor is appropriate. Publishing a book is often likened to having a child. You can do many things while developing it—taking vitamins or doing research, getting proper exercise or editing for grammar. And you can practice everything within your power to raise it correctly—good discipline and enlisting beta readers, loving praise and a critical eye. But for any published author, the time will come when “the baby” is fully grown and ready to be released into the world. At that point, everything on your end is finished. Your “baby” is out on its own.

Does the boy on the cover look like a young, male version of me?

As an English teacher, I’ve had similar conversations with students. They sometimes ask me, during bouts of intense literary analysis, “What if the author didn’t realize he was putting so many symbols into his novel? Aren’t we going into too much depth? Can’t we just ask the author—and if he didn’t intentionally put in all those symbols, then we don’t have to write about them, right?”

And that’s when I tell the students: it doesn’t matter if an author intentionally intended anything. The point is, when a work is published, it is released into the world. It is open to interpretation and criticism as well as praise. And most of the time, the author is absent while the book is being read. Intentions or not, if a reader sees symbols in a work, then the symbols become relevant.

In my book, I’ve been surprised at what readers focus on in their comments. Though they enjoy the rest of the book, they seem to be highly interested in the character of Courtney—and her bad behavior. More interested than I thought they would be when I was writing.

Courtney, the seventh-grade older sister of the protagonist, was written to be a bit of a tease. In writing, though, she took on a life of her own and became somewhat of a bully to young Adam. Throughout most of the novel, she gets away with it, too. I was surprised when readers commented especially on how much they were rooting for Courtney to be caught and punished the whole time. They turned page after page, waiting for justice (I won’t spoil the end by telling you whether she’s ever caught). I’m not sure if I’m desensitized to bad behavior after years and years of teaching… or maybe I know more of Courtney’s redeeming qualities, which aren’t fully shown until the third book in the series. But the point is, Courtney’s behavior wasn’t as infuriating for me as it was for the readers.

So here I am, the author, saying: Courtney isn’t as bad as you think—just wait until the third book when we discover her good side. She’s just going through a rough patch in her life right now—try to see the world through her troubled perspective!

Does that mean the readers’ interpretations—that Courtney is essentially a villain—are invalid?

I would answer no. Once the book has been born into the world, it no longer belongs to the author. It belongs to all the readers, and their interpretation is just as valid as mine.

What do you think? Let me know–and happy summer, happy reading!

Giveaway details:
Leave a comment below for your first entry, and use the Rafflecopter to enter for more chances to win. The winner will receive his/her choice of a copy of Corgi Capers: Deceit on Dorset Drive for e-reader OR a paperback version of the novel OR a Corgi Capers t-shirt (available S-XL)—winner’s choice! Contest is open to US shipping addresses only. Winner will be notified by email and asked for prize choice.

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This is an excerpt from Historically Yours, the second book in Jessica Degarmo’s Johns Creek Second Chances series. The Storm Within, the first in the series, is available now, and the second will be published later this year by Taylor Street Publishing.

On impulse, Chloe stopped by the grocery store and picked up a little pound cake to take to her irascible neighbor. She had no idea if it would work, but it was worth a try. The way to a man’s heart was through his stomach, right? And sometimes, being nice worked much better than being rude. He couldn’t hate her if she didn’t give him a reason to, could he? A small piece of her subconscious demanded to know why she couldn’t just avoid him, but she chose not to answer it, not because she didn’t know, she assured herself, but because she was just being neighborly, and there was nothing wrong with that.

She peeked into his office window and saw him bowed over his desk, seemingly concentrating on some invoices. She knocked on his office door and waited for the maelstrom. The door opened and Chase scowled when he saw here there. “What the hell do you want? One tongue-lashing a day isn’t good enough for you?” he growled, glaring at her.

“Nope. You could say I’m glutton for punishment. I brought you something. Sorry I didn’t bake it, but I’ve been a little busy in my kitchen. It’s not quite ready for culinary works of art yet,” she informed him.

“You can take your cake and go right back where you came from.”

“That’s not very neighborly of you, neighbor,” she said with a grin.

“Yeah, well, if I had my way, we wouldn’t be neighbors.”

“You know, you’re very cranky.”

A chuckle shot out of his mouth before he could control it.

“You’re the first person who’s said that,” he admitted.

“Hmm, so everyone else just thought it, then?” she returned, the picture of innocence.

“No, no one winds me up the way you do.”

“So, what does that tell you?” she asked pointedly.

“I still don’t want your cake or your company, Chloe,” he said firmly.

“Well, at least we’re on a first-name basis.”

“Why do you insist on harassing me?” he asked as a pained expression crossed his face.

“I was minding my own business that day when you barged into my house, remember? And again today at the library?” she asked teasingly, no trace of anger in her voice.

“I plead the Fifth.”

“Not going to help you. I have witnesses, you know.”

“Oh, yeah? Who?” he asked, mystified despite himself.

“About four hundred spiders, mice and dust bunnies, and all the wildlife that inhabits Front Street.”

He struggled to maintain a straight face. “Unreliable at best. They’re horrible on the witness stand.”

“I’m willing to take my chances. So, truce?” she asked, holding out the pound cake.

“Why do you want a truce?”

“Because I don’t like fighting, and I’m actually quite nice once you get to know me. Plus, I’ve had enough turmoil and drama to last me a lifetime, and I was hoping my new life here would be peaceful.” She smiled up at him beguilingly.

But it appeared he wasn’t going to let her off the hook so easily. He retorted, “So, you never told me why you decided to rope my brother into helping you.”

She sighed, the long-suffering sigh of someone used to dealing with idiots on a regular basis. “He came to me and offered to help. At this point, I’ll take all the help I can get. I’m all alone here, Chase, and I need help. I understand my being here isn’t convenient or pleasant for you, and I’m sorry for that. But I’m here to stay, and I’d appreciate it if you’d stop harassing me.”

His scowl deepened. “Listen, I’m sorry for your trouble, I really am, but where the hell else am I supposed to put my parking lot? The one I have is way too small for the store, and the townsfolk are complaining about the on-street parking. I need your lot to expand. I’m sorry if I can’t roll out the welcome mat for you. You’re in my way.”

“No, Chase. You’re in your own way. There’s always a solution, if you’re willing to look. And by the way, I don’t care if our ancestors fought like cats and dogs. That was the past, and this is the present. Let’s let bygones be bygones, shall we? I’ll stay out of your way, but you can’t keep giving me a hard time, alright? Enjoy the cake.”

She walked away and left him there holding her offering.

Next week, R.C. Bonitz is presenting some more flash fiction!

This is one of my favorite (long) short stories to teach in high school. Though my Monday book reviews normally focus on full-length books, this short story is a great work to study as a horror writer. Gilman wrote the story as a result of her own mental breakdown. It was written in the late 1800’s when things like depression and postpartum depression were not understood. A popular cure was known as “the rest cure.” Women were given a strict schedule, mostly consisting of rest away from family and familiar surroundings, but also containing a detailed schedule of food and drink, rest, mild activities. Even the women’s sexual activities were sometimes scheduled and enforced.

Gilman wrote this story to show the world that “the rest cure” was actually doing more damage than good. In the story, a woman slowly loses her mind while forced to spend three months in a house that her husband (a doctor) rented to allow her sufficient rest to overcome her mental ailments. During her time in the house, the woman is denied visits to family, mental or physical stimulation, and the freedom to discuss her feelings.

The most spooky, captivating, and awesome element of the story is its first-person point of view. The narrator is writing the account in her journal, something she must do only when no one else is around. Her journal begins with descriptions of mundane trivialities, but it becomes increasingly more disturbing. The narrator is locked in the nursery on the top floor of the house. The room’s most distinguishing feature is its yellow wallpaper, which features a dizzyingly-horrendous pattern. In the wallpaper, the narrator begins to see manifestations of her own self—a woman trapped and trying to get out.

From a writer’s point of view, Gilman’s use of first-person point of view can be used to study the building of suspense. Gilman provided just enough details for us to put together the pieces of the narrator’s growing madness (and its causes) without over-explaining and thus ruining the suspense. Gilman packs this short story with content, and I suggest reading it more than once—after learning the ending, you’ll pick up more and more details each time.

A final interesting note: Gilman admitted to writing the story for the purpose of informing the world of the dangers of “the rest cure.” In her day, she received evidence that she had saved at least one woman’s life as a result of the story, and at least one doctor modified his treatment after reading her story. It just goes to show the power of words, and the reason I continue to write.

Today’s flash fiction comes to us from Cathy MacKenzie. She has just published three new e-books: two collections of short stories, Liars and Other Strangers and Love, with a slice of lemon; and a flash fiction collection entitled a little bit of FLASH – Fiction, that is. These books can be found on her Smashwords page at: https://www.smashwords.com/profile/view/camack.

Next week’s story will be by Jessica Degarmo, who grew up in Upstate New York and now lives with her husband, children and dog in rural Pennsylvania. When she is not writing, she is an insurance agent, the lead singer in a classic rock band, and an avid collector of gemstones. Her publishing credits include How to Meet a Guy at the Supermarket (Night Publishing, November 2010); Hooking Up (Night Publishing, May 2011); Decisions (Silver Publishing, July 2011); and The Storm Within (Night Publishing, September, 2011.

 ***

 The Face
by Cathy MacKenzie

While strolling through the mall, Carmen jerked back in shock at the glimpse of an image in the mirror. The person was someone she immediately recognized, but that individual had been dead for many years. She wished she hadn’t missed that last eye appointment, because surely her eyes deceived her.

She peered again, tilting her head one way, then the other. She threw a faint smile at the reflection, before looking grim. Her hand smoothed down her unruly hair. She bared her teeth and scrunched her eyes and stared until the resemblance disappeared. Sanity returned when she finally gazed at herself. Even then, something seemed amiss, although she wasn’t sure what.

After she finished her errands, she quickly exited through the back door. She did not want anyone to see her. She had to escape; there were too many mirrors hanging on endless walls and numerous glass doors bragging of more reflections. Self-observation was unavoidable no matter where she turned.

Without examining herself again, Carmen knew the other face had returned. She had caught another glimpse of that same face when passing by a second mirror, even though she pretended she hadn’t noticed. She could not deny that no matter how she pictured herself, Carmen’s mother, Bernice, who had passed on to eternal life many years previous, glared back at her.

Carmen did not want to test any more mirrors, understanding in an instant that mirrors don’t lie, although, of course, that was something she should have known. She realized she could glance into a dozen mirrors of all different shapes and sizes, in numerous malls across the country, but she’d still look the same.

Age had crept upon her. Death lingered somewhere close.

The previously young Carmen – that face framed in her mind of how she thought she appeared to the world – had disappeared. She wondered in horror how the years had crept by before she was aware a life could slip away forever.

[This is an excerpt from Cathy’s novel-in-progress, with the working title of Madness Takes Over, Sometimes. It also appears in her e-book of flash fiction.]

 ***

 The Spot Writers- our members. You can find our Thursday posts at any of the following blogs:

Catherine A. MacKenzie
http://writingwicket.wordpress.com/wicker-chitter

Jessica Degarmo
http://www.jessicadegarmo.com/

RC Bonitz
http://www.rcbonitz.com

Val Muller
https://valmuller.com/

 

 

I had the chance to interview author Larissa Hinton. The young adult fantasy and paranormal romance author grew up in Virginia Beach, Virginia and Chesapeake, Virginia. She now lives in northern Virginia, but she always looks forward to going back to the sweet smell of the salty ocean.

Larissa has always loved writing since the age of 12 and hasn’t stopped since. After many years of writing whimsical tales of romance and fantasy, she is now proud to be a self-published author. When she’s not writing, she’s teaching English at a local middle school.

When seen out of the classroom, Larissa is shopping for the next great Wii game, searching for undiscovered treasure (a.k.a. sparkly jewelry) and plucking some fresh fruits (or vegetables, dependent on the year) out of her small garden.

Larissa Hinton is currently author of Everblossom: A Short Story and Poetry Anthology. However, be on the lookout for Angel Diaries (a paranormal romance) and Everblossom 2: A Second Anthology of Short Stories and Poems!

If you want to know more about this author and her sarcasm, then check out her blog (http://teacherwritebookaholicohmy.blogspot.com/) and click on FAQs.

Tell us about your book:
Everblossom: A Short Story and Poetry Anthology is a collection of short stories and poems that explore the three stages of a flower that correlates to the human different stages of life but with a paranormal and fantasy twist. Here’s more information about it in the blurb:
An anthology that will quench your thirst for more than the ordinary.
Everblossom is a journey through poems and short stories that may seem ordinary on the surface but dig a little deeper and the world not only shifts… it changes.
The author who brought you Iwishacana/Acanawishi, now brings you a dash of everything from dark fantasy to the paranormal to romance. So prepare yourself to delve into the three stages of the flower from bud to blossom then back to seed; you’ll go through them all with a whole new perspective on what it all truly means.What is your favorite character or element of your novel?
My favorite character in my anthology is Jia since she’s a tough female character that is beautiful and unique from the inside out. Additionally, I loved creating her. I feel like she could truly be my daughter in so many respects especially since our sarcasm is so similar.What book or author has been most inspirational for you, and why?


Stephenie Meyer has been most inspirational author for me because she inspired me to push the boundaries on my own writing. For so long I wrote only in two genres: fantasy and romance. I actually went out on a limb and explored other genres in my writing and reading journey. I will always be thankful to her for that.If you were to be stranded on a desert island, what non-survival-related item would you bring along that you couldn’t live without?
Hmm, that’s a tough one. I could never live without for sure is my cell phone. It’s not that I would use it to keep in contact (even though that’s a bonus), I have a function on my phone where I can write notes and I use that to construct many of my stories on the go. I could never leave the house without it!Are you working on any other projects at the moment?

Absolutely! I’m working on my YA paranormal romance called Angel Diaries. Here’s a snippet of the blurb (the cover for Angel Diaries is attached):

Lindsey’s life couldn’t have been any more ordinary. So, she had two guys fighting over her, a psychic friend and a school dominated by Goths but, other than that, life was good. That is until horrible nightmare start about her mother being ripped apart by a monster changed her life from the inside out. Literally. Her whole world was full of lies. She’s not even human. She’s an Angel.
This book is recommended for 16 years or older due to adult scenes and situations.

What question do you wish I had asked?
I wish you would have asked something about my favorite book (Nightshade by Andrea Cremer btw).

To find out more about Larissa, check out:

Twitter:
https://twitter.com/#!/FeedMyNeedL

Blogger:

As the last few weeks of school are winding down, I thought I would review some of the books I teach or have taught. In high school I read (or attempted to read) Thomas Hardy’s Jude the Obscure, and I swore off Thomas Hardy forever. But then life happened, and I found myself teaching Tess of the D’Urbervilles and loving it. So I thought I’d share some of my enthusiasm here. The novel has been dubbed Hardy’s most accessible, and it’s free on Kindle, so feel free to give it a try.

The novel follows a young woman named Tess who tries simultaneously to compensate for her parents’ irresponsibility, forge her own way in life, and fight a series of events that suggests she was born under an unlucky star while all the while living in a society whose rules seem to contradict the natural laws of nature.

First of all, to understand the novel you must understand that it was written during the Victorian Era when society had a hypocritical enthusiasm for ensuring the purity of women while ignoring the purity of men. Hardy was also using the novel to examine his views on formal religion versus general moral beliefs as well as to examine his idea of tragedy, which comes from “the worthy encompassed by the inevitable.” For example, Hardy wrote a poem about the Titanic in which Fate prepares a “sinister mate” for the Titanic in the form of an iceberg.

The second thing to understand is that because he was writing during Victorian times, he had to confine his writing to certain (prudish) standards. For example, in the original text, there is a scene in which a man carries four dairymaids across a flooded river. This was a bit too scandalous for certain publications, and for one of his editions, Hardy was forced to rewrite the scene so that the man used a wheelbarrow to ferry the maidens across (rather than the scandalous act of actually touching four separate unmarried women!). As a result, Hardy’s language is often metaphorical, sometimes in intriguing ways.

For example, there is a scene written about a strawberry. And yes, it’s just about a strawberry. But the undercurrent of the scene could make even a modern-day reader uncomfortable. The scene establishes the alluring yet pushy nature of Alec and foreshadows the rape scene, which causes Tess’s life to spiral down in tragedy. The scene is from Chapter Five:

Tess wished to abridge her visit as much as possible; but the young man was pressing, and she consented to accompany him.  He conducted her about the lawns, and flower-beds, and conservatories; and thence to the fruit-garden and greenhouses, where he asked her if she liked strawberries.

“Yes,” said Tess, “when they come.”

“They are already here.”  D’Urberville began gathering specimens of the fruit for her, handing them back to her as he stooped; and, presently, selecting a specially fine product of the “British Queen” variety, he stood up and held it by the stem to her mouth.

“No–no!” she said quickly, putting her fingers between his hand and her lips.  “I would rather take it in my own hand.”

“Nonsense!” he insisted; and in a slight distress she parted her lips and took it in.

They had spent some time wandering desultorily thus, Tess eating in a half-pleased, half-reluctant state whatever d’Urberville offered her.  When she could consume no more of the strawberries he filled her little basket with them; and then the two passed round to the rose-trees, whence he gathered blossoms and gave her to put in her bosom. She obeyed like one in a dream, and when she could affix no more he himself tucked a bud or two into her hat, and heaped her basket with others in the prodigality of his bounty.

What I love about the novel is Hardy’s elegant prose. His word choice is elegant yet not over-the-top, and reading his work will definitely help with SAT scores! Hardy’s sophisticated vocabulary means he can choose the exactly appropriate word for each situation. His imagery is often symbolic or suggestive, and his use of point-of-view allows him to include humor in the overall tragic work. For example, Tess’s parents are portrayed as often-drunk, childish, country bumpkins (of the Victorian British variety), allowing comic relief to break up Tess’s misery.

My favorite point-of-view shift comes toward the end of the novel in which Hardy describes a murder scene. Instead of bringing us intimately into the murder chamber itself, he shifts into the point-of-view of a woman watching a red spot on the ceiling above her become increasingly larger. It isn’t until the woman more closely examines the spot that the reader realizes the spot is blood, and a murder has taken place in the room upstairs.

I won’t go into depth in the plot here—you can go to any number of sites for a summary—but I will recommend the book for its prose, its criticism of Hardy’s society (the questions he asks are still relevant today—is there a double-standard in the way we view men and woman? –is someone with moral beliefs just as admirable as someone who follows the rules of a given religion?), and its foray into the idea of a more modern tragedy than the Oedipus of old.

 

My favorite memories of growing up with my mother revolve around summertime. There was just something magic about the summertime. About being barefoot and chasing fireflies and having long summer days made special by Mom. In fact, there was this book we used to read. I can’t remember the title—maybe it was “Going Barefoot,” but it was about a kid who couldn’t wait to go barefoot and kept asking when it would be warm enough to go without shoes. The mother in the book kept reminding him that June was the time to go barefoot… the magic in that book fully captures the magic of my childhood summers.

We had these two little plastic tables—one orange and one yellow—that Mom would set up in the back yard. My sister sat at one, and I at the other. For lunch, Mom would bring us juice to drink at the tables while we sat and waited for her to bring lunch. My sister and I turned to each other and giggled at the adventure. The birds chirping in the trees, polynoses falling from above, the scent of freshly-cut grass carrying on the breeze. And then Mom would bring out lunch. Butterfly crackers (they were actually shaped like butterflies), ham roll-ups (deli-ham rolled up into kid-friendly pieces), and American cheese slices cut into fun shapes. It was such a fun lunch that I forgot I didn’t like to eat (I was a difficult eater).

Our back yard was its own world, a land of pure magic, where anything could happen. Each summer my sister and I got to pick out a new pair of “jelly shoes,” translucent plastic shoes of fun colors (they have made a come-back in recent years). We got to wear summer dresses (ours usually matched) and swim suits. We listened to crickets chirp and owl hoot. And through it all there was Mom, conducting the summer magic. Teaching us about flowers and birds. Finding fun new ways to style our hair. Instilling in us a love of summer reading and the outdoors.

Summer has always been my favorite season, and there are many reasons for that. But childhood summers were the best for one reason: Mom. As much as she was able, Mom took the summers off or worked shortened hours to be home with us as much as possible. She always had special little ways of making summer days magical, whether it was special lunches outside or trips to the library or beach; eating green beans fresh from the garden or evenings spent making s’mores.

As summer approaches once again, that calm sense of wonder creeps in. The spring peepers usher in the greenery, and I know that the days ahead will be filled with fireflies and campfires, lunches on the picnic table and s’mores after dinner. And my feet are getting restless—they can’t wait until they can go barefoot in June.

Happy Mother’s Day, Mom!