Val Muller

The Electronic Wordsmith

Welcome to the Spot Writers. This month’s topic is “Halloween.” This week’s story comes to you from Val Muller, who, despite loving horror, ended up writing something much more upbeat. For more upbeat fun, check out her middle-grade mystery series, Corgi Capers, at www.corgicapers.com.

Butterflies

By Val Muller

The October sun shone golden and glorious. Seventy-five degrees and sunny. A delightful taste of summer after a week of frost. And what better place to spend such a day than Grandma Lo’s? The huge house was packed with ancient treasures, things from Logan’s parents—two people Jana was too young to have known. The property was beautiful, too: eight apple trees lined the driveway, an acre in the back and a three-acre field next to the house. Grandma Lo kept a garden three quarters of the year, and now it blossomed with kale, carrots, and leeks—and a few straggling tomato plants that refused to succumb to the cold.

Mom and Dad had come to spend the day helping Grandma Lo mend the wooden fence and repair some of the stonework on the wall out back. Grandma was still quite healthy, but there were some tasks an old woman couldn’t handle alone.

But of course, Jana was too young to help. They said if she behaved, she could help paint the boards later. Jana loved any kind of painting, any kind of artwork.

Grandma Lo set Jana up with a plate of cookies and a glass of chocolate milk, as always.

“I can’t believe it’s October already,” Grandma said. “What will you dress as for Halloween?”

Jana smiled and said, through bites of cookie, “I want to be a butterfly. Mom says I’m old enough to make my costume this year, but I’m not sure where to start.”

Grandma Lo smiled. “Follow me to the basement. I’ve got boxes of costumes and clothes from my parents. I haven’t looked through them in years.”

Jana gulped the rest of her milk and grabbed another cookie to eat on the way, then followed Grandma downstairs to the large closet in the corner. Grandma opened a box and laughed. “A dragon costume.” She held up an adult-sized union suit made of fuzzy green material. “I remember the year my dad wore this while parading us around the neighborhood. No trick-or-treating that year, so he dragged us around on a wagon so we could show off our costumes to the neighbors. I was a fairy princess, and my brother was a knight.” She pulled out a plastic knight helmet. It snapped as she opened the visor. “I guess it got brittle with age. Like me.” She laughed. Then she pulled out a sparkly pink fabric square. “This is what my mom made me to match the princess costume.”

“Is that…” Jana asked.

Grandma nodded. “A cloth mask. We all had them. All colors and designs. I remember detesting them at the time—looking forward to when we wouldn’t need them everywhere we went.”

Jana held out her hand, and Grandma dropped the mask into it. “We learned about 2020 in school,” she said. “Our teacher showed us one of these.” Jana demonstrated what she’d learned by donning the mask, pulling the straps behind her ears.

“Crazy the elastic still works.” Grandma shivered. “Funny, seeing you wear that mask brought back so many memories. Time with my parents, my brother.” Grandma wiped a tear. “Who’d think I’d get all nostalgic about it sixty years later?”

She shook her head and smiled apologetically at Jana. “I have to go help your Mom and Dad. Got a couple of boards loose, and those neighbors do like to complain. You can look through all these boxes. Lots of clothes and costumes in here from my parents and from me growing up. Whatever you find, you’re welcome to use. I’m sure you can find a butterfly somewhere in there. There’s glue, yarn, scissors.” She pointed to her art desk along the wall. “Help yourself, my darling.”

Grandma ascended the stairs, still wiping her eyes, and Jana’s skin prickled. The basement was fully finished, but it was still creepy. All basements were. Something in the furnace room creaked, and Jana fought the urge to run upstairs. She was old enough this year to make her own costume, and she wasn’t going to let herself get scared away until she did.

But how to make a butterfly? The costumes here were anything but—a skeleton suit, a monster mask, dragon, pirate, witch hat. All scary stuff. No butterfly.

She tried another box. The rest of the crackling plastic suit of armor. A reaper robe.

Another box. A flowing quilt of a skirt folded neatly on top, and underneath—scraps and scraps of colorful fabric. They seemed to flutter with the rush of air when she removed the skirt. Then, leaning behind the box, a plastic sleeve of thin wooden dowels. A noise in the furnace room jarred Jana again, but this time it didn’t break her smile. She was too old to be scared, she decided.

* * *

With the fence almost finished, Logan wiped sweat from her brow and started back to the house, promising to bring glasses of cold lemonade to her daughter and son-in-law. Despite the beautiful day, the heat of October was oppressive, somehow; and since talking with Jana, her mind had gotten stuck in 2020. The memories felt like shackles, like a weight dragging down her brittle bones. Those had been rough years. She remembered having only wanted to get past them.

But those years were far behind her. She’d been so young. She’d had a full life since then. Why did they bother her now?

Oh, they were beautiful, too, in some ways. So much had changed with the pandemic, though of course life returned to normal after. It always does. Those too young to remember, though—they simply couldn’t appreciate it. Two years of distance learning. A year of cancelled plans. Yet more downtime than Logan had ever experience before or since.

“Look at me,” she whispered to herself. “Crying like the old woman I promised myself I’d never become.” It wasn’t that the memories were so painful. Maybe it was just the lack of closure. There was never any kind of declaration, no celebration of a global vaccine, no declared end, no Armistice Day. Things simply faded back to normal. Slowly.

Logan wiped away sweat and tears with the edge of her shirt as she came to the rock wall at the back of the house. There, in a flutter of color, was Jana. She wore two beautiful five-point wings that looked like they were made from wooden dowels and yarn and…could it be?

Logan stepped behind a tree to enjoy the girl’s dance without disturbing her. Jana had tied the wings to her arms so that they flapped when she moved. They were a tapestry of color, a mosaic of memory. All those masks—her mother’s, her father’s, her brother’s, her own—Paw Patrol and paisley, Spiderman and soccer, snowmen and picnics. Every flutter of the pattern was a rush of memory.

The autumn sun glowed against that fabric with its special light—the magical way it turns everything golden. The breeze kicked up, causing the dry psithurism of aging autumn leaves, a whoosh less pleasing than its summertime counterpart but still soothing nonetheless.

Four dozen colorful masks transformed into wings, the weight of the pandemic completely gone from them. They took flight in front of Logan’s eyes as she stepped out from behind the tree, into that transformative golden sunlight that tickled her face like the kiss of butterfly wings, into the winged arms of her granddaughter.

The Spot Writers—Our Members:

Val Muller: https://valmuller.com/blog/

Catherine A. MacKenzie: https://writingwicket.wordpress.com/wicker-chitter/

Phil Yeats: https://alankemisterauthor.wordpress.com

Chiara De Giorgi: https://chiaradegiorgi.blogspot.ca/

 

A few weeks ago, I was excited that a WWII airplane flyover (the Arsenal of Democracy, celebrating the anniversary of the end of WWII) was schedule to occur right over my house on a Friday. I was all set to go out with my camera, get some great shots, and post a “Fantastic Friday” all about it.

To my surprise, the day before, while I was online teaching from my house, I was distracted by a persistent buzzing. It got louder and louder. In the middle of teaching class, I pressed on…until I saw my husband outside the window, holding my camera to the sky. Then I looked.

Planes in formation, literally right overhead. Not just any planes: WWII planes.

After class, I ran out to try to get some shots. My class ended just as the last few planes were flying overhead. I only got one good close-up. Dismayed, I stayed outside long after the droning sounds had faded.

“Doc,” a B-29 Superfortress, flew right over my house.

“They’re gone,” my husband said several times from inside. I trudged inside, but every time I heard a plane or helicopter, I ran out to see if it might be a plane from the past.

“They’re just ordinary planes, now,” my husband said. His tone tiptoed around my disappointment. I love sky photography, and this was a once-in-a-lifetime opportunity.

It turns out, Thursday was the test run for the next day’s actual flight, the one that would follow the Potomac into D.C.. The planes’ holding zone happened to be near my house. The photo I got was decent, but the silver plane against a solid background of clouds makes the image look like an old black and white photo that was taken during the second world war. The photographer in me wanted to see what fluffy white clouds against blue sky would look like reflected in the plane’s shiny silver surface. And, might I be so lucky to catch it reflecting actual trees or grass from my own yard below?

I was determined to get a better shot the next day, during the real event.

I planned a lesson that my students could do independently, and I had my apology speech all prepared for the start of class. Sorry, kids, I like you–but not as much as I like this once-in-a-lifetime chance to photograph working WWII planes. When I hear the buzzing, I’m out!

It turns out, the weather was bad on Friday. The event was postponed until Saturday. I figured I’d save the Fantastic Friday post for the next week. The day didn’t feel so fantastic, but I moved on.

Saturday, the weather was even worse. The event organizers only had permission to use the airspace through Saturday, so the event was cancelled entirely. All that effort. All those planes. All those pilots. For naught. In a month with so few days of clouds and rain, why did the weather choose those three days specifically to be miserable? On social media, the world shared its disappointment. Some people had traveled across states and paid for hotel rooms to be able to see the planes fly. The misery was contagious.

Now, weeks later, flipping through camera footage, I saw the picture of the plane, the B-29 Superfortress, “Doc.” Instead of seeing what was missing–all of the other planes that flew during my class; the blue sky; planes in formation–I saw an amazing shot of a plane from an era before my time.

In flight.

Above my house.

I literally captured the shot feet from my front door.

How amazing is that?

I realized that my negative thoughts came from me focusing on what I didn’t have rather than this amazing thing that I did have. I needed to find that zen acceptance that I could not control the weather, or the time of my classes. But once again, I could control my outlook.

The human mind is amazing. It can imagine all kinds of things that don’t exist. That ability allows our innovation, our accomplishments, our legacies. But uncontrolled, it can also cause our own disappointments.

With only one plane in my arsenal of photographs, I decided to research it a bit more. I found this post from Stars and Stripes. The link referenced in the post, https://www.stripes.com/news/us/vintage-aircraft-set-to-fly-over-dc-to-mark-the-anniversary-of-world-war-ii-s-end-1.646343, contains some amazing photos of “Doc,” the plane I captured, both interior and exterior.

How amazing that I only got to capture one plane so that I would be inspired to research its history and read accounts of so many who served during WWII, who helped to build planes like “Doc,” and who never imagined they’d be restored from a desert after decommission to the renewed interest of the nation.

Sometimes, the zen of a quiet mind is all that’s needed to see the amazing opportunity not in what is out of our reach, but in what is right in front of us.

Welcome to the Spot Writers. This month’s prompt is to write something with these words: emotion, thumb, copyright, chapter, misery.

This week’s tale comes to us from Val Muller, who attributes the tale to imagined pandemic insanity (she is currently too busy to actually be insane herself). Val is the author of the Corgi Capers mystery series. Find out more at www.corgicapers.com.

With Friends Like These

By Val Muller

She woke to that funny feeling she wasn’t alone. What was wrong? She glanced at Cleo, curled up by the window in a patch of moonlight. Cleo didn’t seem concerned: there were no intruders.

At least not the human kind.

The room, though, echoed in sinister shades. Curtains looked swollen and corporeal. The closet door hung open with sinister intent. The dresser looked demonic.

On her bed, something seemed out of place. Something small, sentient—starting. She traced it from the other side of the bed down the long line of her arm. She slid her arm to the left. The thing moved, too. It was her thumb, as much a part of her as her other fingers, but also apart form her, too. It stood rigid, judging.

“Allo,” it said.

What altered state hell was this? It was too real to be a dream, though she wished it were. Emotions pooled and pricked the back of her neck.

“What are you?” she moaned.

“Pardon?” her thumb replied.

Her mind flashed with possibilities, from dreaming to accidental drug use.

“What are you?” she repeated.

“I think we both know the answer to that,” said the thumb.

She shook her head. “Mary’s not going to like this.”

She glared at the thumb, and it cocked its head.

Wait, what? Thumbs don’t have heads.

She shuddered, thinking the thumb reminded her of the little blue worm from the movie Labyrinth. It seemed polite enough, but in the end it turned out to be treacherous.

“If you can’t sleep, you might as well exercise,” the thumb said.

She glanced at her glowing fitness tracker watch. 2:12 in the morning. Exercise, now?

“I’ll get Mary,” she threatened.

The thumb laughed. “Please do.”

With her other hand, she reached for the light. She turned in on, illuminating the nightstand in a roseate glow—and revealing the hastily-scrawled eyes, the mouth, the  nose, the lightning bolt.

“Oh,” she said. “Are you Ziggy Stardust?”

The thumb laughed. “You’re thinking of Aladdin Sane, love. Not Ziggy. But no, that would be a violation of copyright, I’m sure. I’m Zaggy Moonshine.” The thumb cocked its head again. “See, the lightning bolt goes the opposite way.”

The thumb’s snark rubbed her the wrong way. This is how it always acted, pushing her to the brink of misery until she had no choice but to get Mary.

“I need to sleep,” she said.

“Why? So you can sit in front of your computer again tomorrow?”

“Well. What else is there?” she asked.

The thumb laughed because it knew the answer. It always knew the answer, and it never told.

“Errr,” she groaned. “Mary!”

Her left hand snapped to attention. There, on the pointer finger, was scrawled the familiar eyes, nose, and curly hair of her favorite childhood friend.

“Bloke getting you agitated again?” asked Mary.

“What else does he do?”

“You know what to do.” Mary nodded.

“But…it goes for you, too.”

“A sacrifice worth making. You know he won’t let you sleep. And don’t get me started on the meeting you’ve got tomorrow. Presenting to the boss. Can you imagine—doing that with him around? What would your boss do?”

“You’re right,” she sighed.

“Just do it, love,” Mary said.

“That’s right. Do it now,” the thumb taunted. “But we’ll be back before you know it.”

She nodded and rose from the bed, past her ink pens. Red for Mary. Purple and black for Zaggy. Then into the bathroom. Soap. Lather. Count to 20. Repeat. She watched the rainbow remnants of her friends swirl around the sink. She was alone in the house again, alone in quarantine. But still she couldn’t sleep. Maybe it was the loneliness. Chloe still snored, as if pandemics did nothing to disrupt her dreams.

She dressed quickly and went downstairs to the elliptical. Zaggy was right. She did need exercise. But at least the little bastard wouldn’t be around to whisper “I told you so.”

Oh, he’d be back, of course. She knew that. He’d last as long as the pandemic. Zaggy was an uncomfortably long chapter in her life. But all chapters come to an end eventually. And for now, there was the simple whirr of the elliptical and the peace of solitude.

The Spot Writers—Our Members:

Val Muller: https://valmuller.com/blog/

Catherine A. MacKenzie: https://writingwicket.wordpress.com/wicker-chitter/

Phil Yeats: https://alankemisterauthor.wordpress.com

Chiara De Giorgi: https://chiaradegiorgi.blogspot.ca/

 

 

One of my favorite novels is Ray Bradybury’s Dandelion Wine. In the novel, the main character has an epiphany that he is alive. I have written about this in my blog several times over the years. I know it sounds simple: yes, if you are reading this, you are alive.

But do you really truly realize you are alive?

The other day, two very strange occurrences startled me out of the routine of my life. First, driving home, a large branch fell within feet of a pickup truck two cars ahead of me. The branch fell across the entire roadway. The pickup truck drove by unscathed: I’m not sure the driver even realized the branch had fallen. It wasn’t windy, stormy, rainy, or anything. The branch spontaneously fell. The car behind the pickup truck and the driver two cars in front of me cleared the branch from the roadway—it wasn’t too heavy, and it probably would have caused only minor damage to the truck.

But I thought it odd that a branch should fall without provocation. And how odd that the truck missed it by possibly a fraction of a second. If it had been a novel instead of real life, I would have made a note that the branch was some kind of foreshadowing—an omen.

But it wasn’t a novel, so I drove home only a bit startled by the occurrence. I guess the message from the universe wasn’t blunt enough for me. I had more in store…

Later, I had to head out for a mascot reveal event I was supposed to take pictures of. I was headed out, camera around my neck, when I realized I should grab my extra camera battery just in case. I turned and walked back to my room to grab the battery—an action that took all of two seconds.

Then I hurried out to the garage, started the car, and headed off. I looked at the clock. It was 7:59. I had wanted to leave before 8 that evening, and I was irked as the clock changed to 8:00 as I pulled onto the road, as if it were mocking me. It’s crazy—with kids, you can never leave on time, but at least I was less than a minute late.

A storm had come through earlier—after the tree branch almost hit the truck, and after I’d safely arrived home and eaten dinner. The storm had cleared about an hour ago, and the air was still and cool.

I had gotten about 1/8 mile from my house when I heard a fantastic crackling sound breaking the stillness of the evening (I had my window down). I looked up.

The road leading to my house is lined with trees—very tall, towering deciduous trees. When I first moved here, I loved it. It felt like entering a magical tree tunnel that was somehow removed from the real world. In an instant, that magic became a liability.

Just ahead of me, a huge piece of tree (part of the trunk? A thick branch? I couldn’t tell) had cracked from the base of its trunk and was tumbling to the ground from high above. I slammed on the brakes and came to a stop with the branch blocking the entire roadway about two meters from my car.

I entered that mode where your body does things while your mind tries to catch up. My body had thrown the car in reverse, sending thoughts to me about other trees or branches possibly coming down in a domino effect. Get out of there, my body screamed.

My eyes were already looking in the rear-view mirror while backing up. Around the bend of the road behind me, a car sped toward me. My body braked again and threw the car into drive, conducting a three-point turn in record time. I realized my body had put the hazard lights on, too. Good job, panic mode! By the time I pulled into my driveway and turned off my hazards, my mind caught up. My hands were shaking.

I sat in my car for a while. Sent a quick email about missing the photo opp. Pondered the chances of that happening, of whatever specific elements of the laws of physics had to line up to send that tree spontaneously down as I was coming by. And the chance of it happening in a way that left me unscathed—physically.

Then I wondered if I should have tried to move the branch/trunk or called someone about it. Realized several of the cars arriving were probably doing so already.

I went in and hugged my family. I was shaken for at least a day. I tried to imagine what my life may have been like if I had left home two seconds earlier. The branch/trunk looked sizeable. Would my car have been crushed? Would I be swimming in paperwork and trips to auto detailers? Would I be car shopping with a totaled engine? Would I be at a hospital?

Would I even be alive?

The next day was filled with frantic preparations for the first day of distance learning in my district. Did I have my lessons posted? Was my camera, microphone in order? Were all the share settings right? Did I know how to take attendance? Had I sent all the introductory emails? There was no time to reflect on my personal life. Teachers seemed to be worrying about new policies and technology glitches, but those problems now seemed so distanced to me.

I had strange dreams that night that I cannot remember.

When I woke, the sun shone brightly. Everything seemed fresh and new. I took a walk to the place the branch had fallen to see how thick it was. Whether my mind made a bigger deal than it was.

downed tree trunk

Here is what was left 48 hours after it happened.

I’m pretty sure this would have done significant damage to me or my car, falling from the height of a four-story building.

When I came home from the walk, I continued cleaning out the office space I’ll be using for virtual teaching. Just a week ago, I thought about the daunting task of clearing the office space as something I had to do. Now, I saw it as something I get to do.

I found some CDs (if you are not old, CDs are a prehistoric way we used to play music ? ) that I hadn’t listened to in years. They Might Be Giants. Cake. I listened to them as I cleaned. Really listened. Heard the texture of the instruments, the nuances in the voices, the tone. They brought back memories. Why had I forgotten about them?

So much of my identity was shoved into the lowest strata of my life for what? Making sure my online course looks perfect? Making sure I can keep up with the ever-changing dictates of a district run by people who haven’t taught in a classroom in years? Trying to make my house look as clean as they do in magazines? (Does anyone even live that way?) Why had I thought that listening to music that made me happy was no longer a relevant thing in life?

I had become a data-inputter, a cook, a diaper changer, a dog walker, a trash-taker-outer, a dish washer. I was a robot. Robots do not need music or joy. They just have an unending list of things that need to be accomplished.

Here is the protagonist’s epiphany in Dandelion Wine:

“The grass whispered under his body. He put his arm down, feeling the sheath of fuzz on it, and, far away, below, his toes creaking in his shoes. The wind sighed over his shelled ears. The world slipped bright over the glassy round of his eyeballs like images sparked in a crystal sphere. Flowers were sun and fiery spots of sky strewn through the woodland. Birds flickered like skipped stones across the vast inverted pond of heaven. His breath raked over his teeth, going in ice, coming out fire. Insects shocked the air with electric clearness. Ten thousand individual hairs grew a millionth of an inch on his head. He heard the twin hearts beating in each ear, the third heart beating in his throat, the two hearts throbbing his wrists, the real heart pounding his chest. The million pores on his body opened. I’m really alive! he thought. I never knew it before, or if I did I don’t remember!”

That last part “If I did I don’t remember” rings true for me.

We get into ruts, routines, that make us more robot than human. When we are literally a cog in a machine, when we do things mechanically without caring, we need a reminder. The tasks in our lives are not things we have to do; they are things we get to do.

It’s easy to get bogged down by the pandemic, the economic hit, the mundane tasks of life that seem unending. I guess sometimes we just need to almost get hit by two consecutive branches falling randomly from above to remind us what a privilege it is to be alive, to put everything–even a cluttered office space–into crystal clarity.

Thanks, universe. And happy weekend.

 

Welcome to The Spot Writers. This month’s prompt is to write a story where water plays a role. It can be a lake, a river, the sea; rain or just some water to drink.

This week’s contribution comes from Cathy MacKenzie. Cathy’s novel, WOLVES DON’T KNOCK, a psychological drama, is available from her locally or on Amazon. MISTER WOLFE, the sequel, coming soon, as well as MY BROTHER, THE WOLF, the last of the series.

***

“It’s in the Eyes”

by Cathy MacKenzie

Chet stops by the clump of trees along the bank of Mira Lake, which flows into the Atlantic Ocean. He clearly sees the object that rhythmically sways as if in tune to music.

Without hesitation, he jumps in. The water is deep, and as he nears, the colours become brighter and bolder. The female is mired in brambles. He tries to disentangle her, but it’s impossible—and too late. Her limbs flail, hampering his progress.

Her bulging eyes glisten and sparkle. Did she cry before the water swallowed the tears whole? At the instant life departed from her eyes, did time stop for her? Was it like a wave high in the sky before it plummeted upon an unsuspecting swimmer? Did she have any inkling what was to befall her?

Will the woman’s motions eventually stop, or will she flounder forever until creatures scavenge the flesh?

Too many unanswered questions.

He swims to the surface, flapping his arms and kicking his legs, and when he explodes into sunlight, he faces the sky, inhales a great breath, and howls.

*

He wakes when the sun rises. He slips from bed and stands by the bedroom window. Shades of flaming red splash across the horizon, reminding him of Jennifer’s hair splaying underwater.

And the eyes!

Isn’t it always in the eyes? The eyes of Jennifer. The eyes of Isabel. The eyes of Barb.

Jennifer stared—dead yet alive—her motions performing a version of a weird dance. Alive yet dead.

Isabel was the easiest. Her eyes remained open for eight minutes—he’d counted—but closed when she succumbed, disappearing forever into the ocean’s depths. No graceful dance—not even an odd dance—for her.

Barb? Her eyes were amber. Sneaky like a cat. He’d never forget those eyes. And her name? Had she been born a Barbara? He once knew a Cindy whose legal name hadn’t been Cynthia.

Cindy. Another one.

And other women. Had to have been more.

He combs his fingers through his hair, wishing he can remember. He yawns and rubs his eyes. He hardly slept. The same nightmares every night. The women, all dancing under water with bold, wide eyes…

He didn’t do anything; he’s positive he didn’t. Yet—

Those time lapses. Blackouts. Missing blocks of time.

He hates how he occasionally wakes, day or night, not remembering what had transpired the previous few hours.

He yawns again. No matter. Not as if he can do anything about it now. The past is the past. Where it must remain.

He returns to bed, dreading the clear-as-day night dream that will wash over him again.

***

The Spot Writers—Our Members:

Val Muller: https://valmuller.com/blog/

Catherine A. MacKenzie: https://writingwicket.wordpress.com/wicker-chitter/

Phil Yeats: https://alankemisterauthor.wordpress.com

Chiara De Giorgi: https://chiaradegiorgi.blogspot.ca/

 

 

 

Welcome to the Spot Writers. This month’s prompt is to write a story where water plays a role. It can be a lake, a river, the sea, rain, or just some water to drink. It comes to us from Val Muller, author of the Corgi Capers mystery series.

Metamorphosis

By Val Muller

I still see her in my truck bed,
As she looked that dawn,
How she turned over in her sleep,
tucked her leg out of the blanket
and kicked through the fabric
almost like she was swimming.

I shake my head at myself
Picking up a hitchhiker
Like I don’t know any better,

Driving her to the diner in the middle of the night,
Paying for her fish n chips
Because when they brought the check,
She acted like she never heard of a dollar.
She gave me her seashell bracelet
and asked if I would drive her to the coast.
Her lips pouted like a siren’s.
I lied and said
I was headed that way myself,
Hundreds of miles to the west,
That there was plenty of room in the truck
Whose cab barely held me.

Her hair blew out the open window like it was tossed and turned in the tides,
And I drove through fields of corn that swayed as if under an ocean current.
Hours passed, eternities passed, and her scent filled my truck with the fragrance
Of all that was missing in my lonely, landlocked life.

Hundreds of miles washed over us, and I had to sIeep.
All my money gone to gas and food,
She didn’t blink when I said we would rough it.
I offered her the cab, but she insisted on the truck bed,
Said the stars speckled with clouds seemed like seafoam to her.
She hummed a song that flowed in through my open windows
And lulled me to sleep like the soft crash of waves.

When we reached the coast, she seemed brighter somehow,
stronger, shimmery, secret in the sunrise,
and although this farm town boy had seen the ocean only on screens,
I could not break my eyes from her as we walked the sand.
She grabbed my hand only once, the smoothest touch I had ever felt.
It was like, I later learned, a smoothed sea-glass,
made sleek with hundreds of years in the surf.
Her lips, the one time she kissed me,
Tasted of salty air.

She stepped in the water and turned to me once,
smiled, and let the waves lap her up.
She disappeared in a rush of foam.

I ran out to her, not even thinking,
this is the first time I’ve felt the ocean.
Instead, I searched with eyes and arms and hands,
Trying to find that smooth skin,
That sleek hair.

My eyes glimpsed only a glitter
that spoke of seashells’ iridescence
And of the mystery of saltwater—
A green glow of a fin.

Years later, I sit on the beach each sunrise,
Rain or shine, summer or chill,
Hoping for just a glimpse
Of she who transformed me,
Who picked me up on the shoulder of my life
And brought me here to the coast,
Where anything seems possible,
Where I wait for a glimpse of magic iridescence
In the place where
The sea air tastes
Like her.

 

 

The Spot Writers—Our Members:

Val Muller: https://valmuller.com/blog/

Catherine A. MacKenzie: https://writingwicket.wordpress.com/wicker-chitter/

Phil Yeats: https://alankemisterauthor.wordpress.com

Chiara De Giorgi: https://chiaradegiorgi.blogspot.ca/

This is not my first review of an Anderson book—I am obviously a fan. I’d say this is a good early YA/advanced middle grade reader. I had purchased it back when I read Chains, also about the early American time period, then shelved it for other things. I saw it while cleaning off a shelf to prepare for pandemic work-from-home and realized how timely the novel is.

It takes place during the summer of 1793 in Philadelphia. The protagonist, a young woman named Mattie, helps run the family coffee shop. She resents her family’s limited vision for the business, and she also resents her mother’s attempts to arrange a practical marriage for her.

Soon, that all becomes moot, as yellow fever breaks out. It’s clear the people in 1793 did not fully understand yellow fever (a quick Google search told me it wasn’t understood to be carried by mosquitoes until over 100 years later). The people did understand that the frost would kill the fever, and it becomes everyone’s goal to survive until the second hard frost.

Mattie is caught up in the fever-related paranoia that has become all too familiar to us recently with COVID. Besides a lack of understanding about how to treat the disease (some doctors were still bleeding people, making their recovery much more difficult), there are other similarities. In Philadelphia, food shortages became a common problem for survivors. Worse for Mattie, with so many people fleeing to the country and/or dying from yellow fever, break-ins became common.

I admire Mattie for being a “strong woman,” though I in some ways resent that term. All women are strong. But for so long, women in stories and life were not portrayed that way. Mattie goes against norms and perceptions. She is realistic in that she does need help from time to time, but she is not helpless. I especially admire her actions when she comes across a young orphan and has sympathy, unlike most of the adults she encounters.

This is a fast read—very plot-based—that I am putting on my daughter’s bookshelf for when she is just a bit older. My next read by Anderson will be Forge, the sequel to Chains.

At the beginning of July, when I heard that conditions would be ideal to view the recently-discovered Neowise comet, I smiled inside. I have a bad track record of viewing cosmic events, and this sounded like my chance.

When I was very small, my parents took me to see Hailey’s comet. I remember we drove somewhere cold—a school with a hill. It was dark. My dad painstakingly set up the telescope. I remember my dad telling me to look through, him telling me not to bump the telescope. I don’t really remember seeing anything in the telescope—I may have been too young—but I do remember the smell of the telescope and the taste of the hot chocolate we had from a thermos afterwards. While I can’t say 100% that I consciously saw Hailey’s comet, I can say that it somehow passed through my eyes, and the experience impressed itself upon me. There were other families there on that hill, at what seemed to a tiny kid to be the middle of the night. This comet was something important enough to disrupt ordinary life, and it brought people together.

Many times over the course of my life, I set alarms to try to see one cosmic event or another, but it’s been hard to find people willing to stay up that late/get up in the middle of the night/wake up that early to share the experience. And usually cloud cover foiled my plans, and I spent the next day tired and wondering why I got out of bed in the middle of the night at all. I remember years ago leaving the warmth of my then-townhome, shivering in the driveway while not being able to see whatever it was I was trying to find, and jealously calculating how many neighbors were blissfully sleeping through the cold night.

The only exception had been the somewhat recent solar eclipse, which I was able to see with a bunch of coworkers in the middle of the day. That solar eclipse was really the first “conscious” time I truly experienced a cosmic event without cloud cover and with the company of others. The fact that we were all there together, watching this thing that was larger than all of us, really created a sense of community. It’s a memory that’s burned into my soul, all of us taking a break from work to don our solar glasses and look at the strange patterns of the sun filtering through the trees in little crescents.

The possibility of seeing Neowise called to me, despite being stuck in a pandemic more or less in social isolation. For Neowise, I set my alarm for 4 a.m., which is when the comet was first visible. I couldn’t see it very well with my naked eye. I saw a streak in the sky, but the sunrise was already starting to wash it out. I pointed my camera at what I thought was the comet, and I was amazed at what appeared on the viewfinder. The adrenaline rush told me there would be no falling back to sleep that morning.

Neowise early morning Val Muller

Neowise, captured before sunrise in early July 2020.

Neowise on the horizion Val Muller

Neowise appeared just above the treeline.

Soon, the comet would be visible in the evening, and I used the interim to watch some videos to learn about night photography with my DSLR. The absence of the moon paired with cloudless skies made conditions optimal, and I found ways of playing with exposure and other settings to make up for the lens on my DSLR, which is not meant for night shots.

As I posted and emailed the shots to friends and family, the response was amazing. I received texts late each evening with questions about where and how to find the comet, and I remembered the sense of unity I felt during the solar eclipse, even though the people contacting me were all socially isolating.

Neowise Val Muller

Neowise after sunset on July 17, 2020.

Those whose views were blocked by trees or houses thanked me for posting or sending pictures. People sent me articles with tips about how to best view the comet. Friends texted me late at night with pictures of their own comet quests—friends who would have absolutely no other reason to contact me at that hour. Virtual conversations ensued with friends I hadn’t seen in years over photography tips and camera equipment purchases.

Neowise Val Muller

Neowise on July 18, 2020. My photography skills increased as Neowise faded.

Neowise Val Muller

Neowise on July 18, 2020. One of my favorite shots, with the Big Dipper visible.

I went out each night that the sky was visible to view that comet. The world felt different somehow. Something amazing was happening as I was isolated in my backyard, and I felt like part of something much larger and more significant. The perspective was much needed during a time of global uncertainty.

Neowise Val Muller

Neowise the evening of July 19, 2020. My favorite shot!

Neowise Val Muller

After nights of rain, I resumed pictures on July 25. Neowise’s glory had faded. Can you spot the comet toward the bottom of the picture?

My interest in the comet prompted my husband to take out his dad’s old telescope, which prompted my daughter to take an interest in the stars and moon. It was a needed distraction and a needed nod from the universe that not everything had come to a standstill. There are still amazing things out there, and Neowise was a reminder that positivity spreads. I’m always glad to be a part of helping it to do so.

Neowise Val Muller

By July 26, the comet was barely visible. But my photography skills had improved enough to capture it!

Neowise Val Muller

July 27 was the last night that cloud cover did not fully impede the sky. Because of the waxing moon rising earlier, Neowise was also washed out by the moon’s brilliance.

moon val muller

Luckily for me, that meant another object in the sky to practice my photography skills on 🙂

I received my print copy of the Elizabeth River Press annual anthology last week (link here). I’m pleased that my story, “Angel in the Pod,” was included. I like to think of it as a kickoff of my writing comeback. After about four years of not sleeping through the nights, my kids are finally good sleepers, and it has done wonders for my ability to write.

I started with a super rough draft of a novel that I wrote during NANOWRIMO (National Novel Writing Month) last year. I’m writing Corgi Capers 4, and I’ve been working on short stories.

Most recently, I made it to the final rough of the NYCMidnight Short Story Challenge, writing stories I never would have thought to write without the push from the contest. Though I didn’t place in the top ten, making it to the top 40 out of more than 4,700 writers made me remember why I should get back to writing.

For this week’s post, I wanted to highlight the story that appears in the Elizabeth River Press annual. It’s called “Angel in the Pod,” and it’s one of those “big bang” stories. I had the idea while driving to work one day, and I truly did conceive it in an instant. I was watching the clock after dropping my kids at preschool and wondering how many minutes I had between pulling into the parking lot at work and having to go into the building. Was it enough to write something? I thought about all the little things I do all day that take up time, and what I could do with that time if I could save it. And… how would I accomplish this?

Of course the rational answer is to create a doppelganger, a double, someone I could assign the dirty work to. Wouldn’t it be nice if I had a body-double to do my laundry, wash my dishes? And immediately I went into author mode. My mind raced with possibilities for such a story. If we could create a copy of ourselves, would it be “right” to assign it all the boring things so that we could enjoy the best ones? Would we be essentially creating slaves?

But I wanted to write a short story, and the direction that thought was headed was more appropriate for a novel. So I went in a different direction. In the story, a woman receives seeds in exchange for helping someone. Like a modern-day “Jack and the Beanstalk.” My character goes home and plants the seeds.

(Disclaimer: I have been reading about people receiving strange, unsolicited packets of seeds in the mail. My story is fictional. You should not plant seeds if you do not know what they are or where they came from!).

What grows in her garden is a doppelganger, though distinctly non-human in that its lifespan is more similar to a seasonal plant than a human being. Still, with the help that the “pod” affords, the protagonist is able to see her life a little more clearly—forcing her to make decisions her busy life allowed her to ignore.

The story was written and submitted before the pandemic hit, but it ended up being strangely prophetic for me, anyway. With people being forced to stay home and end or change their employment obligations, many have had a chance to re-prioritize, the same way my protagonist was forced to consider her priorities. Some parents have pulled students into homeschool situations. Some people are learning new hobbies or relying on new (or abandoned) skills for their livelihood. The global pandemic is frustrating for most, and we are going through difficult times. I only hope that, like the protagonist in the story, we find clarity at the end of the struggle.

But for now, writing is helping me through it.

Welcome to the Spot Writers. This month’s prompt is to write a story inspired by the phrase “back to normal.” It could be a pandemic-related story about getting back to normal, or one about not getting back to normal, or a story about something else entirely.

The Fairy Lady

By Val Muller

Life cleaning out my parents’ house was an introvert’s dream.

My dad had always been a hoarder, but after mom died, he really lost control. After he passed, I moved into the house. I was between jobs and between boyfriends, and I figured I could live rent-free in my childhood home while making money selling the massive collection my dad had accumulated over the years.

There was barely enough room to push the stuff from my old room into my parents’ bedroom to make room for me to sleep. I managed to cram most of my personal belongings from the apartment into the garage. Eventually, I would clear room for it all in the house.

Each day, I forced myself to fill three large bins of accumulation, sort through them, and trash/sell/keep. I figured, maybe I’d be done sorting through the house in six months or so at that rate—ha!

In the meantime, I returned to the room I grew up in. Besides my bed, I cleared my old student desk, and that’s where I set up my workshop. My dad had found a box of small glass bottles with corks. 84 of them. They were there on my desk, at the bottom of all the other things my dad had saved. They were so new and shiny that I decided to keep them.

That first day I found some miniature thimbles my dad had squirreled away. I thought—they’d be perfect to put in a jar. I added some colored thread around them, and I crocheted some yarn I found into a little mouse. I’ll admit it looked cute—a mousy little seamstress. It reminded me of myself, somehow. A shy little mouse. A little maker.

The next day, I found some rusty hardware—nails, gears, bolts. And a welding kit. I made them into steampunk flowers tiny enough to drop into the jar.

An old video game controller turned into a computer chip tree with wire branches glistening there in the jar.

It was therapeutic, really. My mind stopped racing about the breakup with Robby, and I was pulled into the lull of crafting. I could finally stop replaying my last weeks at the bank in my mind, how I could never make enough sales, was never pushy enough with customers. I put the jars on my bookshelf and looked at them before falling asleep each night.

After that, I made several jars each week. During the days I kept an eye out for little treasures dad had tucked away. Beads, moss, tiny pinecones, trinkets. I felt that I was preserving a little piece of dad and his legacy—while still decluttering. The jars were a shield from the emotional wreck of tossing dad’s stuff, his lifetime of collection. They were a shield from a world of demanding boyfriends and demanding bosses.

The drive to make the jars pushed me to go through the house faster than my goal, and before three months were up, the place was clean. I’d made more money selling his things through local marketplaces than I did at the bank, and I put up an Etsy store for my jars.

Soon all 84 were filled, and many were sold. And the house was clean.

I had no boyfriend and no health insurance. It was coming. I painted each room as a way to procrastinate. I used some of my earnings to purchase new furniture and dishes, to make the home my own.

But after I’d done every improvement I could afford, after I cleared out even the garage, I couldn’t escape reality. I’d run out of things to sell. I’d run out of trinkets to place in jars. I had to go back to work.

I hurried out the door to my new job. Working in the craft store was not the best money, but at the interview they said there was a chance I could lead some classes in the studio. And if nothing else, I would get lots of ideas for future fairy jars.

*

The Spot Writers—Our Members:

Val Muller: https://valmuller.com/blog/

Catherine A. MacKenzie: https://writingwicket.wordpress.com/wicker-chitter/

Phil Yeats: https://alankemisterauthor.wordpress.com

Chiara De Giorgi: https://chiaradegiorgi.blogspot.ca/