Val Muller

The Electronic Wordsmith

Welcome to the Spot Writers. This month’s prompt is to write a story about “Someone, not a stranger, standing on the edge of a precipice.”

Today’s story comes to us from Val Muller, author of the Corgi Capers kidlit mystery series. You can learn more at www.CorgiCapers.com.

Goodbye

Val Muller

The wind whipped her hair. It whirled past her ears, crisp and brutal, just the way it would sound in a movie. In fact, that’s just how she felt—like one of those wives in a movie, the ones waiting at the top of the hill to catch a glimpse of her husband’s ship coming in after months at sea. The wife of a whaler, maybe. Or a colonial bride waiting for her lover to return from a jaunt to England.

But that wasn’t what she waited for, was it? Her toil was quite the opposite. No one was coming home. Certainly not Greg. How could he come home to her if he’d never been hers in the first place? Her brain itched with the questions.

Her hand twitched, eager to type them out, to allow the angst to flow through the keyboard onto the screen. She needed to create more words, words, words.

No. Dr. Moore told her she’d written enough.

She clutched the pages in her hand. They tattered in the wind, and her hand threatened to let go. The words were sentient, like little beetles dotting the page. Size 9, single spaced, beetles, confined in margins as wide as the printer would allow. She’d done what her therapist said, after all: She’d printed them out and deleted the files. All those months of journaling, hundreds of pages condensed into a hundred and ninety-seven double-sided pages. Each page a saga. Each page wrinkled and tear-stained. She’d read the whole manuscript—that’s what she called it now—once over before coming out here. She’d touched the words, surprised they didn’t stab her fingers as they’d done to her heart, spoken each one aloud. And then she’d driven here.

She had to let go, Dr. Moore said.

And so she’d driven here, to the overlook, the site of her one and only date with Greg.

It was only once, Dr. Moore had told her. One date didn’t constitute true love.

True love didn’t need any dates, she’d told him. True love was true love, and Greg was her true love, plain and simple. The problem was that Greg didn’t yet realize that it was true love. She’d gone to Dr. Moore to ask how to make Greg aware. How to wake him up, to make his heart sentient.

But Greg was married now. She’d had to admit that at her last session. She’d used her alternate account to view his Facebook page, as she did every day and when her insomnia hit, and her heart sank when she saw the big announcement. There it was, posted by his wife. She could barely think the words—his wife! His wife? That was her! It was supposed to be her. But it wasn’t her in the flowing white gown, arm strewn around Greg. Greg, so handsome in his midnight black tuxedo.

And the comments. People had the audacity to congratulate him. Congratulate him? On what? On finding the wrong woman? On taking a step away from true love? And some of the subtleties, asking about children? Babies? Those were supposed to be her babies!

The wind whisked her tears away as quickly as they could come. This type of thinking was not productive, Dr. Moore had said. She needed to move on.

Move on.

Move on.

She peered over the cliff. It was so far down. If she were a bird, she could leap and soar across the ocean, find a new continent and a new lover. But she wasn’t one.

The wind licked the first page of her journal, and she loosened her grip. It was the page describing the first time she saw him, walking into the deli at college. His eyes had caught her immediately, though he didn’t see her. He was like a supernova. How could she look away?

Dr. Moore said he was more like a black hole.

The beetles on the page protested. They did not like being trapped on the page. The wind called to them. They wanted to be free. Free, just like she should be, Dr. Moore had said.

The page loosened and hovered in the air in front of her. She caught only frantic phrases. “Eyes like stars.” “His name is Greg.” “He’s majoring in biology.” Then the page lost its battle with the wind and was whisked out into the air.

Its journey to the sea took eternities. She wanted to jump out after it, to rescue it from its watery fate. The wind seemed strong enough to hold her, after all. But she knew what Dr. Moore would say. That would not be healthy.

So she stood firmly at the precipice, watching the page fall impossibly far out to the sea. She could barely make it out in the glossy sun on the water as it finally hit.

She released the breath she’d been holding. With the exhalation, her grip loosened, and more pages took flight. One, two, ten, two dozen. More, more, more. The thirty pages written about the night Greg told her it just wasn’t working. Her musings about how wrong he was, how he could not possibly know it wasn’t working after just one date. Her frantic sonnets about his knit hat and how it fell over his brow. Her haikus about each beautiful curl on his head. His wife would never appreciate him with that level of detail: she didn’t deserve Greg.

All that beauty, captured in words, now flew out to sea like a flock of birds. They landed peacefully on the waves. Her fingers twitched, thinking of what to say about that, about her urge to follow them.

But that would not be healthy. She could hear Dr. Moore tell her so.

So instead, she sighed once into the wind and mouthed the words as she returned to her car to find a way to move on, somehow, with her life minus her soul mate. “Goodbye, Greg.”

*

The Spot Writers—Our Members:

Val Muller: https://valmuller.com/blog/

Catherine A. MacKenzie: https://writingwicket.wordpress.com/wicker-chitter/

Phil Yeats: https://alankemisterauthor.wordpress.com

Chiara De Giorgi: https://chiaradegiorgi.blogspot.com/

 

Welcome to the Spot Writers. This month’s theme: awakening from a bad dream or, even worse, a nightmare. This week’s story comes from Chiara De Giorgi. Chiara dreams, reads, edits texts, translates, and occasionally writes in two languages. She also has a lot of fun.

***

The Drought

by Chiara De Giorgi

The alarm went off. Half awake, I tried to sit up as I heard the news on the radio.

The drought had lasted for so long, that Gap Lake had dried up, revealing a body. After the necessary examinations, it appeared that it belonged to a young man who had gone missing fifteen years ago. There was evidence that he had been killed: someone had hit him on the head with a hammer, or something similar. Then the murderer had dumped the body in the lake. The police stopped considering the young man as missing, and started investigating his murder. The reporter never mentioned the dead guy’s name, but he didn’t have to bother, I knew it was Liam Hunter.

Who would have thought that the lake would eventually dry up? How long would it take for the detectives to come knock on my door?

***

We had been dating, Liam and I, that summer of fifteen years ago. It was really just a fling, I was twenty years old, for God’s sake!

I used to work the late shift at the pub overlooking the lake, and he used to jog for an hour every night after work, before stopping by for a beer. He was always alone, as was I, so of course we started talking, then he started waiting for me to end my shift, walking me home… One thing naturally led to another.

We were both only temporarily staying at Gap Lake City, that’s one reason why I considered our relationship nothing more than a summer interlude. My hometown was miles away, as was his. We would just be there for a couple of months, to work and save money for our ambitious projects. He wanted to go study law in Paris; I wanted to become a singer. A famous one, I mean. Most people can be decent singers, if they try, but to be extraordinary, well: that takes work. And money. Money for singing lessons, money to support yourself while you tour to find the right agent, money to maybe bribe someone into giving you a chance… If you have money, life’s so much easier.

Anyway.

One time the condom broke and I got pregnant. I asked him to split the doctor’s fee, to get rid of the baby, and he flipped. He claimed I couldn’t do that, it was his baby, too. He wanted us to get married, give up our dreams, and settle down at Gap Lake City, which was the perfect place to raise a child and start a family, with the woods, and the lake, and the friendly community. I could keep working at the pub, he would keep doing whatever it was he was doing at the time (I honestly do not remember), and we would be a happy family.

When I told him I’d do nothing of the sort, he threatened to reach my parents and tell them. I said that I didn’t care, so he promised he’d ruin my career as soon as I had one, telling everyone who would listen what an awful person I was, to put an unlikely dream before my own child and love.

I didn’t mean to kill him, I just wanted him to shut up. Or maybe I did want to kill him. After all, that was the only way to make sure he’d shut up forever.

I hit him on the head with a hammer I found on the pier, he fell into the water and stayed there. I tied a rope to his chest and filled his pockets with rocks, then took a small boat and dragged his body across the lake. When we reached the middle of the lake, I let go of his body. He’s been resting in peace for fifteen years, and I’ve become a famous singer. What would happen now?

***

The alarm went off and I woke up. I listened to the radio, but the reporter never mentioned a drought, or Gap Lake, or the dead body of Liam Hunter.

I called the studio and cancelled all my recording sessions for the week, then took my car and drove all the way there, just to make sure.

The lake’s still there, I am safe.

*****

The Spot Writers—Our Members:

Val Muller: https://valmuller.com/blog/

Catherine A. MacKenzie: https://writingwicket.wordpress.com/wicker-chitter/

Phil Yeats: https://alankemisterauthor.wordpress.com

Chiara De Giorgi: https://chiaradegiorgi.blogspot.com/

In teaching literature, my students often ask me the same question I asked when I was a student. Why, in literature, do protagonists always have to battle such unpleasant things?

After discussion, we always swing back to the answer: overcoming obstacles is part of the human condition. Whether we succeed or fail, it’s the drive to overcome, rather than give in, that is the true spark that makes us who we are.

Confronting challenges forces us to confront ourselves; it pushes us to be our best. Without obstacles, we might become couch potatoes or beach bums. We would never know our true potential.

Which is why I am always heartened to read stories about those who overcome. This week, I read about a girl born without hands who won a national handwriting contest, a man who completed a thousand-mile hike with his blind dog, and a stranger story about a beluga whale that was freed of a very tight collar. The human connection, of course, is that someone ventured into icy water to free the whale, despite the strange circumstances surrounding the collar.

When we’re in the midst of it, it seems life’s challenges are unique to us. But in reality, people are generally great at hiding what ails them. The cliche is true: we are all fighting a battle. It’s why I turn to literature. As I have so often said, literature helps remind me that we are not alone, that our struggles are common and valiant. It’s why my character Heather Primm fights against injustice despite the social stigma it earns her, why Steffie Brenner doesn’t give up on her neighbor who went missing in the woods, and it’s why I continue to find time to write despite my busy schedule.

Because we are human, we are not alone, and we are amazing.

*

Scarred Leter FinalThe Scarred Letter is discounted to $5 for a paperback–limited time only!

 

Welcome to the Spot Writers. This month’s prompt: “Awakening from a bad dream or, even worse, a nightmare.”

Today’s post comes from Phil Yeats. In December, Phil (using his Alan Kemister pen name) published his most recent novel. Tilting at Windmills, the second in the Barrettsport Mysteries series of soft-boiled police detective stories set in an imaginary Nova Scotia coastal community is available on Amazon.

 

*****

Achievemephobia

Phil Yeats

Alan awoke with his heart pounding. Had lightening or thunder disturbed him, or was it a noise in his apartment? He lay in bed listening as his heartbeat slowed. The electric heat ticked, the fridge hummed, and somewhere, water dripped. Outside his windows, the night appeared benign.

Did a dream wake him? He only remembered the vaguest details of dreams, and those details invariably surfaced slowly.

Alan thought back to the previous evening. He’d sat in bed finishing the first draft of a chapter for his new book, then checked his email, his social media sites, and did some web surfing.

He lifted the lid of his laptop and tapped the space bar. It didn’t come to life. He hadn’t fallen asleep while surfing. He’d shut it down, not abandoned it to go into sleep mode.

An image of the cover of his first novel flooded his consciousness, emerging like an old Polaroid print on the very popular ReaderGuy blog. An annoying flashing banner pronounced it mystery novel of the month. Was that the problem? Had the ReaderGuy discovered his totally obscure self-published novel?

If he did, the notoriety and attention it brought would be a disaster. It would bring sales, the ReaderGuy trumpeted the fact his book of the month designations increased sales by hundreds, even thousands. They brought many struggling writers a lifeline they really appreciated.

But Alan didn’t covet sales. He desired nothing more than publishing the book and giving or selling a few copies to writing colleagues and the odd stranger. And he detested thoughts of media attention. The last thing he wanted was a reporter from the local newspaper interviewing him. And the possibility of a book review in the Globe and Mail—God forbid.

As his sleep-befuddled brain activity improved, he realized the flaw in his logic. If he’d seen such a posting on the ReaderGuy’s site, he would have remained awake all night worrying.

Alan grabbed his laptop, fired it up, and Googled Amazon.com books. When the Amazon site came up, he entered Tilting at Windmills in the search bar and hit enter. He scrolled down the thumbnail pictures of books with the same title until he found his familiar cover picture.

On the electronic version’s page, he scrolled down to the sales rankings and checked its position. One million, six hundred and eighty-five thousand, four hundred and twenty-three—what he expected for a book that hadn’t sold a copy for several months. When he checked, the paperback ranking was equally dismal.

He sighed as he returned the computer to the nightstand. No sales meant it was a dream, a real nightmare, but nothing that actually happened. He could sleep without worrying about reporters calling at all hours.

*****

The Spot Writers—Our Members:

Val Muller: https://valmuller.com/blog/

Catherine A. MacKenzie: https://writingwicket.wordpress.com/wicker-chitter/

Phil Yeats: https://alankemisterauthor.wordpress.com

Chiara De Giorgi: https://chiaradegiorgi.blogspot.com/

Welcome to the Spot Writers. This month’s theme: awakening from a bad dream or, even worse, a nightmare.

This week’s story is from Cathy MacKenzie. Check out her novel, WOLVES DON’T KNOCK, available on Amazon and other retailers. 

Great-Aunt Jessie

by Cathy MacKenzie

I felt—maybe sensed—hot breath against my cheek. I pretended to be asleep and tried my damnest to keep my breathing even and quell my fierce urge to jump out of bed. My arms lay across my chest, my right hand gripping my left wrist as if hanging on for dear life.

The whispers by my right ear were undecipherable. I remained even more still, playing possum as if dead in my coffin. Perhaps I was; I wasn’t certain, not at ten.

Slowly and deliberately, I opened my eyes. And when I did, I saw her: my great-aunt. Sitting at the foot of my bed as if she had every right to be in my room.

“Naughty Mikey,” she said, wagging her index finger at me.

An orangey-yellow glow radiated around her, highlighting the threatening finger that continued to move up and down as if robotized. Funny how I usually detected light burning against my closed eyelids. But not that night.

The curtains swayed against the open window, revealing the pitch blackness of night.

I shrieked.

And shrieked.

Mom’s thuds came down the hall from hers and Dad’s room, but I feared I’d be dead before she arrived.

Then, magically, the ceiling light illuminated my bedroom the same instant a voice cried out.

“What’s wrong, sweetie?” Mom plopped beside me, rubbing my clammy forehead. “It’s okay. It’s okay.”

The room swirled. “Mom…” I glanced about. No eerie glow. No Aunt Jessie.

“Mom, Aunt Jessie was here.”

She scanned the room. “No one’s here.”

Did she really expect to see someone?

“She was here, Mom. I saw her.” I pointed. “At the bottom of my bed.”

A wasted effort.

“Just a bad dream, Mikey. A nightmare. Go back to sleep.” She gently pushed my head to the pillow and tucked the sheet and blanket tight under my chin.

“Didn’t you see it?” I asked. “The light. Bright and yellow and orange.”

“Bad dream. Bad, bad dream.”

I clenched my sweaty hands beneath the linens. I was a big boy and couldn’t admit my fright.

Mom switched off the light, bringing darkness to the room. I waited for the glow to reappear and prayed Aunt Jessie stayed away. I could handle the light better than I could her.

Great-Aunt Jessie, a spinster, scared the bejesus out of me. Droopy eyelids covered half her eyeballs. Flabby jowls. Saggy breasts that no bra could ever contain—not that I knew much about bras. Her skin, wrinklier than my grandmothers’, was mottled with brown and white raised marks. Spindly veined legs—what could accidentally be glimpsed beneath her dark skirts, dresses, or long pants—always reminded me of Dad’s many creased roadmaps, his blue-penned lines delineating various vacation routes. Her flapping finger followed me everywhere. “You dratted hellion,” she’d bellow. She didn’t like me—or any kids, for that matter. “Children must not be heard or seen,” she’d say. Whenever she visited, I wasn’t allowed to have friends over. Instead, I had to play quietly in my room with my make-believe friends. I was grateful she didn’t visit often. She passed on when I was six, and I was relieved the crotchety ancient thing was gone. Gone forever, to wherever old souls disappeared to.

Eventually, I fell asleep.

 

I stir when sunlight enters through the open window and onto my closed lids. I’m groggy as if I didn’t sleep well. The incident haunts me. I’m almost certain it’s an actual event resurfacing from my youth. Or could it have been a fresh dream, even a remnant of a past dream that springs back to life? If it was a dream, it seems it returns often, but that’s the way with dreams: difficult to distinguish if they’ve occurred once or several times during one slumberous night.

After getting my bearings, I open my eyes. I’m in my childhood bedroom in my parents’ house, visiting for the long weekend, my single bed long ago replaced with a queen bed. My wife, Cynthia, breaths peacefully beside me, one leg draped over mine. Our two children are in the next room.

After breakfast, Cynthia and Dad take the boys outdoors, leaving Mom and me at the table. She gets up and refills our half-empty coffee cups. I watch the steam rise until it vanishes.

“Mike,” Mom asks, “do you remember that night years ago when you woke up screaming about Aunt Jessie being in your room?”

My stomach lurches. The taste of bacon and eggs surges to my throat. After several seconds, I croak a feeble “I do” as if I’m that scared kid from twenty years ago.

“That light you said you saw? I saw it, too. As soon as I opened your door, I saw it.”

“You did?” I swallow, unsuccessfully purging the taste of breakfast, hoping I don’t embarrass myself by barfing. “You saw her? Aunt Jessie?”

“No, just the light. It was strange. Bright yellow. Almost orangey. It freaked me out, probably more so than you. You were so scared I couldn’t let on that I saw it, too.” She rubs her eyes as if awakening from a deep sleep. “I don’t know what made me think of it this morning. So odd…”

***

The Spot Writers—Our Members:

Val Muller: https://valmuller.com/blog/

Catherine A. MacKenzie: https://writingwicket.wordpress.com/wicker-chitter/

Phil Yeats: https://alankemisterauthor.wordpress.com

Chiara De Giorgi: https://chiaradegiorgi.blogspot.com/

 

Welcome to the Spot Writers. The prompt for this month is to write a story involving “”awakening from a bad dream or, even worse, a nightmare.”

Today’s tale comes to us from Val Muller, author of The Scarred Letter, a young adult reboot of Nathaniel Hawthorne’s masterpiece, available in paperback for only $5.75 for a limited time!

Paperwork in the Sand

Val Muller

It was a classic nightmare, one you don’t realize you’re having until you wake because it seems so real. Miriam was standing in front of the entire staff—front and back office. Dave had just introduced her, and all eyes pierced her body. It was obvious she was supposed to be presenting on some important topic, but she could not for the life of her remember what it was. Was it a financial report? Something about the new auditing policy?

The answer didn’t matter: soon everyone gasped and laughed. She looked down to discover the quintessential nightmare situation. She was naked. With her worry, her breasts bounced for all to see. They were too large to hide behind her arms. Dave scoffed and pointed. Bill pulled out his phone. Miriam’s thighs jiggled as she backed away, the rolls on her stomach squashing around to the delight of Jenny and Kim, who both did yoga and kickboxing after work and ate carrots and hummus for lunch.

In the background, computers beeped and monitors flashed. The fax machine sang its cacophony of tones, and the computer played percussion. Miriam escaped to her cubicle, where her paperwork shielded her naked body. It towered over her, unending. She’d be working overtime for weeks, wouldn’t she?

She saw it all stretched before her: the long hours, the air-conditioned office ice cold on her skin, warming up with endless cups of coffee, a water fountain to refill her bottle whenever she got bored, filling up with donuts left over from the morning’s meetings…

Miriam’s phone rang. The caller ID told her it was Alison Jenson, the boss’s boss. You only got a call from Ms. Jenson if you messed up real bad or did something amazing. And Miriam certainly hadn’t done anything amazing lately. She took a deep breath and reached for the phone. In her most professional voice, she answered. “Accounting, this is Miriam.”

Miriam’s eyes popped open. The sunlight blinded her pupils back into hiding. She rolled over, feeling that the sand had stuck to her sweaty skin. What time was it, and how long had she been asleep? Her heart sank. She reminded herself to breathe. So she wasn’t back, then. Not in the chill of the office. Not under the stacks of paperwork. She was still—here.

Here.

Waves lapped the shore. Turquoise. Teal. Azure. One of them was the right color to describe it. She couldn’t remember. Just another instance of missing Google. The color was miserably beautiful. If she survived this, it was a color that would haunt her dreams.

Her half coconut sat on the stone table beside her. How long had she been sleeping? Her skin pulsed a bit, red. Her heart skipped a beat as she remembered her pasty skin from the nightmare. She stood and examined herself. She wasn’t naked anymore—but close to. Her pants—shorts, now—barely covered her thighs. And those thighs that had been so plump in her dream—why, the hunger had eaten every last ounce of fat, every small dimple of cellulite. Even Jenny and Kim would be jealous. She sighed as the afternoon sun glared at her.

It wasn’t the golden glow of the afternoon sun back home, the one that welcomed you into its arms and eased you into evening. Here in the tropics, the sun seemed to go from high noon to night all at once. It would soon be evening, her chance to scavenge for shellfish.

She shook her head in admonishment. She hated when she fell asleep during the day like that. Those were her chances to spot a ship or a plane. She’d have to do better tomorrow.

That night, she breathed a word of bitter thanks. She had survived another day, she mused as she added an 87th tick mark to her tally along the rock embankment. The small crabs she had caught made for a pitiable meal, and as she laid down on her bed in the sand under the remains of her deflated life raft, she hoped that if her rescue didn’t come that night, she would at least be blessed with another nightmare about the never-ending paperwork in the air-conditioned office.

*

The Spot Writers—Our Members:

Val Muller: https://valmuller.com/blog/

Catherine A. MacKenzie: https://writingwicket.wordpress.com/wicker-chitter/

Phil Yeats: https://alankemisterauthor.wordpress.com

Chiara De Giorgi: https://chiaradegiorgi.blogspot.com/

 

Several months ago, I read the story of a toddler who had wandered in the woods while his grandmother watched him. He was lost for days.  I remember waking up each day actively searching the news and waiting for the gut-punch when I glimpsed a headline that his body was found dead. Thankfully, I read the opposite. The boy was found alive.

Why had I assumed the worst? Does the news today condition us to do so? Was I just trying to protect myself by imagining the worst possible outcome?

This morning, I woke to a similar story. A couple who had gone hiking and underestimated the terrain was found alive after rescuers tracked their footprints and used a helicopter to spot a campfire.

The proverb “no news is good news” often comes to pass in our news cycle, and news stories often highlight the negative and unfortunate. It was nice to wake up this morning and find a story with a positive outcome.

The phrase “don’t count your chickens before they’re hatched” has always stayed with me, but I realize a twist on the expression is true as well: don’t always assume the worst…because there are many times when everything works out just fine.

Happy Friday!


In The Girl Who Flew Away, a girl goes missing in the woods, and the protagonist doesn't give up hope of finding her.

In The Girl Who Flew Away, a girl goes missing in the woods, and the protagonist doesn’t give up hope of finding her.

Welcome to the Spot Writers. This month’s prompt: “Winter to spring—a time of transitions. Write a story that takes place in a train station.”

This week’s story comes from Chiara De Giorgi. Chiara dreams, reads, edits texts, translates, and occasionally writes in two languages. She also has a lot of fun.

And then, what?

by Chiara De Giorgi

Every Monday, Tuesday, Wednesday, and Thursday of every week, at 6:25 am, there I am. Yorkstraße. That’s where I get with the underground (Line 7), then I climb three flights of stairs and get to the platform to wait for my train.

Winter, Spring, Summer, Fall: I know how the Berlin sky looks like in every season at 6:25 am.

In Winter it is dark. Sometimes it is clear and I can spot a few stars. Not many, though: the yellow artificial lights pollute the view. My breath is a white puff that lingers, unwilling to leave the warmth of my body.

In Spring I can hear the early birds singing, and it doesn’t take long before I can witness the sunrise from the train platform: a heart-warming orange-red disc rising from behind the buildings on the eastern side of the station.

In Summer the sky is clear and bright, except on stormy days, of course. The mastermind that designed this train station decided that it did not need a platform roof, and only a couple small shelters were added, but all the benches are exposed, so when it rains you can either sit and get wet, or stand and stay dry. As if you weren’t already miserable enough, being out and about at such an ungodly hour on a stormy day.

The sky gets darker and darker as Summer turns into Fall, and colored leaves twirl and land on the platform, leaving the surrounding trees bare and melancholic.

 

I almost always read a book, while I’m waiting for my train.

My mind and my heart are not on the platform. They’re in a faraway land, living dangerously, and passionately, and bravely. Sometimes I have a really hard time letting go of the story and starting my work day. Sometimes my heart rebels at the thought of the day ahead. It doesn’t want to be chained at a desk, typing the day away. It wants to live.

That’s when it suggests we jump on a train, any train, and just go. Never get off, until the train stops. Where? Irrelevant. Anywhere will do. Anywhere but where we’re supposed to go. Don’t tell anyone, just go. Disappear, do something daring, do something new. Start over, be another. Just go, go, go…

While my heart restlessly beats, my face is still, my expression unchanged. No one will ever know about my inner turmoil. And the train approaches. What will I do? Will I dutifully get off when it reaches my station? Or will I be reckless and follow my heart’s desire?

My mind toys with the idea. Where would I go? What would I do? Who would I be? I could, I would, I wish… At some point, my mind asks the most difficult question: And then, what? What will you do, when you get to Anywhere? How will you live? Who will you meet? Won’t you wish to come back? What will people say? Will it be worth it?

My heart kicks and screams, but my mind hushes it. Be quiet, little one, dreamy one. Be quiet.

Alright, my heart says, I’ll be quiet. But then, what?

* * *

The Spot Writers—Our Members:

Val Muller: https://valmuller.com/blog/

Catherine A. MacKenzie: https://writingwicket.wordpress.com/wicker-chitter/

Phil Yeats: https://alankemisterauthor.wordpress.com

Chiara De Giorgi: https://chiaradegiorgi.blogspot.com/

Welcome to the Spot Writers. This month’s prompt: “Winter to spring—a time of transitions. Write a story that takes place in a train station.”

This week’s fiction is from Cathy MacKenzie. Check out her novel, WOLVES DON’T KNOCK, available on Amazon and other retailers. www.amazon.com/Wolves-Dont-Knock-C-MacKenzie/dp/1927529387/

***

Transitions

by Cathy MacKenzie

The whistle shrieks from around the bend. Sally sits on the bench, debating whether to stand or wait until the train pulls into the station and everyone alights. People are in such a rush today that they can’t be polite and let people exit before charging in, whether in an elevator or a train. Her mother taught her better manners than that, but she can be impatient, too, depending upon her mood.

The brakes squeal, metal against metal, and the waiting throng descends upon the train as if vultures at a firing squad. The doors open, and bodies squirm to the platform while others squeeze inside.

She stands and adjusts her heavy wool coat over her arm. The station is warm though the last dregs of winter linger outside.

The train rumbles in preparation for departure. Stragglers jump aboard, latching to the stanchions and grab rails.

She has seconds to cover the remaining distance and slip inside before the doors close.

She moves slowly, deliberately. Wedged like a rubber mannequin in a metal packing crate doesn’t appeal to her, nor does the stench of people heading home after work.

The vibration beneath her feet calms her nerves. She dislikes this period—these undefinable days; not winter but not spring despite what the calendar states. That elusive space in between. The storm before the calm.

But winter transitions into spring, and spring shifts quickly into summer, her favourite season.

Abruptly, she turns the opposite way, takes a few steps, and dons her coat.  She’ll walk the forty-two minutes to her apartment on Mason Avenue.

***

The Spot Writers—Our Members:

Val Muller: https://valmuller.com/blog/

Catherine A. MacKenzie: https://writingwicket.wordpress.com/wicker-chitter/

Phil Yeats: https://alankemisterauthor.wordpress.com

Chiara De Giorgi: https://chiaradegiorgi.blogspot.com/

 

Welcome to the Spot Writers. This month’s prompt is “Winter to spring, a time of transitions. Write a story that takes place in a train station.”

This month comes to us from Val Muller, author of the young adult novels The Scarred Letter, The Girl Who Flew Away, and The Man with the Crystal Ankh. Learn more at www.ValMuller.com.

Departure

By Val Muller

The list of arrivals and departures flashed on the screen. Abby shook her head, remembering the last time she’d been in a train station. It was way back in college, even before her parents gave her the clunker, that old Chevy that somehow got her the six hours to and from school.

Back in those days, the arrival and departure listings were still analog. The click-clack-shuffle as they updated the board was calming and exciting all at once. How many times had her heart raced as she saw how close she was to missing her transfer? And how many times her heart had sunk as she saw her train delayed.

With hours to kill during those college years, she learned her way around the train station. Knew the delicious sin of a McDonald’s meal followed by a coffee from the bakery stand. Or a pretzel and a lemonade. Then some window shopping at the high-end boutiques. All this without leaving the station, without being more than a glance away from her boarding instructions.

Then, of course, there was Joseph. Joseph Arden, professor. Lover. Deity. How many times had she merely sat in the station and fantasized about him? Their fling had been too brief. The spark was there, but he was worried about the ethics of it. Less than a decade separated them, but the caste of university culture made her untouchable. Their encounters, if they continued, would have to remain secretive, limited to late-night coffee and stargazing at midnight while reading poetry. They’d read “Ode on a Grecian Urn” in the moonlight and speculated on how their love was so much stronger for its secrecy, for its inability to turn mundane with the Everyday.

That was only days before he’d ended it.

He could never invite her to faculty functions. Their trysts would always end with shameful walks home at five in the morning, with loaded glances during lectures. It could never work, he’d said.

She’d moved on, of course, dating several guys since Joseph. None of them stuck, though. Not like him. He was the one—the one whose face visited her randomly during some cheesy romance flick, whose warm touch visited her in dreams without warning or provocation. He was the one she couldn’t forget, not after all the years.

She didn’t dare email him. She’d seen his face pop up a few times on social media in the “people you might know” section, but she didn’t dare click “invite.” She could never just casually be his friend. She would analyze every word, every post, for hidden meaning.

It had taken years to forget him just enough, and now the train station brought his memory racing back. She sighed as the electronic sign blinked. OAKTON—ON TIME—TRACK 4.

Oakton. The stop closest to the university. How many times she’d seen it. She glanced at the people seated in the waiting area for track 4. Many were college-aged, likely the newest generation of students at her alma mater. She watched their youth, the energy in their eyes.

And then her throat caught. There he was, Joseph Arden in the flesh. He was unmistakable. The same, save maybe some graying at the temples. The same kind eyes, the same warm shoulders bent over a book. He was alone. His left hand, the hand that held the book, was naked.

No social chasm separated them now, only a few years. She was a professional, on her way to a conference. No shame anymore. Could she do it? Could she just walk up to him? Would he just nod and smile and welcome her into his arms and his life?

She didn’t hear the click, but the shuffle of passengers at track 4 told her the Oakton status had changed to BOARDING.

She watched him, paralyzed. He finished the page and carefully placed a bookmark. Then he grabbed a satchel, threw it over his shoulder, and sauntered down the platform steps.

When the train boarded, she hurried to the waiting area and sat on the bench he’d been on. It was still warm. She watched the train pull away down the staircase in front of her, watched Joseph Arden once again depart from her life. His presence, she suspected, would be even stronger now in her dreams. He was her Grecian Urn, after all, their eternal potential never met. A relationship etched so far into her soul that it transcended the real world. The train disappeared from sight, saving them from the threat of an ordinary life together.

So she shouldered her bag and traversed the station to await her train.

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The Spot Writers—Our Members:

Val Muller: https://valmuller.com/blog/

Catherine A. MacKenzie: https://writingwicket.wordpress.com/wicker-chitter/

Phil Yeats: https://alankemisterauthor.wordpress.com

Chiara De Giorgi: https://chiaradegiorgi.blogspot.com/