Val Muller

The Electronic Wordsmith

Good morning, everyone. Welcome to what is normally your weekly dose of flash fiction. This week is supposed to be Cathy MacKenzie’s turn to write a piece. She will be back next month with free flash fiction for you, but today, she is busy with a matter a bit more pressing.

Her son, Matt, who is only around my age, has been diagnosed with a very rare form of heart cancer. This week, he had an operation to remove his heart and receive an artificial one to help him hold out long enough to hopefully receive a transplant.

In lieu of Cathy’s fiction piece for today, I wanted to share a GoFundMe page that has been set up for Matt. You can read more about what he and his family are going through. Please don’t feel obligated to help, but if you choose to, know that the family will be grateful for even a dollar.

Cathy has been a member of The Spot Writers since its inception years ago. I often think of her as the “mother” of the group, the one who keeps us organized and on-task so we can bring you your weekly flash fiction. I look forward to her returning to our group, and I send all my thoughts and prayers to her son and his children.

Til next time!

 

The Spot Writers—Our Members:

Val Muller: https://valmuller.com/blog/

Catherine A. MacKenzie: https://writingwicket.wordpress.com/wicker-chitter/

Dorothy Colinco. www.dorothycolinco.com

CaraMarie Christy: https://calamariwriting.wordpress.com/

This week, I had the chance to meet Joan Fallon, author of literary and historical fiction, including her most recent work, The Thread That Binds Us. I admire the fact that she’s lived in various places around the globe–not to mention her background as a teacher, which we share.

IMG_1822Tell us about yourself:

I was born in Scotland but left when I was quite young. Since then I have spent half my life in England, where I worked first of all as a teacher and then later, as a management consultant and trainer. For the last twenty years I have lived in the south of Spain where I dedicate myself to writing both literary and historical fiction.

Tell us about your book:

My latest book is called The Thread That Binds Us. It is the story of Susan, an ambitious career woman, who has reached late middle-age. She is desperately trying to hold onto her job, is always at logger-heads with her son and now she discovers that her parents had lied to her all her life. When Susan discovers that her father had an illegitimate son, she is at first horrified and then obsessed with finding out more about this child. But her obsession with finding him begins to threaten her seemingly happy marriage.

Did you always know you wanted to be a writer?JF_TTTBU_SMALL

Yes, books are my passion and I grew up reading everything I could get my hands on. So, from an early age, I always wanted to write but I had a full-time job and a family and it just wasn’t possible to devote the time required for writing.

What is your “day job”?

My day job now is a mixture of writing, self-publishing and marketing my books. That doesn’t leave me any time to work at anything else.

Who is your favourite character in your book, and why?

The main character in almost all my books is female. I began working in the late sixties and during that time and through to the nineties I felt that I was a woman struggling for recognition in a man’s world. Because of that almost all my books have a strong female protagonist.  I like to write mainly about women and the challenges they have to face because I understand them best. That doesn’t mean I don’t have some very likeable men in my books, too. In fact in my latest book, the rather put-upon, easy-going husband is my favourite character. He is at his happiest when he is out on the golf course with his ancient friends or walking his dog by the river. But I like Susan too because I can see some aspects of myself in her.

If you were to be stranded on a desert island, what non-survival item would you bring along that you couldn’t live without?JF_TSC_EBOOK_SMALL

At first I thought I’d bring along a Kindle with thousands of ebooks on it but there could be problems with charging the battery. So I would go for an enormous box of pens and paper. I could write and then read what I’d written years later—if I was still there.

Are any elements of your book autobiographical or inspired by elements of your life?

None of my books are autobiographical but many of them have been inspired by elements in my life or someone I’ve known.

Are you working on any other projects at the moment?

Yes, I’m about halfway through the third book in a historical trilogy set in Moorish Spain, entitled the al-Andalus trilogy.

Finally, where can we find you?

I am on the usual social media sites and have a webpage for my books:

 

JF_TEF_COVER_LRhttps://www.facebook.com/joanfallonbooks

https://twitter.com/joan_fallon

http://www.joanfallon.co.uk/index.html

http://www.joanfallon.co.uk/blog.html

https://www.goodreads.com/author/dashboard

http://www.linkedin.com/profile/view?id=157658100&trk=nav_responsive_tab_profile

I also have a twitter account and web page for things about living in Spain:

http://www.notesonspain.com

https://twitter.com/notesonspain

 

 

 

Welcome to the Spot Writers, bringing you a weekly dose of flash fiction. Today’s prompt involves a bit of fun: Pick up the two books closest to you. For the first book: copy the first 3 words of the book. This is how your story will start. For the second book: copy the last 3 words of the book. This is how your story will end. Fill in the middle. As an added challenge, turn to a random page in each book. Choose the most interesting word on each of those pages. Include those 2 words in your story.

Today’s tale comes from Val Muller, author of The Scarred Letter, The Man with the Crystal Ankh, and the Corgi Capers mystery series.

Note: My first book happened to be Tess of the D’Urbervilles by Thomas Hardy, so my opening is “On an evening…” My second book is The Complete Persepolis by Marjane Satrapi, so my closing is “…had a price.” My random words are “vexation” and “cabinetmaker.”

Festival of the Matches

By Val Muller

On an evening in May, the last evening in May, the sounding of the bell summoned Erin to the town square. She left home bedecked in white, the flowing white dress her mother had been making for the past year, little by little, as time allowed. Her bare feet padded along the dirt path, and she adjusted her crown of flowers, the one young Ella had made her yesterday.

Little Ella, only five, her eyes so full of dreams as she wove the daffodils and daisies and counted the days and months and years until her own Festival. Little Ella, only five, her eyes still full of hope. Erin looked back, only once, to see Ella standing there, mum’s arm around her, gazing longingly at Erin. At the fork, Erin joined three others on the path. The quartet fell into step, their white dresses sweeping the packed dirt.

The evening’s festivities would decide her fate. It seemed so strange, for so much to rest on a single evening. But this was the way. This had always been the way. Besides, the Matchmaker was never wrong, was she?

Erin padded heavily, trying to hide her breathing. She had to remember to stay calm. Confident. Sweating was a bad sign. She wanted the Matchmaker to see her for who she was. For the Choosing. It wouldn’t be long now, just over the bend.

There.

Another line of young women joined them at the town square, forming a group of seven.

Seven. A lucky number.

On the other side of the square, dressed in white tunics and white shorts, stood the seven young men from the neighboring villages. They all looked the same, a blur of nerves and hair and skin starting to bronze from May’s early sun. As tradition demanded, they joined the women and formed a circle around the well, where the Matchmaker, bedecked in capes and robes and flowers, sat in the wicker throne that had been erected the day before.

She clapped her hands, and behind her, the musicians filed in, taking their places around the gathering and struck up a melody. It was hopeful and sad and excited and worried. The melody held all the emotions Erin tried to keep inside on this day of her Festival. Its melody climbed with the hopes of the future and fell with the pain of nostalgia.

She curtsied, and on the other side of the well, the seven young men bowed. Relying on muscle memory, Erin fell into the Dance of Choosing the way she’d been practicing. She focused on their eyes. Her mother said the eyes told all.

Some were dim, some nervous. But one. They sparkled like the stars, they glowed like the sun, they held the mystery of the moon. It was everything mother told her to look for.

He was the one.

The Matchmaker would know.

When they danced together, when their hands touched, his skin set hers afire. She’d seen him before, now that she thought of it. He was the blacksmith’s son. He’d shoed the family’s horse once or twice. He was strong and kind and…beautiful.

Erin glanced at the Matchmaker to make sure she knew, but she was looking away, clapping to the music and smiling at the musicians. Maybe she knew already. Maybe that’s why she wasn’t looking.

The partners changed, and she curtsied to the next young man, a nervous chap. Erin focused on her breathing. In. Out. Just breathe. The Matchmaker had to know, right? She’d matched mother and father, after all. And they seemed happy together. Most of the time, anyway. Except the days when mother seemed so full of vexation that she left for long walks hours at a time. Long walks Erin followed her on once or twice, long walks that ended at the riverbank at a picnic lunch with the miller from the next village.

A picnic Erin left them alone to finish.

But still, the Matchmaker knew.

And so when the festivities drew to a close and it was time for her to announce partners, Erin held her breath. Everyone from the village arrived, all holding torches and candles and flasks of wine for the celebration after the weddings.

When her turn came, the Matchmaker took Erin’s hand and presented her to the crowd. “And this young woman will find her true happiness with…”

The blacksmith, Erin thought. The blacksmith. The blacksmith. Across the flickering torches, his eyes met hers. He stepped forward even before the Matchmaker made her announcement.

“With the cabinetmaker.”

Two hearts sank, and the cabinetmaker’s son smiled and stepped forward to claim his bride. Erin shuddered as she took his hand, her eyes locked with the blacksmith’s. With those eyes that reflected summer evenings and skies ignited by stars and love and hope and the future.

And then she looked away, to the eyes of the cabinetmaker, now her fiancé.

Her mother held up a picnic basket full of celebratory wine and snacks she would serve Erin and her new husband right after the wedding. The music swelled as the ceremony drew to a close, and the couples stood at the town center for the group wedding ceremony. It was a happy but efficient affair. The seven eligible couples from the four surrounding towns would now be wed without incident and become productive members of their respective towns.

Erin looked up at the stars for the last time as a single girl. Then she took the hand of her husband as the ceremony ended and reached for a glass of wine. Efficiency had a price.


 

The Spot Writers—Our Members:

Val Muller: https://valmuller.com/blog/

Catherine A. MacKenzie: https://writingwicket.wordpress.com/wicker-chitter/

Dorothy Colinco. www.dorothycolinco.com

CaraMarie Christy: https://calamariwriting.wordpress.com/

Welcome to the Spot Writers. We’ve all been waiting for 2017 to start and now it has! Waiting is rarely the most fun topic to cover, but for this prompt, we have to write a scene/story that’s whole premise is around waiting in a line. And try to make it as interesting as possible.

This week’s post comes from CaraMarie Christy, the young-un of Spot Writers. Visit her blog on Word Press at Calamariwriting and check out her book from when she was twelve, Fairies Fly. Bonus points if you ask her about her book photography.

A Wait with Gabriel

By CaraMarie Christy

This didn’t look like the bank. It had to be the bank, because she had parked her 2001 Civic outside of a bank, but as Melanie Court had walked through the familiar squeaky double doors, something felt different. The fluid in her stomach swirled and her head ached till she was sure that she was fainting, dropping like a rock toward the ground. When her vision cleared and her headache eased, there was something different about the room she was looking in at. Her TD Bank, in Melderstown, MA, a town where bank tycoons knew they didn’t have to spend much money facilities, was a gray place, with moth-eaten chair and rusty chandeliers. This bank felt so much bigger, but no… It couldn’t be a new one. Someone would have gossiped her ear off about the jobs brought in by the construction. It was just somehow… incredibly renovated since her last visit. Now her bank was decadent, covered in gold trimming and mahogany booths.

And the line.

She was about to head back to her car, when she saw the number of people leaning against the tills and plucking at the red velvet ropes meant to section off one line from the next. They were packed in, almost side by side, but no one seemed to be looking at one another. They all just stared at their hands, some with theirs clasped in front of them, almost as if in prayer, and Melanie felt awkward being the only one staring, so she looked down at her own, chipped pink paint nails.

They were such a wreck, that she dared to look up at the lines again. A young man, in a pressed suit with deep amber skin and a winning smile, was making his way up and down every line, with a small tray. It seemed awfully too small, Melanie thought, for the number of coffees he was managing to give away. Almost no one refused him, and he gave the young boy that did a different cup, with darker liquid, and a big smile. After a few rounds, he stopped at Melanie.

“Coffee?” His smile might have been the most beautiful she had ever seen. “Bit of a wait to get through without coffee.” Her tongue went numb and she couldn’t form words, so she blushed, and tucked away a gray strand of hair. “I could get you some cocoa if that is more your taste? Or wine. Definitely no shortage of wine around here.”

Wine at a bank? Just before she was supposed to drive home? As uneasy as she felt by the offer, Melanie’s chest felt warm and comfortable in line. She was in no rush and had already moved up three people. It would be waste to leave now.

She held out an apologetic hand for the coffee he had offered. “I guess I haven’t been to TD in a while. Didn’t know it got this busy.”

“TD…? Aw! TD Bank?” The man closed his eyes. She could see them roaming gently beneath his lids, like he was searching for something. Then he opened them with a smile even more dazzling than his last. “They really should have fixed the bricks holding up their sign. It was a real shame. Not many people don’t see it hitting them like that. Maybe a shame and a blessing though. A blame? No, that’s already a word… how about… a shessing? Whatever it is, I’m glad you’re not nervous.”

It didn’t matter that he spoke strangely, Melanie decided, or used “they” instead of “we.” This man was dazzling. Whoever made the dimples in his cheeks was a genius. She had made great progress in the line while he was occupying her. She wanted to wrap her arm around his and hold on to him for a while, she would probably never get a chance to speak to such a handsome young man again. Not at her age. They would reassign him to a different bank soon, for sure, somewhere more crowded. Melderstown was never really like this. Today had to be some mistake.

“When did your sign break? Are they going to make you fix it?” No, they would give that job to someone else. Tom down the street or someone from Larry’s construction. This man, in his white shirt and flawless dark skin, was too clean-cut to be outside. He was a jewel and needed to be locked up in a treasure trove. Melanie blushed again.

He half-smiled at her. “I’d guess it broke half a second before you stepped through our doors. And me? No, I’ll stay here. My name is Gabriel, I just like helping around this place. Especially the dog room.”

More people had filed in through the doors. Gabriel flashed her one last smile before he gestured with his free hand for her to look forward. They had slowly walked so far, and talked so long, that she had made it to the front of her line, stepping up to the woman at the till without thinking about it. The young woman was almost as beautiful as Gabriel. She looked Melanie up and down with a stern, icy gaze.

“Go up the staircase to the left behind me and pass through the gates at the top.” The woman opened the door to her booth and Melanie was sure she shouldn’t be allowed in such a high security area. This was where all the money was kept! And other people were stepping back too. The woman pressed her, “You can head up now, Mrs. Court.”

Mrs. Court did what she was told. When she was halfway up the stairs, she stole a look back at the bank, and could have sworn that the man in the suit, carrying the silver tray, had bright, feathery wings on his back.


 

The Spot Writers—Our Members:

Val Muller: https://valmuller.com/blog/

 

Catherine A. MacKenzie: https://writingwicket.wordpress.com/wicker-chitter/

 

Dorothy Colinco. www.dorothycolinco.com

 

CaraMarie Christy: https://calamariwriting.wordpress.com/

 

The novel Dandelion Wine is one of my favorite novels by my favorite author, Ray Bradbury. The moment that stands out to me is the moment when a main character realizes he is alive. It’s not that there’s anything particular about the day—it’s just that the character realizes he is human, he is alive, and he has the ability to do things with those two facts.

He awakens.

I was talking to my husband the other day. As an introvert, I do sometimes prefer to stay away from people from time to time, and we were talking about why. I mentioned that what I object to most about human beings in general is when they squander time and opportunity. What I meant is, I resent when humans don’t realize they are alive.

Though I’m not particularly into country music, I can’t help but think of Tim McGraw’s “Live Like You Were Dying.” Like Bradbury’s novel, the song wishes that the listener one day get to experience the true blessing that is life. When we understand that life is short, that some chapter is about to draw to a close, that we are about to lose a loved one or our health or an opportunity or a house or anything, we start living more deliberately. We tend to see the positive—what we’re about to lose—than the negative.

Unfortunately, it often takes an emergency or a crisis to realize that one is alive. It often takes impending death or loss to realize what we have. I hate seeing people wish away time, counting down days until whatever—Christmas, high school graduation, the weekend. What they don’t realize is that they are wishing away time. It’s a cliché, but it’s true: we are never promised tomorrow.

One of the things I love about literature is that it often tries to remind us of this fact, to remind us of what it means to be human, and to encourage us to go out and do. Live. Ayn Rand’s heroes embody this idea. They commit to their identity, and they do everything in their power to realize their potential. Not all characters—or people—are so sharply focused. But even those as hopeless as Meursault in The Stranger finds himself contemplating the gift that life is—or, for him, was.

For Christmas, one of the gifts I received is a stuffed Bastet from Squishables.  A fun toy, no doubt, but it has some serious connections to my musings.

The history of Bastet is complicated and not fully understood, but in short, it is an Egyptian goddess in the form of a cat and a protector of various elements, depending on which myth one reads and which part of early history one studies. I received it because the ankh, the looped cross on its forehead, is featured in my recent young adult novel, The Man with the Crystal Ankh. The ankh is an Egyptian symbol of life, and ever since elementary school, when I made a paper mache model of a pyramid, I have been fascinated with ancient Egyptian’s fascination with eternal life. It always seemed to me that they grasped how sacred life was (though some of their practices suggest they did not apply that sacredness across the board…), that going through life they always had something in the back of their mind making them wonder about their place in eternity.

crystal-ankh-200x300In my novel, the primary antagonist seems to be obsessed with life—holding onto his years. The ankh becomes his symbol as he struggles to extend his life beyond what is promised to even the oldest human. To me, he’s an antagonist because he’s missing the point of life. To be human means to be limited in the life we are promised here on earth. Being a hero doesn’t mean finding a way to extend that life unnaturally; rather, it means finding a way to make that life meaningful.

It’s why my heart soars each time I re-read Bradbury’s epiphany in Dandelion Wine and why I love new works of literature to see the ways characters choose to make their lives meaningful. It’s why I detest when people count down the days to one event or another—because they are squandering what comes between then and now. And it’s why I love finding fellow human beings who truly appreciate the gift of life and find ways of making each day meaningful.

Here in the real world, we don’t have magic. We don’t have a supernatural ankh we can wave around to extend our days on earth. But as humans, we have our own “magic.” We are alive. Each and every day we are conscious, we have the opportunity to plant seeds, to put down roots, to make connections to others that will live on long after our time is up. That is the true gift we are given as humans—the gift of being bound by time, and in being so bound, to be inspired to transcend it entirely.

 

Welcome to the Spot Writers, bringing you your weekly dose of flash fiction. This month’s prompt is to write about waiting in line, making it as interesting as possible.

This week’s story comes from Dorothy Colinco. Check out her blog for fiction, books reviews, and book news.

Promissory

by Dorothy Colinco

She pretended not to feel the eyes that were examining every inch of her. She could feel their gaze on her slightly scuffed shoes and no longer white-bright but still neatly-folded socks. She remembered the fraying hem in the back of her skirt toward her left side. Before she could stop it, her right hand flew to her left elbow, feeling for rough bumps but instead feeling smooth skin, thankful that she remembered to put lotion on this morning.

Most of them tried not to gape and whisper, though she almost wished they would so she would have some reason to feel the righteous indignation she felt. Some stared with dreadful pity in their eyes. She couldn’t blame them — of course they were curious. This was the line for students who couldn’t take final exams because they hadn’t paid tuition or book fees.

Why was she standing here? If she had been in their shoes, wouldn’t she gape as well?

It was natural to wonder why the daughter of the founder of the very school they attended had to, one, pay tuition in the first place, and two, miss exams because she couldn’t afford it. It was unjust, yes, but mainly bizarre. She was the main attraction in this circus of an act in which students were summoned in the middle of taking an exam to stand in a long line of shame. It was all too third world. If she were back in the States, teachers would be severely reprimanded for mentioning that she had free lunch provided by taxpayers.

They were to either bring a check to the registrar or sign a promissory note. “I promise to pay X amount on X date.” Her classmates joked about that English word. “Promissory – it means I PROMISE I’ll pay; Sorry!” She didn’t even have a check to fidget with for the benefit of her peers.

Through most of this, she held her head high, intently studying the health advisory poster on the wall covered in a sheet of protective plastic.

Some of her peers couldn’t filter their reactions. “You have to pay?” What was worse were the reactions of the ones coming to her rescue. “She’s just like one of us.” What they meant was that she was down-to-earth, that she didn’t see herself as above them. But what she heard was an indictment. She heard that she was a fraud, carrying the founder’s name but not having the bank account to back it up.

The first time this happened, she thought it was a clerical error. Surely someone would catch it, or at least after she waited had waited in that excruciating line, they would see her and say, in a slightly panicked voice, “Oh, what happened? You weren’t supposed to be on the list!”

But when her turn came that first time, because she always waited her turn, never using her name to cut corners, skip lines, or —apparently— avoid paying tuition, the registrar saw her and, with a veiled expression, asked her to sign a promissory note, never once making eye contact.

That first day, she waited until she was home to start crying from shame and embarrassment, begging her Nanna to please pay her tuition on time. “Rice comes before tuition, Anak.” That word of endearment for a young child made her think of her father, a great man, rich in character and virtue but poor in silver. He had chosen a Spartan life for himself and, consequently, for his children.

After the promissory note was signed, the pink copy for her Nanna stuffed into her pocket before, she hoped, her peers could see, she made her way out of the registrar’s office, walking past everyone else still in line. She was careful not to run, but she still walked quickly to avoid having to stop and talk to anyone. She arrived back at her desk, where several of her classmates raised their heads before focusing their attention back on the exam.

She took her pencil and picked up where she left off. Now that her eyes were on her paper, she felt other classmates steal one last look at the founder’s daughter, back from delaying the payment of a debt.


The Spot Writers—Our Members:

Val Muller: https://valmuller.com/blog/

Catherine A. MacKenzie: https://writingwicket.wordpress.com/wicker-chitter/

Dorothy Colinco. www.dorothycolinco.com

CaraMarie Christy: https://calamariwriting.wordpress.com/

 

Welcome to the Spot Writers. We’ve all been waiting for the New Year, which is now upon us. And waiting is rarely the most fun topic to cover. For this prompt, we have to write a scene/story that’s whole premise is around waiting in a line.

Today’s post comes from Cathy MacKenzie. Check out her anthology, OUT OF THE CAVE, horror stories for 13+. Great for youth AND adults. Twenty-one stories by twenty-one authors. Available on Amazon and Smashwords. Makes a GREAT gift!

***

Long Lines

by Cathy MacKenzie

My feet are killing me. I eye the line ahead of me that is so long I’m not sure how I’ll stand it—to use a pun, haha! Everyone leans against overflowing carts while I hold three small items in one hand. Surely everyone can see I’m without a basket or a cart. Isn’t there one Good Samaritan who will let me in?

It’s a new year, too. Has everyone’s joy and happiness and do-good-unto-others mantra vanished already? You’ve barely finished your turkey, I want to scream, but I don’t because I’m not the type of person who desires limelight—especially not bad limelight!

I live in obscurity. I didn’t even have to wonder, like those preoccupied posters on Facebook, how to defrost a 24-pound beast of fowl. Why would I cook a turkey for one? I don’t need a week’s worth of leftovers, except in my case leftovers would have equated to a month’s worth. I reconsider—no, the turkey would have lasted a couple of days at most. I would have trashed the turkey after two meals.

I shift, moving left to right, right to left. I rise on my tiptoes. Wiggle my toes. I take a quarter step forward, one inch backward. I brush against someone’s arm and bump another person’s boot, but they ignore me. My back kinks. One leg cramps. We’re barely moving toward destiny: the cash register.

Christmas is over. Why’s everyone shopping? Ah yes, gift certificates and gifts of cash are ablaze in their britches. Or they’re replacing abhorred gifts with items they’d much prefer.

Me, I received no gifts. Nary a one, but that has advantages. If I don’t receive, I don’t give. Life’s sometimes easier when you’re alone. You can do what you want, live as you like.

I get lonely often, though, and that’s when I head to the local Walmart and stand in line at the busiest times of the day. I enjoy people-watching. I also like to complain, but who can I complain to if I’m sitting home alone?

Of course, I’m not talking to these jokers, complaining or otherwise. It’s simply fun to pretend I know them, that I belong, that people are kinder than they look. To satisfy my gripes, I’ll purchase an object, mar it, and then march to Customer Service and let loose!

“Ma’am, I see you only have a couple of items. Would you like to go ahead?”

I catch my breath. What’s that? Someone talking to me? I focus on the male before me and then eye the chocolate bar, notepad, and pen I’m clutching. Would have been cheaper—and faster—had I gone to Buck Branch, but it’s not as busy as Walmart. Not nearly a bit.

I smile. “Thank you so much, kind sir.” He’s alone. I glimpse his naked left ring finger—that supposed declaration of eternal love—not that a ring-less finger means much nowadays. But you never know. After I manoeuver in front of him, I pat him on the arm and ask, “And how are you today?”

***

The Spot Writers—Our Members:

Val Muller: https://valmuller.com/blog/

Catherine A. MacKenzie: https://writingwicket.wordpress.com/wicker-chitter/

Dorothy Colinco. www.dorothycolinco.com

CaraMarie Christy: https://calamariwriting.wordpress.com/

 

 

James Sveck, the protagonist of this novel, reminds me a bit of Holden Caulfield. He’s at the cusp of adulthood (18 years old), and he doesn’t really want to go to college: he finds people his own age to be insufferable.

The book follows his musings in the time just before he is expected to attend Brown University. There isn’t a whole lot of plot, but there’s a whole lot of character. He works for his mother’s failing art gallery and reluctantly sees a therapist at his parents’ insistence, and he does tell us about a few run-ins he’s had with authority.

What struck me the most in the James-Holden comparison is their desire to hold onto the innocence of childhood in some (perhaps misunderstood) way. Holden has that vision of catching children who are about to fall out of the rye field. James has a similar-ish idea. He remembers a series of four paintings, each one about a stage of life (birth, childhood, adulthood, and old age), and he most dreads the painting about adulthood because it is full of terrifying traumas. He wishes instead that he could skip to old age and death, which he believes he desires.

The novel is told in first person point of view through the intelligent voice of James. He uses astute vocabulary and wittiness to capture the reader, but he never moves to the arrogance that could make us dislike him. Indeed, although the story is not heavily plot-based at all (much less so than Catcher in the Rye, in any case), I found myself wanting to read on because I found him so intriguing, if not likeable.

Even though he’s speaking in first person, he is hesitant to reveal everything to us. For instance, he lives in New York City, and the novel takes place in 2003. It isn’t until his therapist asks about it blatantly that we learn James was right across the street on September 11, 2001. He also underplays his sexual confusion throughout.

My one disappointment was with the ending. Things started wrapping up both a little too neatly and too open-ended at the same time. I’m not sure how I would have ended it differently, but it felt sort of like a let-down, though that may have been the point. To be sure, James was making a much bigger deal out of everything than he needed to, so the ending possibly is a clue that he is starting to see that life has other perspectives than the gloomy one he was stuck in.

As someone who does have a tendency to overthink things and to be annoyed by small talk and “pointless” conversation, I could definitely relate to James. He’s what I would be like if I were completely left to spiral into an anti-people oblivion. And I can’t imagine that’s a fun way to live!

 

Welcome to the Spot Writers, bringing you your weekly dose of flash fiction. This month’s prompt is to write about waiting in line, making it as interesting as possible.

Today’s scifi-inspired tale comes to us from Val Muller, author of The Scarred Letter and The Man with the Crystal Ankh. You can snag a copy of The Scarred Letter for just $3.99 through January 15th.

Timehop

By Val Muller

The line wound through ropes the way lines do in amusement parks, a labyrinth of time travelers waiting their turn at the portal. Paul sighed. This could take days. The woman in front of him eyed the line and then checked her phone. She turned to him with a smiling scowl. “I hear the line is always longest at the beginning of the year. New Year’s resolutions and all.”

Paul nodded, trying to say something snarky and witty. Guilty as charged, perhaps?

But the woman kept talking. “I was hoping to get this done before noon. I have an awful meeting with the boss, but if things go right this morning—well, you know. That meeting should cancel itself, right? I keep checking my phone, you know? Like, the whole paradox thing. If I am successful, wouldn’t my appointment have been cancelled already? But it’s still here in my calendar.”

Paul shrugged. “I’m not sure how it works, but I think you have to have your appointment first.”

She sighed. “I know that, but wouldn’t I always have to have had my appointment?”

Paul raised an eyebrow. The whole paradox thing was beyond him. Best not to think too hard about it, anyway. That’s what the brochure said. He eyed up the woman again. She looked about his age. Not too bad looking, either. But why was she here? Avoiding a meeting with the boss? Dressed in simple business attire, the woman hadn’t struck him as particularly sinister. What could she have done, anyway?

“Theft, honey,” she answered. “You have an honest face. I don’t. It’s the sweetness of my face that lets me get away with things. I stole from the boss. Wasn’t worth it, of course. Turns out I need the paycheck more than I needed the one-time payload. Wouldn’t’a been so bad, except for the criminal record and all. Now I can’t get a job anywhere, you know?”

“So you’re meeting with your boss?”

“Not that boss. He was done with me long ago. This one’s a different kinda boss. Parole officer. But I hope to fix things today.”

Up ahead, an employee dressed like a 1960s flight attendant was moving down the line. “Triage,” she announced. “Trying to move the line along. Please have your applications handy.” She carried a slim tablet and held up the camera to a paper application held by one of the people in line. Then she sighed loudly. “I’m gonna say this once here, for all of you in line. You need to have read the user agreement before signing it. I can’t tell you how many people I’ve had to send home today. For the last time, you cannot go back in time for the purpose of changing the outcome of the presidential election. Got that?”

A few of the would-be clients looked around nervously, then stepped out of line and shuffled away, heads down.

“Seriously, people. This is time travel. The secret service is already on our backs, and we’re this close”—she held her two fingers together—“to losing our permit. And that means none of you get to go back to do whatever it is you’re here to do.”

She paused as if she had finished, but then she continued her tirade. “And you think it’s cheap fixing what you people mess up? You’re all lucky we make you take out an insurance policy. You know how much it costs for us to send our SpecialOpps back in time to fix your mistakes? Every time you digress from your intended purpose, every time you ignore the contract you signed upon completing your application. I can’t even tell you! Listen. No politics. No assassinations. No kidnapping. No giving out lottery numbers or any of that nonsense. What do you think this is, Back to the Future part two? I can’t even tell you how many agents we’ve had to send to clean up those messes.”

A few more people stepped out of line, shoulders drooping. She continued her tirade, but Paul turned to the woman in front of him again.

“So theft, huh?” Despite her chosen profession, she was attractive and seemed witty enough. Maybe a good match for Paul?

She shrugged. “What about you?”

Paul felt his face blush. It was just the reason he was going back.

“It’s stupid,” he muttered.

“No it’s not. If it was stupid, you wouldn’t be here. We all know how much this costs. It’s obviously very important. So, out with it!”

Paul took a deep breath. “Okay. So I’ve always been so, well—vanilla. Nothing spectacular. As a kid I always amazed my parents and did brilliant things at home. But whenever I walked out my front door, I just closed up. Never spoke up for myself. I was thinking about it, and this one day, one stupid day in my childhood, stands out above the rest.”

“You’re much more interesting than a thief,” the woman said. “Do tell.”

His face felt impossibly hot. “It was elementary school gym class.”

She laughed. “Go on. I think most psychiatrists can trace everyone’s problems to elementary school gym class one way or another.”

Paul managed a chuckle. “A hockey game. I wasn’t the last one chosen, but I wasn’t the captain, either. The two captains were doing a face-off. I never heard of it. I just saw them standing there, in the middle of the gym, with the hockey puck between them. They just stared at each other. I didn’t know what they were waiting for.”

She raised an eyebrow.

“So, thinking I was being some kind of hero, I ran up to them with my hockey stick and smacked the puck toward the goal. Everyone was so shocked that it made it past the goalie. I raised my hands in victory only to be met by the gym teacher’s angry stare. I had to sit in time out for half the class. I was so ashamed that for the second half, I just kind of moped around by the corner, playing with a crack in the plastic of my hockey stick. I’m pretty sure it was the last time in my life I’ve ever taken a risk.”

Her smile faded. “Oh, honey. That’s no way to live.”

Paul nodded. “I know.” He sighed. “So you see, I think if I could just go back and stand up for myself, I would have found the footing to have confidence in other ways, too. Instead of a downward slope, it would have been the start of an upward climb. From getting shut out of sports teams in elementary school to not asking my crush to dance in middle school. Everything would have been different. And I’d be a lot better off than I am now.”

The woman stepped closer to him, and she was about to say something when the “flight attendant” approached. “Application?” she demanded.

The thief flipped a screen on her phone and held it to the attendant. The tablet beeped. “Eleanor Dietz.” The tablet’s screen glowed, and the attendant sighed. “I assume you read the user agreement before you signed it?” she asked.

Eleanor reddened. “I, um. Those things are all the same, you know? I mean, I skimmed it…”

The attendant shook her head. “Traveling back in time to avoid becoming a criminal is a violation of our user policy.”

Eleanor’s eyebrows arched. “Why? I would think causing fewer criminals in the world would be a good thing. I just want to stop myself from stealing the—”

The attendant shook her head. “Too many criminals were going back not to stop their crimes, but to improve them. With hindsight, they were able to go back and destroy evidence and cover tracks. Under our agreement with the EPA, DHS, and several other organizations, we are bound to prohibit anyone with a criminal record from traveling forward or back.”

Eleanor squinted her eyes at Paul, like maybe he could do something about it. But the attendant had already moved on, asking Paul for his application. “Paul Harper.” She scanned it, read her screen, and then looked sympathetically at Paul. “Sweetie, we should let you cut the whole line. Poor thing, but you’d probably be too afraid to, wouldn’t you? You go back there, and you make sure that little boy doesn’t hit the hockey puck, okay?”

Paul nodded.

The attendant continued down the line. Eleanor shook her head. “Well, life’s much more interesting with a parole officer, right?” She deleted her application with the swipe of her finger. “So what’s your plan, anyway? You gonna go and scare yourself? Or maybe you’ll go convince the gym teacher to take a day off? You know, so you can be the substitute for the day? Make sure you don’t make a fool of yourself? The young you, I mean.”

Paul shook his head. He hadn’t thought of that. “No, I have this book.” He pulled a small board book out of his pocket. “It’s about the rules of hockey. I was going to give it to myself a year or two prior to the, um, event. I figure, if I learn the rules of hockey, I won’t make an idiot of myself later on.”

“Not a very bold plan. You sure it will work?”

Paul’s feet grew heavy, sinking into the ground. Maybe she was right. Even after all the money he’d saved up, even after all the time he’d had to rethink his life, all the lonely nights, maybe he just wasn’t meant to be a somebody. Maybe he was simply destined for vanilla.

Eleanor raised an eyebrow. “You know, it’s never to late to start fresh. I don’t mean going back in time. I mean, how much does it cost for—” She turned to a chart on the wall, showing the cost versus demand for traveling back to the 1960s. Cost increased as more people traveled to an era—the more time travelers, the more complicated it was for Timehop to monitor the integrity of the space-time continuum. “Holy crud,” she said. His desired time period put him out seven figures. “Holy crud.”

Then her face melted into a smile, and she stepped close. Very close. “Paul Harper, I happen to know someone in the islands who knows someone who knows a guy who can fudge identities. And they always have need for couples willing to run businesses for tourists. We could, I don’t know, take some of your money, buy a fresh start, open a sunset cruise destination for tourists. Live every day in the tropics.”

Paul’s hands grew sweaty. He wanted to take her hand, to say yes, to step away from the others in line, the ones in their fancy business attire with their fancy jobs and fancy lives, the ones who hadn’t been afraid to say yes. But how could he? The image of his gym teacher’s disapproving stare haunted him. He’d be punished again for taking a risk, wouldn’t he?

Eleanor took his hand, and the warmth traveled from his fingertips to his shoulder, and all the way to his chest.

“You know what?” he said. “Why not?”

Like a wild hockey player defying all the rules of the game, he grabbed her hand tighter and wove himself through the serpentine line, Eleanor in tow. He brushed passed a surprised attendant and sailed out of the door with his new love just as smoothly as a hockey puck sliding into an unguarded net.

The Spot Writers—Our Members:

Val Muller: https://valmuller.com/blog/

Catherine A. MacKenzie: https://writingwicket.wordpress.com/wicker-chitter/

Dorothy Colinco. www.dorothycolinco.com

CaraMarie Christy: https://calamariwriting.wordpress.com/

 

As an editor for Freedom Forge Press, I am lucky enough to encounter a handful of freedom-themed manuscripts amazing enough to send through the publishing process. I recently completed a manuscript with Linda Harris Sittig, and I wanted to learn more about the inspiration behind her work to share with you.

Last Curtain Call features a strong woman named Annie Charbonneau. Living in a coal town in western Maryland in the 1890s, Annie dreams of going to college. But instead, she is thrust into a personal battle against the ruthless coal company preying on the vulnerable women of her town. Unaware that her actions will bring the evil to her own front door, Annie is caught in a web where her every movement is watched and a vengeance-seeking enemy wants lcc-cover-frontto silence her. When Jonathan Canavan arrives from Philadelphia and is hired as the new school principal, he becomes an ally, helping Annie to lead the miners’ wives in retaliation against the coal company.

Linda’s blog features strong women throughout history, many of whom fought harsh injustices to accomplish their dreams, and I see many of those themes repeated throughout Linda’s novels. Last Curtain Call is the second in the Threads of Courage series. I’d like to thank Linda for taking the time to answer these questions about her research and inspirations.

One of the reasons that I like your work is the presence of women with spirits that cannot be extinguished. What inspired you to be attracted to the concept of strong women throughout history?

As a twelve year old I discovered historical fiction and became hooked on the genre. Looking back I realized that almost all my favorite stories had strong female protagonists who experienced tragedy, but became stronger because of it. And, although love played a significant part in their lives, they didn’t wait for a prince to rescue them. Much later when I started researching my mother’s family in Philadelphia I discovered a female ancestor that no one in our family had ever heard about. I centered my research on her and discovered that she had a major role in my great-grandfather’s success as a Civil War textile merchant, but that she received no credit at all. That started me thinking that throughout history there must be hundreds or even thousands of women who had amazing accomplishments, but did not receive the accolades they deserved.

I understand that you did extensive research for the novel (LCC). What was the most remarkable location you went to and why?


Because Last Curtain Call takes place in a coal mining village in the 1890s in Western Maryland, I went on research trips to coal towns in Pennsylvania, Maryland, and West Virginia. The West Virginia trip was eye-opening because the town still had an operating black lung clinic, the surrounding small towns were still filled with miners, and mostly because I went to one of the mines and had a guide take me down into the mine. Since I am claustrophobic, the trip was gut-wrenching, but provided me with the realistic details I needed to write about.

Do you think that historically, women’s roles put them in a unique position to achieve the kinds of feats that women like your protagonists (Annie and Ellen) did?

I think that if women had been declared equal to men in all aspects long ago, we might not see the strong females develop. I think strong women developed because they were denied equal footing with men…in business, in the law, in education. Because of this women like Ellen Canavan and Annie Charbonneau became determined to see fairness granted.

Tell us about the newspaper article that inspired the novel. Why do you think the women were left unnamed?
I read this small section in a book on miners in Western Maryland and it alluded to the 1894 strike when a small group of women held off a vigilante mob. There was a footnote and I searched the source, which was the Baltimore Sun Newspaper. Intrigued, I went to Maryland looked up the old Baltimore Sun News clippings of that incident. I was amazed to find 20 articles written about the strike from journalists who were there. However, the 20 women were never named in print. I suspect that the journalists worried about repercussions that might happen to the women for being so bold in the face of the powerful coal company and the union.

In Cut from Strong Cloth, your protagonist fights for admittance into a library, and in Last Curtain Call, the protagonist dreams of breaking tradition by going to college. Why does education play such a strong role in your stories?
I think education plays a strong part because of my parents. They instilled in both my brother and me the importance of education and that it was a gift, not a right. We knew that my father had worked two jobs and gone to school at night to get his college degree, so education was highly valued. In addition both of my parents were readers and believed in the importance of travel, so each summer we went on educational vacation trips where they taught us about the geography and history of the area we were final-covervisiting. I was also aware that colleges had not always been open to girls, so that made me value my education even more.

I noticed that your protagonist seem to have a propensity for “Bad Boys.” Why do you think bad boys are such a temptation?
Ah, yes, the bad boys syndrome. Guilty as charged. I think girls become attracted to bad boys because it seems to be a safe form of rebellion. You might be attracted to a bad boy, but not marry him. I think too it represents a form of daring and excitement in a life where girls are curtailed in other ways.

Your blog features strong women throughout history. Based on the research you’ve done, are there certain traits that seem common to those who make history? What advice would you give someone today looking to make a change in the world?

The women I profile always have a cause (even a small one) that they are passionate about. The women are a bit daring, often defying the status quo and laws they feel are unfair in order to seek justice being fulfilled. None of the women I have profiled did their actions in order to become rich or famous. They were following their north star, because they had to in order to believe in themselves. It seems hard to make a change in the world, but I personally try to look people in the eyes and smile graciously at them. I have noticed that grumbly clerks in supermarkets often do not even look at me, but if I smile at them I believe they see the smile. Smiles are a silent way of saying, “You are important.” On a bigger scale I would say to look where your own passion is. For me it was always helping kids discover the awesome power of stories, so I became a teacher who took on the kids who did not like to read and spent my career trying to show them how reading can enrich their life. Reading is still a passion of mine.

You can read more about Linda on her website: www.lindasittig.com or check out some of the strong women she has profiled: www.strongwomeninhistory.com — Isabelle Romee from 15th century France is one of her favorites.

Cut From Strong Cloth and Last Curtain Call are available at Amazon.com, directly from the publisher at FreedomForgePress.com, and other online book retailers.