Val Muller

The Electronic Wordsmith

Browsing Posts published by Val

Welcome to Spot Writers! The prompt for this month is to use at least three of the following words: tremble, start, tiptoe, yank, dresser. This week’s contribution is from Kathy L. Price, author of Down the nanoTubes (www.kathylprice.com), soon to be released.

Tommy

by Kathy L. Price

She had thought everything was under control so she had slipped down to the basement for a minute to start the next round of laundry. It was too quiet, she thought, as she ascended the stairs. Her sixth sense had prickled and she was suddenly on edge. With an infant, a toddler and a six-year-old in the house, there should have been more noise. Brad had been watching a video in the living room. Tommy had been in his room and while it was supposed to be “quiet time” he had been making “zoom, zoom, brrrrrrrrring” noises as he ran his trucks and cars around on the floor.  She’d fed the baby and had put him down for a nap, so she didn’t expect him to be fussing yet, but still, there was something wrong.

 

As she reached the top of the stairs, Carla glanced out the kitchen window. Brad had taken advantage of her brief absence to escape to the back yard and was out on the swing. He wasn’t supposed to go out unless he told her he was going, but she’d deal with that later. At least he had turned off the TV first. She’d have to praise him for that but she wanted to check on the younger boys before going outside.

 

Quietly slipping into the baby’s room, Carla tiptoed to the crib, hoping the old wooden floor wouldn’t creak. He appeared to be fine – sleeping peacefully. She watched him breath softly for awhile, just to make sure, and a tiny bubble burst from his lips. Could she love him any more deeply? For a woman who had sworn she would never have children, here she was with three, each one special, each one precious. She blew him a little air kiss and moved back into the hall.

 

Tommy’s bedroom door was open but she couldn’t hear anything from inside. Maybe he had fallen asleep. He was still young enough to need a nap but always resisted when she cajoled and pleaded with him to lie down. She’d found the best tactic was to just tell him to “play quietly” so he wouldn’t wake his new brother and he’d usually fall asleep on his own.

 

What she saw when she entered the room shattered her world. There was blood everywhere. The tall, narrow dresser lay on the floor. Tommy must have pulled open the drawers and used them as stairs to climb to the top of the dresser. It couldn’t take all that weight, high up on the front, and had fallen forward, pinning Tommy’s legs and smashing his head into the heavy wooden toy box at the foot of the bed.

 

“Nooooo,” Carla cried as she raced to her son. The old dresser was heavy but she lifted it off as gently as she could, trying to keep the top drawers from falling out so they wouldn’t hurt him again. Her lower lip began to tremble and her hands shook as she turned back to her little boy.

 

“Mommy?” he said, as he opened his eyes. “It fell.”

 

“I know, baby. Just lie still.” She grabbed a freshly washed, neatly folded pillowcase that had fallen from the top of the dresser to the floor. She needed to stop the bleeding but was afraid to move him in case he’d broken his neck. What was she to do? She had to stop the bleeding but she also had to get help.

 

Moving him as little as possible, she gently slid the cotton pillowcase under his head, thinking ‘direct, even pressure, direct even pressure, direct even pressure’ as she’d been taught in an emergency first aid class decades earlier. Head wounds were notorious for bleeding profusely and Tommy had already lost a lot of blood.

 

“Lie still and wait here a minute while Mommy calls Uncle Scott,” she told him. Carla raced out to the kitchen and dialed 911. The paramedics, Scott and Sue, lived just across the street but Carla didn’t know if they were home or not. She gave the necessary information to the 911 operator, then yanked opened the kitchen door to call out to Brad.

 

“Chowder,” she yelled. It was their family code for an emergency situation. It was not to be used lightly, but when it was issued, the response by everyone had to be immediate, with no questions asked and no dawdling.

 

Carla raced back to Tommy, Brad following behind.

 

“What’d he do?” Brad asked.

 

“He climbed the dresser and it fell. Go wait by the front door for Uncle Scott or Aunt Sue.”

 

The chaos of the next few weeks merged into a large blur of doctors, hospitals, and eventually, the mortuary. It was the most difficult thing she had ever had to do – to pick out such a tiny casket, to bury such bright-eyed potential. There’d be no more little butterfly kisses on her cheek or chocolate chip cookie parties or discovering new bugs in the backyard. She tried hard to rally for baby Aaron’s sake, to make good memories for him, and for Brad, but the hole in her heart made it hard for her to smile.

 

Despite people telling her it was a tragic accident, “Don’t beat yourself up about it,” she couldn’t help but blame herself.  It would have been such an easy thing, to have attached the dresser to the wall: a few minutes of her time, a simple bracket, a couple of screws.

 * * *

 

The Spot Writers- our members:

RC Bonitz: http://www.rcbonitz.com

 

Val Muller: https://valmuller.com/blog/

 

Catherine A. MacKenzie: http://writingwicket.wordpress.com/wicker-chitter/

 

Kathy Price: http://www.kathylprice.com

Like most writers, my mind wanders often.

And by often, I mean: All. The. Time.

Driving to work, my mind often wanders. Driving the same route, a courteous part of my brain often takes over, and my creative brain is left to think about things. I bought a chunky little notebook to jot down ideas I have during these moments, and I found myself falling into the habit of writing haikus. They started out mostly about the dreaded yellow school buses I would have to wait for each morning. I kept telling myself I should write and post one haiku each day, but I kept thinking I should wait for some kind of grand start–like January 1, or maybe the start of the school year in September, or maybe my birthday. But today I decided: one day is just as good as any to start.

So here it is, my new blog where I’ll be posting one haiku each day, some with pictures and some without. I’m curious about whether, collectively, these haikus will tell a story. I wonder how people who don’t know me personally will piece together each haiku, find trends. The novelist in me wonders if a story will emerge.

Anyhow, if you are interested, here is the link: http://eachdayahaiku.wordpress.com/. If you choose to subscribe, I think you can do so in daily or weekly format, so you could opt to receive an email each Monday with 7 haikus in it from the week before. Hope you enjoy your daily 5-7-5!

 

By now, you may have read my post inspired by hearing speaker Aranka Siegal share her experiences about the Holocaust. My mother is currently reading Upon the Head of the Goat, an account of what happened during that time. I thought I would read this book, which is a series of short stories inspired by her own childhood, and then I’ll switch with my mom and read the next book.

Aranka Siegal spent time during the summer (and sometimes other parts of the year) with Babi, her grandmother, who lived in Komjaty, a Ukrainian village. It is clear from these stories that her grandmother was an inspiration to her. The stories are written for younger readers—the book is a little over 100 pages—so it is an easy read. I like how she writes the way she speaks: nothing fancy, simply communicating her story. I enjoyed being taken into a world much different from my own. Indeed, the world of Babi is even different from the world Aranka knew growing up, as she lived in the city with her parents and siblings.

She mentioned in her talk that her grandmother was an inspiration for her. Above all, Babi had unwavering faith no matter what happened in life. Though Aranka was not present when her grandmother was taken by the Nazis (this part of the story is not recounted in this book), she is confident that Babi kept her faith all the way to the end.

That strength is foreshadowed in this book. Babi does everything by hand. Each morning when Aranka (Piri, in this book) would awaken, a fire would already be roaring, breakfast would usually be prepared, and bread or other food would be in the works for later. Babi was also the problem solver of the area. For instance, when Piri’s friend’s grandmother cuts her hair terribly, Babi evens out the haircut, giving the crying girl confidence and turning a negative into a positive. Babi reminds me of the quintessential grandmother—someone with a lifetime of experiences, an unbreakable spirit, and enough common sense to solve any problem.

What gave the book extra depth for me was knowing how it all turns out for Babi and her family. Throughout the work, Babi gave Piri advice about growing up and promised her that she would get to do all the things older kids got to do, all in its own time. It was sad to read that, knowing that Aranka and her grandmother were separated, both dragged to Concentration Camps.

But something Babi said resonated with me. Babi said that everyone is put on this earth for a purpose, and she said that Piri was only a child and wouldn’t know her purpose yet, but she would eventually. Hearing Aranka Siegal speak, I learned her purpose. She went through a terrible experience, but she found that her purpose was to share her story with the world, opening her heart in hopes of spreading love and preventing further atrocities by educating people about the consequences of hatred.

Even without that added dimension—without knowing the “end” of the story, the book is a nice glimpse into another culture and another time. I especially liked how Piri believed all the ghost stories and superstitions she heard—it brought me back to the mind of an imaginative child.

In the end, the author hints at the fact that her faith has never been as strong as her grandmother’s, and I know from the talk I heard that her faith was deeply tested by her experiences at Auschwitz. But she still held her grandmother’s spirit in her heart and has lived with the lessons of her grandmother for all these years. It was an inspirational book, and I’m glad I read it.

On a side note, there are a lot of recipes mentioned in the book, and several of them are reprinted in the back of the book.

Welcome to Spot Writers! The prompt for this month is to use at least three of the following words: tremble, start, tiptoe, yank, dresser.

This week’s contribution comes from Cathy MacKenzie, who used all five of the prompt words. Cathy writes poetry and dark fiction mainly aimed toward women. Watch for her next two books of short story compilations. Out very soon!

 

***

 

Hiding Places

by Cathy MacKenzie

 

When I was small, before I started school, I’d sometimes tremble and shiver so horribly as if I were surrounded by sheets of ice. Those days I tiptoed around the house, pretending if Rob didn’t hear me, that he couldn’t see me either. Even if he were deaf, which he wasn’t, he still had eyes, so he saw me and, when he did, depending upon his mood, he might yank my arm and shove me out of the way. Once he did that, though, I was safe, and then I’d race off as fast as my little legs would take me.

Rob got drunk often. I don’t know how Mama put up with him. He didn’t treat her very well, either, but for some reason—perhaps because she didn’t want to be alone—she put up with him. I don’t remember how long he’d been in our lives. It seemed as if he’d been living with us forever. I don’t remember if Mama had a man before him, but I guess she must have ‘cause where would I have come from if she hadn’t?

Mama moaned about being alone, in the past and in the future. “I don’t want to be alone again, Carrie,” she had said, “so we have to put up with certain things in life.”

“But Mama,” I had replied, “he’s not nice to you.”

She had laughed, tousled my hair, and had said, “Don’t worry about me. I can take care of myself. If he ever touches you, though…”

I didn’t dare tell her he had touched me, hurt me. No, not sexually, although at five, would I have known what that meant and tattled? No doubt he would have threatened me and put such terrible fear in me that likely I would have kept mum. I didn’t want to ruin Mama’s life, which I was sure I would do, had I told how he threw me around.

One day, I happened to be in the kitchen when Rob entered. His walk was unsteady as if he was drunk. Mama was outside in the yard. He ignored me as he delved into the fridge for a beer. After a few swigs, though, he took notice of me. I felt cornered where I stood and had nowhere to go. While I cowered where I stood, he lunged toward me. Before I had a chance to move, he heard Mama’s voice outside and turned away. I seized my chance although there was nowhere to go. He blocked the only exit from the kitchen. Before I had a chance to think, I escaped behind the door under the kitchen sink. By grabbing hold of the towel hook, I pulled the door shut after me.

The scene played out in slow motion but happened within seconds. I opened that cupboard door without thinking. That evil look on his face was scarier than previous looks, and I knew I had to hide.

There was silence for what seemed like forever. I heard his feet shuffle and a gasp, then sensed him wondering where I had disappeared to. Perhaps, in his drunken stupor, he thought it a dream I had been there. Or maybe he knew I hid but was unsure where.

I heard him walk from the kitchen, but the next room was carpeted so I couldn’t tell if he had left. I sensed him lingering though. I’d have to stay hidden until I was positive I was safe.

I waited a long time and soon fell asleep. I awoke suddenly when Mama shrieked.

“What you doing in there, Carrie?  Oh, my god.” She pulled me out and gathered me in her arms and kissed my cheek. “Sweetie, what’s wrong?”

I sobbed.

“Carrie? She paused, then dawning registered on her face. “Rob? Were you hiding from Rob? Oh, my god,” she shrieked again. “What did he do to you?”

“Nothing, Mama. Nothing.  I was just scared. He looked mean. I was afraid.”

“Oh, sweetie.  I’m so sorry. He won’t be back. I promise.”

“Where is he?”

“I’ve had enough of him. You were right. He shouldn’t have been treating Mommy that way. He’s gone. He won’t be back, I promise. I have to clean out the dresser and the closet, but I’ll drop his stuff off at his friend’s place….” Mama jabbered on and on, more information than a preschooler needed to know, more than she wanted to tell me or should have told me, but I was smart and remembered most of it although, of course, not word for word.

Life was fine after that. Mama finally met a nice man, and we live happily ever after as if in a fairy tale. I’m ten now.

 

 *** 

The Spot Writers—our members:

 

RC Bonitz: http://www.rcbonitz.com

Val Muller: https://valmuller.com/blog/

 Catherine A. MacKenzie: http://writingwicket.wordpress.com/wicker-chitter/

 Kathy Price: www.kathylprice.com (Website in development)

 

Guilty.

I had never read this classic from the 1960s. I had picked it up as a child at a garage sale, but the language was too difficult for me, and I stopped after chapter one. When I went to visit my parents recently, I saw the book on the shelf of my room, and I took it home with me. This time, I finished the book in two days. Funny, my dog-ear was still there at the start of chapter two. And I did, in fact, remember having read the first chapter all those years ago.

After reading it from a grown-up’s perspective, I’m still not sure I would have completely enjoyed or appreciated this book as a child. There are lots of great vocabulary words that would have confused me back then, and there were so many references to Shakespeare, the Bible, and great philosophers of the world that would have gone right over my head.

That said, as an adult I truly enjoyed the book.

The story follows a girl named Meg who finds herself a failure at school. Though she’s great at math, she just doesn’t seem to fit in the way her teachers want her to. Her younger brother, Charles Wallace, is only five, but he’s precocious and seems to have strange abilities to “read” his mother and sister. At the start of the story, Meg’s father has been missing for several years. He works (worked?) for the government, and it seems the top-secret nature of his research may be responsible for his disappearance. Nonetheless, everyone in the community is gossiping about it, speculating that Meg’s father must have run off with another woman. This, of course, makes Meg’s lack of fitting in even worse.

Early on in the novel, Charles Wallace mentions three strange characters, Mrs. Who, Mrs. Which, and Mrs. Whatsit. They remind me of the three witches in Macbeth, but they are decidedly more caring and helpful. In fact, toward the end of the tale, Calvin (Meg’s new friend, who accompanies Meg and Charles on the adventure) refers to them as Angels. We come to learn that these three “beings” have been around for millions of years. They are here now to help Meg, Charles, and Calvin travel through time and space. There is a theoretical concept called the tesseract, which it turns out isn’t so theoretical. Essentially a wormhole, the tesseract allows them to travel great distances of time and space without effort (though it’s a terrifying experience that reminds me of the transporter in Star Trek, only without the equipment).

The three Mrs. W’s are doing this so that Meg can try to save her father, who has been trapped. There is a thing called “IT,” which is also related to a darkness that is trying to encompass Earth and is trying to encompass (or has already encompassed) other planets. They go through fantastic experiences in their travels, but when they finally arrive on the planet Camazotz, which is where Meg’s father has been kept prisoner, they see that IT has already been spreading the Darkness. The people here have lost all of their freedom. They move, think, and act in unison. Everything is planned and regulated. To save her father, Meg must travel to the CENTRAL central intelligence headquarters, where she confronts IT, which reminds me somewhat of a scarier version of the giant head of “the great and powerful Oz” in The Wizard of Oz.

I won’t spoil the rest of the plot. I enjoyed the way the story wove together witchcraft (there was a medium with a crystal ball), philosophy, arts, education, and religion in a way that didn’t make them seem to contradict. Rather, they were all framed in the lens of light-versus-darkness or freedom-versus-slavery. In fact, when Meg asks why they couldn’t have simply used the Medium to see how their quest would turn out, the Mrs. W’s reply that knowing one’s future would be too similar to the planned structure of Camazotz. She uses an interesting metaphor to illustrate human freedom: it’s like a Shakespearean sonnet: although we must conform to the basic structure, meter, and rhyme, we can write about whatever we want with whatever message we want. We aren’t million-year-old creatures who can bend space and time, but we do have freedom in our own way.

As someone for whom freedom is paramount, I enjoyed the theme of freedom that ran through the book, especially as it was linked to education and philosophy, including Shakespeare and the Founding Fathers. I enjoyed also the message in the end about how love is something that “bad guys” usually don’t have and can’t fathom or cope with. In the end, it turns out to be one of Meg’s most important assets. Most “bad guys” rule through fear and force.

You may have read my review of When You Reach Me. The main character in this book is almost obsessed with A Wrinkle in Time. Now that I have finally read the whole thing, the references are a lot more powerful. I’m glad I finally got the chance.

 

Welcome to the Spot Writers. This month the prompt is to use three of the following words in the story- tremble, start, tiptoe, yank, and dresser.

 Today’s contribution comes from Val Muller, who you can stalk at valm16.sg-host.com. The story takes place in the world of her current work-in-progress, a middle-grade novel with a scifi twist.

It’s in the Basement

By Val Muller

Mel kept still in the giant queen-sized bed. Her grandmother was snoring now, a good sign that Mel could sneak away. But she shifted a bit and found the sheets were tucked in too tightly. Grandma always tucked her in like that—like a mummy. The sheets didn’t let in any air, and Mel started to sweat. She should have tried harder to convince Grandma to let her sleep on the couch.

Dad, you owe me, she thought as she wriggled out of the tightly-tucked sheets. She got one leg out, and Grandma stirred next to her, clicking her tongue against her teeth. Grandma adjusted the blanket a bit and rolled onto her side. Mel stilled again, waiting for Grandma’s breathing to become regular again.

Finally it was, and she tiptoed across the floor. She didn’t remember what part of the floor creaked, but she knew it did. She tried each step before she committed, remembering all the spy movies she’d ever seen. Spy Kids. Yep, that was her. She was living a ten-year-old’s Mission Impossible.

Luckily, Grandma’s bedroom door never fully closed—the wood was too swollen—so all Mel had to do was pull it open. But she was so concerned about creaking floorboards that she slammed right into the dresser. Her side exploded in pain, and she bit her cheek to stifle it. She didn’t know which hurt worse, now. She’d be bruised in the morning, and salty foods would sting for the next few days.

“Danny,” Grandma muttered in her sleep. “Danny.”

Danny was the name of Mel’s grandfather, a man who had passed away before Mel was born. It was Danny’s pictures Mel was going to steal. No, not steal, she reminded herself. Borrow. Dad said it was a travesty for those historical photos to waste away in the basement. But Grandma didn’t like to let anything go. Dad had bribed Mel with a new Wii if she was able to sneak into the basement, retrieve the pictures, and get them home—all under the guise of a weekend at Grandma’s.

These were photos from Grandpa Danny’s time in World War II. He’d taken them in the field, and he’d put them in an old suitcase when he came back from the war. He never liked to talk about them, Dad had said. But they were too important to be left in the moldy basement. Dad wanted to scan them into his computer and maybe even publish them. Mel wondered what Grandma would think of that.

But why did they have to be kept in the basement? Of all the places in the world, the scariest was Grandma’s basement—and at night, it was even worse. Mel crept to the basement door. She trembled.

Grandma kept flashlights all over the house in case of a power outage. Mel took the one from the kitchen counter. The moonlight was just enough for her to see her way around the house, but the basement had only those two tiny windows. There would not be enough light. She couldn’t risk turning on the bright florescent lights, either. They made this awful hum-snap when they warmed up. No telling what might wake Grandma.

She flipped the flashlight on. It was an old, metal one, and it clicked so loudly it seemed to echo through the house. She stuffed it under her shirt to hide the light and listened to see if Grandma had heard. The silence was almost deafening—so dense. She thought she heard Grandma’s steady breathing, but her ears strained. Then the refrigerator motor started up, and Mel realized it was now or never.

She crept down the basement stairs, directing her flashlight beam before her. Her heart leapt, and last night’s dinner touched the back of her throat. In the darkness, the shapes in the basement lurked like monsters. A dressform hovered like a ghost under its protective sheet. An exercise bike laden with coat hangers looked like a scary dinosaur. Shadows shifted behind boxes, and everything seemed to be moving in on Mel.

She would remember this night as the first time she was ever drenched in sweat. How would she explain it to Grandma? She directed the flashlight at the wall. There, under an ancient Monopoly game, was the brown suitcase, just as Dad described it. Inside it was a shoebox of pictures. All Mel had to do was grab it and be done. She yanked the suitcase, but the board game on top of it toppled over, crashing to the floor. Monopoly money and playing pieces scattered around. She froze, turned out the flashlight. Waited for Grandma.

#

When he came to pick her up, Dad kept eyeballing Mel, his eyes asking the question he dared note speak. Did you get them?

But Mel just averted her eyes.

“You should take Mel to the doctor,” Grandma told him just before he pulled away. “I caught her sleepwalking.”

“Sleepwalking?” Dad asked.

“Could have broken a leg on those stairs,” Grandma said.

“What stairs?”

“She sleepwalked all the way into the basement. Was trying to play Monopoly at midnight!”

Dad bit his lip and frowned. He had long told Mel how hard it was to sneak anything out of Grandma’s house. Oh, well. There was always next weekend.

 

The Spot Writers- our members:

RC Bonitz: http://www.rcbonitz.com

 

Val Muller: https://valmuller.com/blog/

 

Catherine A. MacKenzie: http://writingwicket.wordpress.com/wicker-chitter/

 

Kathy Price: (Website in development)

 

During the last week in June, I attended the Shenandoah University Children’s Literature Conference. The conference invites award-winning and nationally- (and internationally-) recognized authors to present talks and roundtable discussions to attendees. In the afternoon, small group sessions are led by leaders working in education, and two graduate credit options are available. The conference targets elementary school teachers, but it also attracts middle and high school teachers, librarians, and reading specialists.

I attended wearing two hats. I attended as a teacher (and enrolled in the writing section for graduate credit), but I also attended as a Middle-Grade author (ages 8 – 12 or so) and a presenter. Though I absorbed teaching strategies and other useful information from a teacher’s point of view, I wanted to share from a writer’s perspective what I learned that week about writing and publishing.

So here goes.

What’s the Big Idea?

What struck me the most, as I sat and listened to author after author discuss each book he wrote and the history behind it, is that each great book truly does have a big, important idea behind it. As a writer, I’ve been told to avoid the elevator pitch that goes something like:

One fine day, Joe’s life is turned upside down.

This really doesn’t tell us anything. In most great works, the character’s life is “turned upside down,” but it’s non-specific, and it doesn’t help to communicate the book’s big idea. This year, the conference’s theme focused on pairing fiction and nonfiction, so most of the authors put lots of research into their works. Even fictional works that were molded by nonfiction experiences had a “big idea” to them. It was an important reminder for authors: consider each piece you’re writing. What’s the message or the “big idea”? Who is the target reader? What do you hope the reader will take away from this piece of writing? It was interesting to hear authors and illustrators talk us through the process of writing each piece. Some of them started with one (mediocre) concept, and through research and writing, they blossomed into something with much more depth. An example would be Brian Floca, whose book Locomotive was the subject of the first talk of the conference (and also went on to win the Caldecott!). He talked us through the process of writing and illustrating the book, walked us through draft after draft, and explained how the book started out as a simple concept, but the more he looked into it, the more he was drawn into the topic, and the more depth he added.

Publishing is Hard

Another surprising takeaway from the conference is that these authors—yes, even award-winning, multi-published authors—complain about the publishing industry. They kept their talks positive, of course, but there were a few hidden comments about how difficult publishing is. One was about the slow pace of the Big Six (or is it Five now?) publishers. Another was about how the big publishers don’t really like taking big risks. There was even a bit of talk about the difficulty of finding an agent. But again, for the most part those Big Ideas helped the authors to get noticed. After all, a good idea is a good idea. Seeing how refined these authors’ works really were made me re-think how I’m going to package my submissions in the future when scoping out agents or publishers. I’ll let you know how it goes, but I suspect that I needed to have put in much, much more work than I have.

Speaking of hard work…

Hard Work

These “big ideas” don’t just materialize as a gift sent by the Muses. And this was inspirational for me to hear as a writer. Many authors started as teachers, or held some other job, writing or illustrating part-time until things took off. The illustrators and authors all had some type of writing nook or studio space they used, but it wasn’t some fancy studio paid for by a big publishing company or anything like that. One author wrote from a glorified laundry room. Many of the illustrators converted an extra room in the house into a studio. One illustrator had to split studio space with four other illustrators because of the rent in New York City.

The bottom line is: writing is hard work. Sure, some authors are “lucky” in that they are picked up or become popular or have movie rights or whatever. But no authors are lucky in that they woke up one day rich, successful, and famous. It’s a reminder to any aspiring writer. A runner runs. A cook cooks. A writer writes. So stop wishing for it, and start making it happen.

The Most Inspirational

On a side note, the most inspirational part of the conference was hearing Aranka Siegal speak. I blogged about it from a freedom angle over at Freedom Forge Press. You can read my post here.

You can also sign up to receive a weekly writing tip. Here is the latest writing tip.  The box to sign up to receive this weekly email is at the bottom of the writing tip.

Emmaline Roke’s story begins in the 1830s, in England. Her father worked a shop in a pleasant village, and all is well until her father’s death. At this point, the family is evicted from the shop, and Emmaline’s mother is forced into factory work to support the family. Emmaline dreams of being a seamstress and owning her own shop, but times being what they are—and having a mother like hers—makes that difficult.

After a bad accident that cripples her hand, Emmaline’s mother becomes addicted to opium (it was at first merely a pain killer). In desperation, she sells Emmaline’s younger brother, a deaf-mute, to a chimney sweep for a term of five years. She plans to use the money to buy more drugs. All the while, Emmaline has been resisting the offer of her wealthy aunt (her father’s sister) to move in with her under the condition that she break ties with her mother and brother, neither of whom her aunt approves.

In the end, the main conflict of the novel is Emmaline’s quest to find her brother in the big city and purchase or steal him back, a task made more difficult by the sketchy labor practices and unethical opportunists in the city. The title refers to a running motif that relates to Emmaline’s father, for whom she retains love and respect, but I thought more could have been done with it to increase the impact at the novel’s end.

The novel takes place in fictional settings, but (as the author’s note indicates) these settings are based on extensive research to capture the essence of the time period. In many ways, it reminded me of Tess of the D’Urbervilles in the way Emmaline’s parents are both absent in some way (typical of YA novels) and the way Emmaline has a stubborn streak in which she denies herself an easy life for the sake of taking the moral high ground.

In general I enjoyed this novel, though I felt it meandered a bit at times, hanging on certain chapters. But the second half of the book picked up as the focus shifted to finding her brother. The earlier chapters, however, did allow good insight into what life was like for the working class back then and would be a good way to introduce “modern” young adult readers to such an atmosphere. It’s hard to imagine life being that difficult, but this book effectively illustrated the difficulties Emmaline faced.

Welcome to the Spot Writers. This month the prompt is to use three of the following words in the story- tremble, start, tiptoe, yank, and dresser.

 Today’s contribution comes from RC Bonitz, author of A BLANKET FOR HER HEART.  

 Because of Maude

 by RC Bonitz

I wake up with a start. Noise, some kind of noise has broken my dreams. Just as well–I was dreaming about the woman down the street. Maude Fremont, my friend, seventy-eight years old, the poor thing was raped and murdered in her bed just a week ago.

I’ve been having nightmares ever since. Tonight’s dream probably woke me. I’m all ears though, always am when the house starts talking to me. My imagination takes flight when that happens. Drives me crazy for a while until I work up the courage to get up and check the doors and windows. I–

“Crash, tinkle, tinkle.”

That’s not imaginary, that’s glass breaking. Downstairs, at the back door. Oh God, someone’s breaking in? I try to still my breathing but I can’t, it’s echoing in my ears. What am I going to do?

 I bought a gun this week, because of Maude. I can dial 911 and defend myself until the cops arrive. I hope. I’ve only had one lesson on how to use the gun.

A slash of moonlight slips between the heavy drapes and scores the rug with faint illumination. I fumble for the bedside phone with trembling hand; knock the damn thing to the floor somewhere in the darkness. I have to turn the light on, have to but I shouldn’t, he’ll know where I am.

But I do it. Push back the covers and drag my legs out, turn and slide off the bed, grab the phone off the floor. Push the “on” button. Stab it again. No dial tone- it’s dead. Oh my God, he’s cut the wires. Where’s my cell phone? In my purse. Downstairs in the kitchen. Where he is.

My heart is pounding, panic rising in my belly. I hear him, walking, checking out the house. What’s he looking for? My bedroom? I turn the light off again. Want to curl up in the dark and disappear.

I need that gun I bought the other day. Which is in the dresser all the way across the room.

I tiptoe toward the dresser, listening for him. The floor creaks. I stop, wait, strain my ears. He’s not moving either, probably listening just like me, Oh God. I’m sweating, can’t think of anything but getting to that gun. With slow small steps I start again. Something crashes to the floor downstairs. He’s moving too. Fast.

I throw myself at the dresser, yank open the drawer. Where’s the gun? Tangled in my undies. He’s coming up the stairs!

Tearing the clothes away, I scrounge for the clip, the only one I bought. It’s there. I shove it in the gun and turn as my bedroom door flies open.

Huge, he’s silhouetted in the nightlight from the hall. I raise the gun. The safety? No time, I fire. He fires. I empty my gun into the shadow of his body. He falls.

Shaking, I draw a deep breath. It’s over. Is it? My nightgown is wet. I’m bleeding.


The Spot Writers- our members.


RC Bonitz

http://www.rcbonitz.com

 

Val Muller

https://valmuller.com/blog/

 

Catherine A. MacKenzie

http://writingwicket.wordpress.com/wicker-chitter/

 

Kathy Price

(Website in development)

Today’s post comes from Kathy L. Price. Her book, Down the nanoTubes, will be released shortly.

Return to Cabo San Lucas

by Kathy L. Price

“Ow, ow, ow,” Courtney winged as she gingerly lifted the strap of her bathing suit over her right shoulder. This was, by far, the very worst sunburn she had ever gotten in her entire life. Normally, she was religious about slathering on sunscreen before venturing out, but she had not done so that day. After all, they’d only just arrived. Immediately after checking into the hotel, they’d hit the bar. Nothing which happened after that was clear but she must have had way too much tequila at lunch, then fallen asleep on the sand. She was now toasted beyond belief. At least the front of her body had escaped the intense rays.

Her head throbbed and she felt queasy. Crap. At her age she should have known better.
“What was in those drinks, anyway?” she wondered, “and where’s Fred?” He hadn’t been beside her on the beach when she had finally come awake.

It had been his idea to fly to a resort in Cabo San Lucas for their seventh wedding anniversary. Courtney had not been all that thrilled with the idea, but Fred had promised it’d be fun and romantic, a grand adventure, so she had agreed. On the flight down he had been unusually talkative and enthusiastic. It had been years since she had seen him express much interest in anything so Courtney had high hopes this trip might renew the spark in their increasingly stale marriage.

Tomorrow they were supposed to go fishing. Courtney knew she’d have to cancel and Fred would be disappointed but there was no way she’d be able to sit in a boat, rocking around on the waves, with the backs of her legs all red and raw.

After a gentle shower with cool water to take some of the heat out of her skin, she slipped into a silk shift, forgoing her bra, and began to worry. Where was Fred? Initially, she thought maybe he had come back to the room, although she couldn’t figure out why he’d leave her alone, passed out on the beach. If he hadn’t fallen asleep, or had awakened before her, why had he just left her there to burn? Where was he?

Twenty-three years later, sitting in the back of a dark, smoke-laden blues bar in downtown Chicago, she saw him. No. It couldn’t be Fred. It had to be her imagination, but that “I know you” pull was strong. As she continued to watch the man, she recognized Fred’s mannerisms, the same quick nod of his head he always used to do whenever he was trying to make a point. He was chatting up a much younger blond with long legs, a very short skirt and amazingly high heels, although it didn’t look like he was making much progress.

It had to be Fred. He had a bit of a paunch, now, and his hair had thinned considerably, but there was no mistaking those eyes or the shape of his nose, the dimple in his chin.

Life had certainly been a challenge since he disappeared so long ago. She had managed to raise their two young children by herself. Her parents, of course, had been supportive and had stepped in to help on many occasions. Fred’s parents, too, had stayed involved in their lives, even though Courtney suspected they blamed her for his disappearance. There had, of course, been official police inquiries. Had it been a case of a jealous wife murdering her husband and hiding the body? A drug-related kidnapping? A suicide? In the end, Fred’s disappearance went into the cold case files and was forgotten.

Knowing how heart-broken his mother, Audrey, had been, Courtney shook her head and thought, “You bastard. How could you do that to your own mother?” The not-knowing what had happened was what had killed them all. So, Fred hadn’t been man enough to tell her he wanted out, that he’d screwed up his life and gotten into debt, that he’d found another woman. No, Fred had taken the coward’s way out and had simply disappeared. His children had grown up without a father. Considering everything, maybe that had been for the best.

Courtney stood and smoothed her dress. Even at fifty-six she had a smokin’ hot body, with luxurious shoulder-length dark hair and heads turned as she crossed the room. She ignored the appreciative stares and focused on the man at the bar. Now, should she say hello or simply walk past, letting him wonder if it was her?

When she was directly across from him, she glanced over. She was wearing her usual perfume, his favorite, and wondered if he’d recognize it. He didn’t even glance up, so focused as he was on landing the blond. Should she confront him, make a scene, or leave it alone?

After a short stint outside in the night air to clear her head, Courtney returned to her seat to listen to the night’s featured performer, Chelsea: her daughter, Fred’s daughter. Was that why he was here? He wanted to hear her sing? Doubtful. Chelsea had always used a stage name, so maybe Fred didn’t even know it was her. So much had happened in the years leading up to this night, so many things Fred had missed: Chelsea learning to ride a horse; the delighted expression on her face when she completed her first successful cartwheel on the balance beam; how beautiful she looked the night of her Senior Prom; her graduation, with honors, from a prestigious performing arts college. What would Chelsea think, if she were told her dad, who had purposefully chosen to walk out of her life when she was only three years old, was in the audience? And Brad? Brad would be so angry. He had taken it particularly hard, a boy growing up without a father. Should she tell their children she had seen him? That he was alive?

No, she wouldn’t open them to more hurt than they’d already endured. She would, however, let Fred know she found him. From her table at the back of the room, she looked over to see him encouraging the blond to leave. The blond, however, indicated she wanted to politely stay until the singer had finished. Courtney, too, waited for the end of Chelsea’s set, then slipped out to follow them. Once outside, she quickened her pace to catch up but pulled back when she heard the squeal of tires. In shock, she watched as a car ran the red light at the intersection, was broadsided by a dump truck and careened down the sidewalk, smashing Fred and the blond into the brick wall of the building.

Two weeks later, on what would have been their thirtieth wedding anniversary, Courtney found herself back in Cabo San Lucas, Mexico. From the deck of a chartered fishing boat, she scattered his ashes into the sea.

The Spot Writers – our members:

RC Bonitz

http://www.rcbonitz.com

Val Muller

https://valmuller.com/blog

Catherine A. MacKenzie

http://www.writingwicket.wordpress.com/wicker-chitter

Kathy L. Price
website under construction