Val Muller

The Electronic Wordsmith

Welcome to The Spot Writers. This month’s prompt: a book keeps appearing out of the blue in the most unexpected and unusual places.

This week’s story comes from Chiara De Giorgi. Chiara dreams, reads, edits texts, translates, and occasionally writes in two languages. She also has a lot of fun.

The Booklet

by Chiara De Giorgi

I am a small booklet: just a few pages bound together, home-made style, with a blue, battered cover.

I was written by an elderly woman, who gave me to her grand-daughter. She had written her verses and thoughts on my pages, she even put in a couple of beautiful drawings.

Her grand-daughter had just moved to a country far away and was feeling bewildered and a bit dazed by the different language and habits, by all those unfamiliar faces and places. She cherished her grand-mother present, reading and re-reading the short poems and being comforted by the woman’s words.

Every time she flipped through my pages, she smiled softly to herself; she even shed a tear of two, thinking of her grand-mother. From my pages she drew the strength to face her daily challenges with a brave heart.

One day I realized she didn’t need me anymore. I was lying on her bedside table, as usual, and I watched her cuddle her newborn baby, while her husband lovingly hugged them both.

That afternoon, while we were at the park, I discretely slid from the stroller’s blanket, landing on the grass and waiting for someone to find me.

 

A young boy saw me and tenderly picked me up, a big smile growing on his face. He put me in his coat’s pocket and off we ran.

He wiped my cover and straightened my pages, then put me on his sister’s bed, half hidden under a giant stuffed panda bear’s foot. He watched unseen, as the little girl found me and started flipping through my pages, stopping to admire the beautiful drawings.

The little girl had just moved to a new school and was distressed because she couldn’t make new friends, nor forget her old ones. From that day on, she always brought me with her. I reminded her of her big brother, and every time she felt lonely or afraid, she just opened me, finding a poem, or a few lines in a short story, that helped her feel comfortable again.

One day I was watching her from the bench in the schoolyard: it was summer and she was playing with her school-mates, running around and laughing happily. I understood my time with her had come to an end, and let myself fall under the bench.

 

The old janitor found me. He picked me up and brought me home. He put me on the table while he ate a quick supper, then we went to his sister’s, all the way across the city.

His sister had recently been widowed and was feeling very sad and lonely. She was unable to sit on her husband’s favorite armchair, or to sleep on his side of the double bed. Every single object reminded her of the man she had shared so many years with, and she could only sit next to the window in the small kitchen, looking out and remembering the time gone.

She didn’t care much for me, at first, but then she decided to open me and read a few words here and there, until she started doing so every morning. One poem, one memory, one aphorism a day, I kept her company and showed her there were still thoughts to be thought and words to be spoken.

One morning she entered the kitchen humming a happy tune. She kept humming and cleaned all the house. She moved the furniture and put her husband’s armchair next to the wood stove, then she chose an old record from a pile and played it, quietly dancing by herself around the room. Her eyes were clear, her face serene, a hint of a smile stretched her lips.

 

The window next to me was open, and a gust of wind gently lifted me. I was flying towards my destiny again.

***

The Spot Writers – Our Members:

Val Muller: https://valmuller.com/blog/

Catherine A. MacKenzie: https://writingwicket.wordpress.com/wicker-chitter/

Phil Yeats: https://alankemisterauthor.wordpress.com

Chiara De Giorgi: https://chiaradegiorgi.blogspot.com/

000This week, I had the chance to catch up with David Fulcher. We’ve attended several author events together, and I’m happy to feature his flash fiction piece, “Madame Zeist’s Perfume,” as well as a bit about him and his work.

Madame Zeist’s Perfume

by David Fulcher

I wasn’t sure what to expect when I touched down on that small moon in the Orion system, but I certainly didn’t expect Madame Zeist.

A probe had returned with pictures of strange ruins on the planet’s surface, and as an alien anthropologist I was intrigued.  The most interesting aspect was that two civilizations seemed to have coexisted together on the planet, intertwining their cultures.  There were black pyramids and obelisks covered in hieroglyphics, their meaning long forgotten, next to plain stone dwellings that seemed almost Western in nature.  Overshadowing it all was a tower in the center.  This was my destination.

Upon entering the tower, the head lamp on my space suit revealed crumbling stone blocking the stairs going up, but the stairs that spiraled downwards were clear.  Climbing down I encountered an invisible barrier blocking my way.  I strained against the barrier and then there was a pop! like a bubble bursting as I broke through, and I checked the indicators on my suit.  Not only was there Earth-like gravity but oxygen as well.

I removed my helmet and there was a hiss as air escaped from the seal.  I continued and reached the foot of the stairs.  Burning torches cast flickering shadows on the wall, and the air smelled stale and ancient.  Twenty feet ahead the corridor opened into a large chamber, and I could hear music and the laughter of a woman.

I entered the chamber.  Colorful shards of glass embedded in the walls caught the torch light, and bottles of every size, shape, and hue rested on wine racks at the far end of the room as far as the eye could see.  On the side of the wine cellar closest to the entrance was a large onyx table.  Seated at the table were eleven guests lavishly dressed in bright colors.  At the head of the table was the host, a striking red haired woman in a purple gown with high collars.  In her younger years should must have been a beauty, but age had creased and lined her otherwise attractive face.  It seemed strange to me that the only person drinking wine was the host.

The woman rose and approached me, and the other guests quickly stood up at their places like soldiers snapping to attention.

“Darling, you’ve arrived!  Welcome to my wine cellar. My name is Madame Zeist.”  Her voice had a sing-song quality to it that seemed otherworldly, similar to the music that floated through the chamber.

“I know you have your questions, my dear, but all in due time.  You have travelled a long way to find us, so please rest and take a seat,” said Madame Zeist.

The guests smiled and nodded, as if attempting to put me at ease as well.   I’m an intergalactic traveler and have encountered dozens of alien species.  Usually I’m extremely careful in these situations.  Perhaps it was seeing other human beings after the cold loneliness of space that put me at ease, or Madame Zeist’s gracious manner.

Then again, it may have been Madame Zeist’s perfume.  It wafted through the room, pleasant and familiar in a way I can’t describe.  In between sips of amber wine, Madame Zeist would lift up the small pear-shaped jar of perfume and spray it towards the guests. I noticed then that the guests would lean forward above their plates and sniff up the aroma, like dogs following the scent of dog food.  I was shocked to find myself participating in this odd behavior, and suddenly leaned back in my chair when I realized it.

“To the twelfth guest,” Madame Zeist toasted.

“To the Twelfth Guest!” The guests replied in unison.

For a fleeting moment I wondered what had happened to the last twelfth guest that had caused my chair to be vacant, but a second later the perfume hit my brain and a sense of immense wellbeing came over me.

Soon I began to have visions.  I was drifting through the universe, a being of pure energy without material form.  I was filled with joy as I danced across asteroid fields, spun though black holes, and melted into dying suns.  I lost all sense of time during my astral projection, and although some distant animal part of me craved nutrition and sleep, this part was overruled by the senses which simply wished to fly between the stars.

And then suddenly, perhaps due to exhaustion or starvation, I felt myself being drawn back to my body.  I saw this planet as it used to be, thriving with two races: one humanoid, and one reptilian.  And then, as centuries spun by, there was only one race.  It was a tall sleek race of humanoids with scaly tails and forked tongues, and I realized that a horrific mutation had taken place, and what once was human and once was reptile had become one.

The next revelations were intimately more personal and therefore all the more terrible.  First, just before my being entered my body, I noticed a pile of space suits in the corner with symbols belonging to a variety of nations.  Then I looked around the table.  The guests were all skeletons, posed in various positions as if enjoying a feast.

Madam Zeist was smiling at me, but her countenance flickered between her former beauty and an evil face with yellow eyes.  Lastly, I studied myself.  My space suit felt far too big, and my hands were slender and bony.  I had to press against my torso to find my ribs, which poked out sharply against my skin.

Just then, Madame Zeist sprayed her perfume and the horror subsided, replaced by a sense of wellness.  She began to laugh maniacally and I began to laugh with her, knowing that until the end of my days I would crave Madame Zeist’s perfume.

 

David Fulcher Writer’s Bio and Links

Twitter:  @rdfgoalie

Websites:

www.authorsden.com/rdavidfulcher

www.samsaramagazine.net

David Fulcher is an author of horror, science fiction, fantasy and poetry.  His major literary influences include H.P. Lovecraft, Dean Koontz, Edgar Allen Poe, Fritz Lieber, and Stephen King.

His first novel, a historical drama set in World War II entitled Trains to Nowhere, and his second novel, a collection of fantasy and science fiction short stories, Blood Spiders and Dark Moon, are both available from www.authorhouse.com and www.amazon.com.  His work has appeared in numerous small press publications including Lovecraft’s Mystery Magazine, Black Satellite, The Martian Wave, Burning Sky, Shadowlands, Twilight Showcase, Heliocentric Net, Gateways, Weird Times, Freaky Frights and the anthologies Dimensions and Silken Ropes.  His passion for the written word has also inspired him to edit and publish the literary magazine Samsara, located online at www.samsaramagazine.net, which has showcased the work of writers and poets for over a decade.

David Fulcher resides in Ashburn, Virginia with his wife Lisa, a native of Stony Brook, Long Island, and their rambunctious cats.

Anthologies

001

Forging Freedom: Dimensions

Mr. Fulcher’s story “The Witch Toaster” is included in this anthology.

Books

The Lighthouse at Montauk Point

002

Amazon Kindle Version

 

Trains to Nowhere

003

https://www.amazon.com/Trains-Nowhere-Other-Stories-World/dp/0759623597/ref=sr_1_1?ie=UTF8&qid=1542320631&sr=8-1&keywords=train+to+nowhere+and+other+stories+of+world+war+ii

 

The Movies that Make You Scream

0040

https://www.authorhouse.com/Bookstore/BookDetail.aspx?BookId=SKU-000227606

 

Blood Spiders and Dark Moon005

https://www.amazon.com/Blood-Spiders-Dark-Moon-Science/dp/1418450871

 

 

The Cemetery of Hearts

006

https://www.amazon.com/Cemetery-Hearts-Stories-Fantasy-Science/dp/1420896474/ref=sr_1_fkmr0_1?s=books&ie=UTF8&qid=1542321420&sr=1-1-fkmr0&keywords=the+cemetery+of+hearts+r.+david+fincher

 

Online Series

Mr. Fulcher is also writing an online series about the historic Dracula entitled Vlad the Conqueror hosted on Channillo.  In 2017, this series won the runner-up award for the best historical fiction series on Channillo.

007

http://channillo.com/series/vlad-the-conqueror/

 

In The Extra-Terrestrial Toilet, Larry and his alien sidekick Nittix are put through a series of trials from the Masters of the Universe.  This series is written in the style of The Hitchhiker’s Guide to the Galaxy.

008

https://channillo.com/series/the-extra-terrestrial-toilet/

 

Turning to suspense, in the online series HONEY an obsessed woman stalks a young couple on their romantic road trip.

009

https://channillo.com/series/honey/

 

Welcome to The Spot Writers. This month’s prompt: a book keeps appearing out of the blue in the most unexpected and unusual places.

This week’s story comes from Phil Yeats. Phil (using his Alan Kemister pen name) recently published his first novel. A Body in the Sacristy, the first in the Barrettsport Mysteries series of soft-boiled police detective stories set in an imaginary Nova Scotia coastal community is available on Amazon.

 Rogue Copies

 Phil Yeats

Yesterday, I saw a copy of Tilting at Windmills sitting abandoned on a park bench. I sauntered by perusing the cover. It was definitely my cover, my title and my pen name.

I’d recently distributed electronic copies of the manuscript, including jpegs of my proposed covers, to eight writing colleagues for final comments before I formatted it for self-publication. I’d also sent the first fifty pages, no covers, to several publishers. But I hadn’t published it.

After sneaking down another path, I approached the bench from a different direction. I stood behind one of the Public Garden’s giant rhododendrons and noted everyone within sight as I tried to understand this strange event.

Had someone stolen my manuscript, printed copies of the book, and placed them for sale in local bookstores? Or had someone left a mock-up of the covers with blank pages where I’d find it? A none too gentle reminder from a colleague telling me I’d taken too long getting this manuscript finished.

I watched for half an hour, but no one approached the book, and no one I recognized loitered nearby. I picked the damn thing up and leafed through it.

Two things were obvious. First, it wasn’t laser printed covers around blank pages. It was a properly formatted and printed versions of my book, one I’d have proudly displayed if I’d produced it myself. Second, someone had sliced out the page that identified the printer.

 

This morning, I looked for a listing on Amazonnothing. I stopped by two bookstores to see if copies were on their shelvesagain, nothing. Finally, I visited the library to search for it in their catalogue.

I saw the second copy on a display table of books by local authors. I picked it up and rushed to the information desk.

The librarian on duty shook his head. “Not ours. Someone must have slipped it into our display.”

I now had two copies of my unpublished book and no idea where they came from. I wandered into the library’s busy café, ordered a coffee, and tried to unravel my little mystery.

A woman appeared, plunked a third copy of Tilting at Windmills on my table and disappeared into the crowd near the café entrance. I grabbed my backpack and chased after her, but realized the futility as I pushed through the crowd inside the café into a larger one outside. I’d only managed a brief glance at the woman, enough to conclude she wasn’t anyone I knew, but little else. She’d been wearing a colourful cape, but she could easily have slipped it off and blended into the crowd.

I returned to my half-drunk coffee slightly wiser. I was now certain someone targeted me with these copies of my book, but I didn’t know why or what to do about it.

An idea popped into my head. I could format the authentic version of Tilting at Windmills and rush it into print. In the meantime, I could write blog posts describing the strange occurrences of rogue copies of my as yet unpublished book. If they caught on, they could form the basis of an interesting publicity campaign.

 

A week later, I passed George Foster, one of my eight beta readers, on Spring Garden Road. “I see your manuscript is finally published,” he said without stopping.

I stared at his retreating back. Was he referring to the e-book version I’d posted on Amazon three days earlier, or more rogue copies floating around Halifax?

 ***

 The Spot Writers—Our Members:

Val Muller: https://valmuller.com/blog/

Catherine A. MacKenzie: https://writingwicket.wordpress.com/wicker-chitter/

Phil Yeats: https://alankemisterauthor.wordpress.com

Chiara De Giorgi: https://chiaradegiorgi.blogspot.com/

 

Welcome to The Spot Writers. This month’s prompt: a book keeps appearing out of the blue in the most unexpected and unusual places. Today’s tale comes to you from Val Muller, author of the spooky novel The Man with the Crystal Ankh.

Back to Work

By Val Muller

From the moment her daughter just “had to have it” at the checkout line, Harrison Habbinger the Squirrel drove Marie crazy. It should be illegal for stores to have children’s items in the checkout section. Or any items, for that matter. The check-out line was always the worst part of grocery shopping with a toddler and a newborn.

But what is a mother to do? When there’s a fussy toddler and a cart full of items to be placed on the conveyor belt, the easiest thing is just to give in. And the toddler always knew just how to time things just right—messing with the cart items just to the point of causing an actual mess. It was like she knew her mommy would be frazzled enough to buy the small book. In the game of chicken, the toddler always won.

And it was what, $3.95? But it was a four-dollar mistake. Since its purchase, Harrison Habbinger the Squirrel kept popping up everywhere, even when Marie tried to hide it.

It wasn’t even a great story. It made its point with alliteration. Each page played with a letter. “Harrison Habbinger loved lemons, licking his lips for lavender lemonade…” The author had labored so much on making the alliteration happen that there was nothing interesting about the story. The toddler didn’t learn any new facts about squirrels, there were no insights, no characterization, no funny jokes put in there for parents. Some children’s books did all these things. They were—well, maybe not quite enjoyable to read, but at least they made an effort at it, eliciting a chuckle at some idiosyncrasy of the grown-up world.

But not Harrison Habbinger the Squirrel. Yet for some reason the toddler was obsessed with it. The book followed them everywhere. Even when she thought she put it back on the bookshelf, it would materialize in the pantry, under the TV next to the DVD player, in the passenger seat of the car…

One day, Marie received an email from her husband at work. He’d discovered the book stashed in his briefcase. He’d showed it to his co-workers, and the office had a good laugh at the stupidity of the book.

Every night, the toddler asked for it to be read once, twice, sometimes more. It was excruciating, and the worst part was that the alliteration made it impossible to tune out. It was laborious for a tired mom to read at the end of the day. As the newborn grew, his love of the language patterns only helped encourage the toddler’s obsession.

And it didn’t just stop at the book. The obsession with the squirrel transcended the pages.

The toddler often asked for stories in the car, always about the squirrel. Waiting in line. In the bathtub. At bedtime. Eating lunch. In the car. Everywhere, the toddler demanded a story about Habbinger.

It was getting harder to make up original stories about the squirrel that had very little personality. When trying to put the baby to bed, Marie cringed at the excited cheers downstairs shouting the fact that as soon as the baby fell asleep, Mommy would be free to read Harrison again.

And again.

And again.

When Mommy was stuck for hours at a time and a chair feeding the baby, she was held captive by a toddler and her book.

Marie tried to remind herself that she was only away from work for 12 weeks. The time would fly by quickly, the baby would get bigger, and the toddler would return to daycare as well. The time would fly by fast, even if the hours might seem long. But still: every time she saw that book, she shuttered.

Her seven-hundredth attempt to hide the book failed on the cusp of her return to work. She spent her last waking moments of maternity leave reading the squirrel book several times to the squealing delight of her daughter who seemed nowhere near ready to fall asleep for the night.

The first two days back to work were a sort of reorientation into the work world, with coworkers taking her out to lunch and her regaling people with stories of the birth and the first few weeks and the toddler’s reactions and all the cute baby pictures that leave out the less desirable moments of parenthood—the diaper blowouts and temper tantrums and the obsession with badly-written kids’ books.

But after those first two days of work, things got back into routine. Everyone focused back on their jobs, and Marie realized she had a lot of catching up to do. It was on that Dreadful Wednesday, hump day, dreary rainy blurry Wednesday, when she actually felt a bit tearful dropping the kids off at their daycare. She stared at her desk. Had she done it? Has she been one of those moms to squander her time off? Everyone told her to appreciate every little smile, every little diaper accident, every little change of clothes, every all-nighter, every annoying story, because those hands wouldn’t be little for much longer. They said it was way too easy to squander if you weren’t careful.

Had she squandered all that time?

She dug into her bag to try to find her lunch. She’d packed some Halloween candy, and chocolate always cheered her up. As she dug through her bag, something tattered and worn and colorful peeked out at her.

It was Harrison Habbinger the Squirrel. In all its glory. There in her work bag.

How had it got in there? She smiled and knew the answer. That little toddler of hers, as mischievous as she always seemed, always knew how to time things just right.

***

The Spot Writers—Our Members:

Val Muller: https://valmuller.com/blog/

Catherine A. MacKenzie: https://writingwicket.wordpress.com/wicker-chitter/

Phil Yeats: https://alankemisterauthor.wordpress.com

Chiara De Giorgi: https://chiaradegiorgi.blogspot.ca/

Today I had the chance to interview C. A. MacKenzie. She’s a member of the Spot Writers, the group bringing free flash fiction to this blog for the last several years. Her novel, Wolves Don’t Knock, can be purchased at Amazon (click for link) or through her.

Tell us about yourself:

I’m a wife, mother, grandmother. I’m also a writer and published author.

Tell us about your book:

wolves dont knockWOLVES DON’T KNOCK is a psychological drama, with elements of thriller, mystery, suspense, romance, and family relationships. (It’s not a werewolf story!) Although it deals with sensitive issues (kidnapping and rape), there are no graphic scenes. The book is suitable for mature teens and up, geared for women of all ages. Despite that, I’ve had six males (that I know of) purchase the book and enjoyed it, which kind of surprised me.

WOLVES is my first novel. It’s told through the POVs of Miranda and her mother, Sharon. Miranda is kidnapped at the age of sixteen after giving birth to Kevin and escapes six years later. The first chapter deals with the kidnapping, but the rest of the book is about the year after she returns home. There are twists and turns. Both Miranda and Sharon have secrets they dare not reveal.  The kidnapper is still on the loose, too, so they’re looking over their shoulders, wondering if and when he’ll reappear.

Did you always know you wanted to be a writer?

It was never in my plans to be writer. I used to write when I was a teenager but didn’t really take up writing seriously until around 2010. After the births of my first two granddaughters in 2007, I got back into writing poetry. Short stories followed soon after, and I haven’t stopped since.

What is your “day job”?

Other than housework, travelling, and spending time with my grandchildren, I spend most of my day at the computer. I edit and publish other authors, too, so I’m pretty busy.

Who is your favorite character in your book, and why?

Sharon, Miranda’s mother, is my favourite character. As a grandmother myself, I relate to her more than a younger woman. Probably a little bit of me is revealed through Sharon’s words, actions, and thoughts.

Are any elements of your book autobiographical or inspired by elements of your life?

A couple of Miranda’s experiences are from my teen years. No, I’ve never had a child out-of-wedlock, so that isn’t one of them. And Sharon: some of her thoughts are mine. I won’t say which ones, ha ha.

What’s the strangest place you’ve ever been?

I found it eerie and scary. We were there twice, both for short visits, while cruising and travelling nearby. It was an intriguing place, though, very different, but I never felt comfortable there.

What’s your favorite scene or location in the work you’re currently promoting, and why?

I like the scene I wrote where Sharon is at Peggy’s Cove. There’s some deep stuff on those pages, and I also liked the description I portrayed. I hope the readers like it, too.

What book or author has been most inspirational for you, and why?

I enjoy Joyce Carrol Oates and have been told I write like her. I didn’t realize I did until another writer mentioned it; in fact, I hadn’t read any of her works until after he told me that. But that was a compliment, for sure.

If you were to be stranded on a desert island, what non-survival item would you bring along that you couldn’t live without?

My computer.

Are you working on any other projects at the moment?

I’m working on a (sort of) memoir about the death of my son, who died from a rare heart cancer last year. It’s been extremely hard working on it, but I need to finish it so I can move on, as I’m a focused person and find it hard to work on more than one thing at a time. I’m not sure yet whether this book will ever be “published.” It may be for my eyes only.

I also want to write MISTER WOLFE, the story of Paul Wolfe, the kidnapper in WOLVES DON’T KNOCK. I have most of the story played out in my head and if I can get it down on paper as I envision, it’ll be a terrific book (excuse my ego). It’ll be a stand-alone book but could be a prequel or a sequel to WOLVES. There are a couple of subtly-written passages in WOLVES that will be expanded upon that I am positive a reader of WOLVES will be totally blown away by. At least I hope so. This book will be much darker than WOLVES.

Find Cathy:

Cathy’s website/blog: www.writingwicket.wordpress.com
WOLVES DON’T KNOCK Facebook page: https://www.facebook.com/WolvesDontKnock/

When I was growing up, my dad used to call me by the dog’s name, the dog by my sister’s name, my sister by my mother’s name, and all sorts of other combinations. I thought he was insane.

Turns out, he was just a typical parent.

Now that I have young ones of my own, I can understand the brain misfires. I don’t know how many times I’ve referred to one of my kids as “Corgis!” or started to admonish one of the corgis using one of my children’s names.

Case in point. I recently had the opportunity to have a Moana party with my daughter–who is almost 3–from 3 a.m. until 7 one morning.

It started like this.

I woke at 2:55 a.m., just before the witching hour. It was still early for my son’s nighttime feeding, but my subconscious knew something was up. Wailing on my daughter’s audio monitor told me I was right.

I headed toward her bedroom, wondering what horror would confront me when I opened the door. A nightmare? Too hot? Something else?

“I puked!” she screamed, the voice echoing over the monitor and into the hallway. I cringed.

My nose immediately stuffed up. I think it’s one of my Mommy Powers. Any time she throws up, my nose stuffs up so that I literally can’t smell anything. I think maybe it’s evolutionary.

My mind raced with thoughts of what the next twenty-four hours might be like.

I got her in the bath tub and hosed her off, using the shower head attached to a long hose. Thank goodness for this shower head, I though naively.

Then fate laughed at me.

The diverter peg on the spout of the bathtub, the one that lets you switch to the shower head, broke off. Ker-plunk, into the tub.

“Son of a–”

“What, Mommy?” her innocent voice asked as she sucked back a lingering tear from her traumatic awakening.

The peg had snapped. There was no fixing it. My toddler’s eyes questioned my frustration.

“Do you feel sick?” I asked, trying to distract her.

“I’m not sick,” she said. “I just puked.”

She is two years old. I didn’t quite trust her capacity at self-diagnosis. My mind raced again. When she had the stomach virus at age 1, she was small enough to be placed on a towel and sleep until the next explosive wave. Would she be amenable now to being confined somewhere? Somewhere easy to clean?

“I’m not sick,” she insisted.

My mind raced with possibilities. I wondered how many times she would puke. I wondered whether I or my husband or the baby would catch it. I cringed, thinking about the “cookie game” she had played with us just hours earlier, passing a giant cookie around and having us all take turns having a bite. Surely we would all be sick. My mind and body prepared for a long night of cleaning and worrying about a sick child. And what if I got sick while she was still sick? And what if my husband got sick while we were both sick? Who in the world would take care of everyone?

I threw out the broken faucet peg and finished cleaning using buckets, dumping warm water over her head and hair in lieu of the shower head.

She looked up and smiled. “This is so fun!” she cooed as warm water from a bucket cascaded down her back.

I froze. My mind and body simultaneously relaxed and tensed. This was not the smile of a child sick with the stomach virus. This was the smile of a child who had awoken to a one-time sickness…and who was now wide awake.

At 3 a.m.

I finished cleaning her, and she splashed in the tub some more while I placed towels all over her mattress…just in case.

“I got your bed all changed and set up again,” I said. “I put towels on your bed in case you–”
She was already shaking her head. “I had a nice sleep,” she said, her smile growing. “But I’m awake now.”

I could see it in her eyes. She had hours of playtime in her. She was almost fully charged. Like a phone plugged in to 80%–a phone like that could last the whole day. I was nowhere near 80. I feared I’d doze off, no matter where we were.

“How about we camp out in the bathroom?” I asked. That way, if I fell asleep and she got sick, it’d be easy cleaning. “Pretend” camping is one of her obsessions, but my voice didn’t sell it well enough. “I mean, we could spread out towels, and make a pillow out of a rolled-up blanket, just like the cowboys do,” I said with more enthusiasm.

Her eyes remained skeptical.

“We can watch Moana,” I said.

Almost there.

“On my tablet.”

And I had her.

The first time we showed her The Nightmare Before Christmas, she literally screamed the whole time. “That’s Jack Skellington!” she cried in delight when he appeared. And when he was off screen, it would turn to “Where’s Jack? Where did he go?” It was the most challenging viewing of that movie, ever.
Moana was different. Safer. She’d always watched it silently. I set up a pillow and blanket for myself in the hallway and prepared to doze off.

She started out giggling and yelling at the screen. Then, at least every five minutes, she tried a new tactic. Did she know I was trying to sleep? Was she intentionally trying to engage me? Keep me awake?

Or is her subconscious a genius?

At least once every five minutes, she asked a question about a movie she’s seen more times than is healthy. The sad thing is, I’ve seen the film almost as many times, and I could answer her questions with my eyes closed.

“What’s that orange thing?” (A flower.)

“What’s she standing on?” (A boat.)

“What’s he having?” (A tattoo.)

Unfortunately, I could not answer in my sleep, so I had to stay up. For the entire film. Because she didn’t fall asleep. Not even a little.

After we made it through the whole movie and she didn’t fall asleep, I told her I’d better feed her brother. It was around 6 a.m., and although he didn’t always need to feed at that time, I wanted to be proactive, just in case it turned out she was actually sick. Better to feed a peaceful baby on my own terms. So, while things were calm, I told her to stay in the bathroom and relax.

If you have kids, you see the problem. I blame the number of hours I had been awake. If you don’t have kids, or don’t yet, I’ll give you a hint: you should never tell a toddler to just sit somewhere and relax. That’s like inviting a vampire into your home. Why would you do it?

I closed the bedroom door while feeding her brother, just in case she really was sick. It’s a well-known fact that doors keep out germs, right?

I didn’t hear any sounds coming from the bathroom, and although silence is terrifying in a toddler, I thought for sure she’d fallen asleep.

When I came back out she was doing what you see in the picture below. She had gone into the storage compartment of her step stool. Every single big hair tie she had placed around her wrist. Every single tiny hair tie she now wore around her fingers. And the medium sized ones were around several fingers like spider webs.

20181021_060038

Wild eyes of a toddler, or possessed by a demon? There are none who can tell.

I didn’t say anything, but she has become quite adept at reading my eyes. And my eyes asked, “What’s happening?”

She looked up at me with a deranged twinkle of passion in her eyes. And she said, “I don’t understand what I’m doing.”

The clarity of her response, coupled with very little sleep, coupled with the fact that it was absolutely true, and coupled with her very passionate facial expression, made me crack up uncontrollably. And then she joined in. And we were both laughing for like five minutes straight.

And that’s essentially why my dad always mixed up our names. And why parents look frazzled all the time. And why a man dressed as Frankenstein at a Halloween event recently told me he liked my costume—he thought “frazzled mother” was a good choice. It’s that toddlers simply act, and even they don’t know why they do it.

As a mentor of mine once said, just try to live in the moment, take a step back from it, and enjoy the “free entertainment” while it lasts.

 

Welcome to The Spot Writers. This month’s prompt: a book keeps appearing out of the blue in the most unexpected and unusual places.

This week’s story comes from Cathy MacKenzie. Cathy’s novel, WOLVES DON’T KNOCK, is available from her locally or on Amazon, to great reviews.

***

The Notepad by Cathy MacKenzie

“Bob, did you see my book?”

“What book?”

“The one I was reading. I had it a few minutes ago.”

“Which one was that?”

Candace and Bernie,” I shouted back, exasperated. “Did you see my book or didn’t you?”

“Nope.”

“I had it a few minutes ago.”

“Don’t know. Haven’t seen it.”

Was I losing it? Books I had been reading had mysteriously disappeared over the last little while. Is this what the Golden Years bring us seniors? Sure, I was forgetful but no more than the average person; at least, I didn’t think so.

I’ve lost other things in the past, like my reading glasses, only to find them perched on top of my head or dangling from the beaded chain around my neck. One time I found them on the bathroom counter, where I’d forgotten them after plucking that unsightly and hard-to-grasp silvery, spidery hair from my chin.

And then there were the car keys. Easy to misplace those. Voila, they turned up on the foyer table even though that wasn’t a place I’d ever leave them. I’m always extra careful to put my keys back into my purse because I’ve returned into the house too many times after forgetting them on the kitchen counter. Once, after looking for hours, I found them in my coat pocket.

But this missing book was another matter, one far removed from the usual, everyday age-forgetfulness. Math has never been my strong point, but this particular book has been lost at least six times—all during the past week. Was dementia setting in faster than expected? And was it dementia—or something worse?

I was into the third chapter earlier in the week when it first went missing, but I later found it in the guest bedroom. The next time, I discovered it in the closet in the side porch. I’d never leave a book in those places, let alone read there, so I was mystified. The third time, it turned up in the refrigerator. I wasn’t aware the book was missing then and had breathed a silent prayer that Bob hadn’t found it first. What would he have thought?

The other places were just as silly. Stupid, silly places.

And now, missing again, and I was positive, as I’d always been, that I had left it by my chaise lounger in the living room.

I sauntered to the bedroom and plopped to the bed. Tears cascaded down my face. Too many instances of misplaced objects lately, and I was sick of Bob nattering at me about being so forgetful. He had put his mother in a home when she developed Alzheimer’s. “I can’t handle her anymore,” he had said. He was an only child; there was no one else. I offered to take care of her since I was home all day, but Bob wouldn’t hear of it. “She has plenty of money. She can afford to go to a home.”

Stashing a human away, never again to see the light of day, was cruel. And everyone’s heard horror stories about those places. Bob’s promised daily visits turned into weekly visits that soon morphed into monthly. The month before she passed on, visits had become almost non-existent. Bob seemed grateful at the end as if he’d been absolved of guilt. And duty.

Would Bob do that to me? I’ve always dreaded going into a senior’s home. We’d made a pact when we married thirty years ago that we’d never do that to the other. Instead, we’d care for each other in sickness and in health—‘til death do us part.

But if I were losing my mind? What then? I’d eventually be unaware of my surroundings, and Bob could easily deposit me in one of those institutions. Without a functioning mind, how would I know?

I dried my tears and picked up the phone. I must see my doctor. Luck was on my side. She had an opening on Monday. I didn’t tell Bob. No sense worrying him. He wouldn’t know anyhow; he’d be at work.

Four months until he retired. We’d enjoy the good life then, travelling, dining out, enjoying each other’s company. Bob was excited and eager for that day.

“Did you find your book?” he asked when I returned to the kitchen.

“Yes.” For the first time in my marriage, I lied to my husband.

Minutes later, I found it in the laundry room on top of the dryer.

Hours later, while trying to concentrate on Candace and Bernie—a not-so-happy life for either of those fictional characters—I devised a plan. I’d keep a small notebook in my pocket and when I finished reading, I’d jot down where I left my book. That way, I’d easily find it. Bob would be none the wiser.

The plan seemed ideal to me (as long as I remembered I had a notepad!), yet I shivered despite the hot summer day. Is this what my life had reverted to? Losing one’s mind wasn’t pleasant.

Bob seemed distant in bed that night. When I questioned him, he claimed work issues. I returned to my side of the king-sized bed.

On Monday, my doctor assured me I was fine. “Advancing years,” she said. “I’ve experienced the same issues.” She was ready for retirement, too, but I bet she hadn’t experienced missing books that turned up in odd places.

When I returned home, I decided to start the week fresh. A new week. A new notepad.

The notepad didn’t help. Most of my days were wasted while I continually searched for my book. I felt like a child hunting for Easter eggs. I didn’t get much reading done. But I knew one thing for certain: I wasn’t going crazy; I hadn’t lost my mind. But what was going on?

And then, mid-week at noon (Bob always came home for lunch), I caught him scurrying off with my book. 

Aha! The mystery was solved. But why?

The next evening, I followed Bob when he was purportedly going to the Silver Seniors’ Centre down the road. Supposedly, guys played crib there once a week. 

But he didn’t go to the Seniors’ Centre. 

And then it all made sense. He wanted to get rid of me, probably wanted to commit me to an insane asylum (did such institutions still exist?) or, at the very least, toss me into a home as he had his mother. If it weren’t for my trusty notepad, I’m positive I would have turned into a crazy.

Yep, you guessed it! (Didn’t you?) Bob, my dear sweet (ahem!) husband, was experiencing itchiness.

Bob had found a young thing to cavort with. 

I immediately transferred half of our investments into my name, cleaned out our joint bank account, and left him to his sweet honey. He never contacted me. He knew I had the goods on him, so to speak.

I don’t know what he’s doing now, but I’m enjoying my books in my solitude. And they don’t go missing any longer!

Mwahahaha!

***

 The Spot Writers—Our Members:

Val Muller: https://valmuller.com/blog/

Catherine A. MacKenzie: https://writingwicket.wordpress.com/wicker-chitter/

Phil Yeats: https://alankemisterauthor.wordpress.com

Chiara De Giorgi: https://chiaradegiorgi.blogspot.ca/

IMG-PHOTO-ART--862596981This Halloween begins with a weird anecdote.

On more than a few occasions, my two-year-old daughter has seemed to read my mind. I would be thinking about something completely unrelated to what we’re doing, and without warning she would ask a question about or mention something related to my thoughts.

Something strange happened the other night. I was watching the new series The Haunting of Hill House. After my toddler went to bed, of course. She was up in her room, and we were in the (finished) basement.

Without spoilers: the episode contained a scene of a kid in a basement confronting a terrifying sight. This was one of only three scenes that has ever truly terrified me. The first: a scene from Star Trek: The Next Generation, in which a doctor who hasn’t had REM sleep in ages imagines she sees a room full of wrapped corpses sit up simultaneously. The second was from a movie called Boogeyman, and in it, a mass of shadows (created from innocuous objects) transforms into a boogeyman. I guess my fear is ordinary things transforming into terrifying ones.20181031_215342

Anyway, while watching Hill House, I became so “on edge” that my dog even jumped on my lap. He only does this is he’s cold (he wasn’t), if it’s thundering (it wasn’t), or if the smoke detector low battery is chirping (nope). I guess I was putting out “vibes of terror.”

The scene truly was my worst childhood nightmare. If I had watched it as a kid, I would never have been able to sleep. At the peak of my terror, my daughter started screaming through the monitor. This is something that happens once in a blue moon. She’s old enough that if she wakes up and needs something, she simply asks, as she’s aware we can hear her through the monitor.

This was not the case. She was simply crying and screaming. I dashed up two flights of stairs to see her standing in the middle of her room, fists clenched and tears running down her face. I asked her what was wrong, and she told me that something scared her. She could articulate no more than that.

I’m fairly sure she picked up on my vibes and had a nightmare as a result. Her screaming perfectly coincided with the height of my fear.

My family has had a long history of having weird “connectedness.” We’ve had premonitions and dreams, including dreams that coincided with each other. It’s happened enough to convince me that it’s not a coincidence. There is a connectedness that transcends the ordinary world.

It’s a theme I tackle in my novel The Man with the Crystal Ankh. In the novel, characters forge connections that last even after death and across various levels of consciousness. It’s part of why we celebrate Halloween—the glimpse at the line between life and death, a line that sometimes seems less than definite. I like to think our consciousness lives on in one form or another, whether between and among people in this world, and between this world and the next.

This Halloween season, I’ve been to several “trunk or treat” events and witnessed the togetherness of gatherings and celebrations and parades. I’ve smiled at a family pumpkin carving party and laughed while creating a pizza jack-o-lantern. This spooky time of year, when the veil between the living and the dead is at its thinnest, is perhaps the perfect time to celebrate all that makes our lives special.

Each other.

The current prompt: News these days contain a plethora of depressing stuff from floods and wildfires and other environmental problems, to mass shootings, to refuge problems and other political and social crises, to whatever you like as your favourite example. Write a story focused on one or more of these depressing occurrences and give it a happy ending.

This week’s story comes from Chiara De Giorgi. Chiara dreams, reads, edits texts, translates, and occasionally writes in two languages. She also has a lot of fun.

 

If you can’t kill it, make it your friend

by Chiara De Giorgi

 

Up to 60% of the human body is water. If left without water, a human being dies in three or four days. That’s seventy-two to ninety-six hours. Plants die: a desert is what you have when there’s no water. No water means nothing alive. Water is life.

But water is death, too.

Have you ever noticed how many times water is involved in a natural disaster? Floods, heavy rains, hurricanes, tsunamis… Water can save you from burning in a fire, but then water can freeze and kill you with hypothermia.

After losing friends, family, and belongings to water, in one form or another, more than enough times, I realized I hated it. And yet, the supremely annoying fact was, I couldn’t live without it. I felt helpless when, during a torrid summer, all I could dream of was a lake of crystal clear water to dive into; a frothing waterfall; an iced glass of pure water.

Water had become an obsession. I feared it, I craved it.

I spent years researching ways to survive without this hateful dependency on water, trying to figure out a way to substitute it with something, anything else. I even went so far as designing living beings that were not carbon-based, thinking that maybe it would be possible to operate just a small genetic modification on humans, to make them not water-dependant.

It didn’t work, nothing worked. I was left sad, frustrated, empty-handed, and alone.

Then one day I woke up with a totally different strategy on my mind: if you can’t kill it, make it your friend.

If I could not come up with a way to survive with no water, I’d come up with a way to survive too much water.

My studies changed direction: no more chemistry, biology, and genetics. I turned to myths and folklore.

When I felt ready, I moved to Maldives. There are often hurricanes and tsunamis there, lots of unexpected water, and it’s a lovely place when the weather’s good.

When the rain started falling, and the wind started blowing, and the earth started shaking, and the waves started climbing towards the sky, I was there. While everybody was fleeing to the backland, I ran to the beach. While everybody was wearing a raincoat, I stripped down to my bikini. While everybody screamed for help, I let out a triumphant cry and dove.

See, I am a mermaid, now. Too much water will never kill me, and I’ll never suffer from the lack of it, as oceans are limitless and everlasting. I won’t ever lose my friends and family to water, and it will never steal my belongings again. I won. If you can’t kill it, make it your friend.

 

***

The Spot Writers – Our Members:

Val Muller: https://valmuller.com/blog/

Catherine A. MacKenzie: https://writingwicket.wordpress.com/wicker-chitter/

Phil Yeats: https://alankemisterauthor.wordpress.com

Chiara De Giorgi: https://chiaradegiorgi.blogspot.com/

For this week’s Writer Wednesday, I’m happy to feature M. H. B. Hughes, author of 1777–Danbury on Fire! I was fortunate enough to help Millicent with the editing and layout of the novel, and the book has special meaning to me because (1) it takes place in the area of the country in which I was raised and (2) it’s about freedom and its variations, one of my favorite themes.

You can learn more about the author at https://www.danburyonfire.com and purchase your copy here.

I hope you enjoy the responses Millicent provided regarding her novel and the research involved:

coverTell us about yourself: When I began the book seven years ago, I was commuting almost four hours per day, while considering how to intertwine characters and reality. Much of the story came from fact, some from probability: if you were XXXX, what would you do? I often felt astonished when research proved the reality of my theories. Even up to the very end, I discovered new information to incorporate before someone could catch me out on historical fact.

Tell us about your book: Joe Hamilton, 13, is shocked when his attempts to become a tavern kitchen boy seem thwarted by politics. Powerful relatives reject Joe’s parents until they come around to the Patriot view. Joe believes his father is on the edge mentally, but physically as well: a family “investment” is a handsome stallion now turned vicious. Joe’s delightful hero, Lambert Lockwood, wanders through the plot ─ until he meets a bullet in embarrassing circumstances. Joe’s desire to help his friend is thwarted by finding helpless relatives in immediate danger of death. Soon enough, Joe fears for himself when a British trooper acts way too friendly. Stakes rise with the flames as Danbury goes up in smoke.

Did you always know you wanted to be a writer? Most of my characters were real people and were my relatives and their friends: I feel that they wrote my book by channeling through me, although Lambert Lockwood and J. S. Cannon were the only ones channeling. I used to believe that I could hear a woman’s voice, pleading, “But I was a real person: I had a real street address!”

Who is your favorite character in your book, and why? The more I learned about the real Lambert Lockwood, the more I fell in love with this handsome man (“of good appearance,” according to one source). His horrific experiences at the loss of Fort Washington led him to combine with Danbury town lawyer Tad Benedict to start a Masonic lodge, because all Masons vowed to assist each other. After the war, Lambert followed into the hardware business, moving to Bridgeport CT, where he added a book printing shop to supply his bookstore and lending library. Lambert retained the childlike enthusiasm and hardheaded awareness that he displayed in the book, financing his sons in selling the first imported board games and children’s toys in New York. He backed the first bank and the first insurance company, as well as the first Masonic lodge in Bridgeport. The final public scene in his life is mentioned in the book, the crowning reward to a life well lived.

What’s your favorite scene or location in the work you’re currently promoting, and why? I like the early dinner party scene, as the mother returns to her real personality, before the war in the family robbed her of her of her own beliefs. A mini-infatuation of Joe’s would-be girlfriend with a handsome British face makes me remember thirteen all too well. The British officers (except for one) are portrayed as pleasant and well-intentioned, although sometimes they reveal a little & more….

 What book or author has been most inspirational for you, and why? Gigi Amateau’s Come August, Come Freedom and Bob O’Connor’s The Perfect Steel Trap showed me ways to combine fiction and reality. Gigi put letters into her book, which gave me the “Yes!” moment for including snips of documents in 1777. Bob O’Connor’s The Perfect Steel Trap uses masterfully imagined letters/depositions from those involved in the Harper’s Ferry fiasco.

If you were to be stranded on a desert island, what non-survival item would you bring along that you couldn’t live without? Coffee, for sure! A couple of cups and I could just swim home, right?

Are you working on any other projects at the moment? Yes, two.

  • Looking for an illustrator for my chapter book Pet Care 101 about the unwelcome arrival of two ferrets in the home of twins who really wanted a dog. (Illustrations must be realistic, not cartoons.)
  • The other book Horses+Boys≠School visits young equestrians. Ambitions and faults collide as each searches out the niche for which they qualify. Foremost is Leah, 16, overmatched in school as well as in love, where she is partnered, but not romanced by Turk, a boy on the rebound, who wants a trophy to show off. On the sidelines watching is the brilliant Char, the rejected former girlfriend, now a lioness on the prowl, just waiting the chance to claw her rival.

What question do you wish I had asked?

“For what age group is your book intended?”

I think of it as ageless, because of facts that pose new questions to the reader. What are artificers or cradles? What part did religion play in the war? With what attitude did the English try to stop the rebellion?  I injected a little modern snarkiness on all sides, à la Mark Twain, because persons in those days had the same feelings as modern folks!

(I recently purchased a Newbury winning book from 1957 Rifles for Watie, ostensibly a YA, yet I loved its revelations about the Civil War in Arizona. Who knew that Indians fought in the Civil War?)

Finally, where can we find you?  https://www.danburyonfire.com or Millicent Bell Hughes on Facebook (where you see a lot of extraneous horse stuff)