Val Muller

The Electronic Wordsmith

Last month, on the way to a (wonderful) vacation in Myrtle Beach, we made our annual stop at Parker’s Barbeque in Wilson, North Carolina. We knew the place was good the first year we stopped–because we didn’t get to eat there. It was recommended by Yelp or TripAdvisor, and we arrived on Sunday during prime lunch time. With such a long drive, we didn’t have time to wait, so we had to pass it up that first year. It was so crowded, we knew it was good.

The next year, we learned to leave our house earlier, so we made it before the lunch crowd. We’ve been coming ever since—each time we head to Myrtle Beach.

When we stopped last month, we were greeted by attentive employees, standing ready to serve. Not one of them had a cell phone. Not one of them looked distracted or disdainful. This shouldn’t be an anomaly, but based on the metropolitan suburb where we live, it’s getting harder to find attentive employees unfocused on their phones. Just before vacation, I saw an employee texting in the aisles of his store of employment. The difference was insane.

So, score one point for Parker’s.

Courtesy of http://i2.cdn.turner.com/cnnnext/dam/assets/130708143604-parkers-barbecue-horizontal-large-gallery.jpg

But then, as we were waiting (about twelve seconds) for our food, I reached toward my bag to check my phone—I hadn’t checked email for several hours and was getting “that itch.” What if an editor was trying to contact me? What if I had a new blog comment to moderate? What if the world needed saving? But something stopped me.

I looked around the room as I noticed it was filled with an unfamiliar noise: friendly chatter.

Looking at the packed dining room, I saw table after table full of people of all walks of life…

…and none of them had a cell phone out.

Instead, they were all talking to each other. You know, having actual, genuine conversations. Making eye contact. Laughing. Interacting. I watched as two girls competed for their grandfather’s attention while their parents talked with each other.

I watched as a group of “grown-ups” seemed to be engaged in a serious conversation. As couples chatted like they were on a first date. Laughter. Giggles. Banter. When we were leaving, an older couple stopped us, commenting on my husband’s William and Mary hat. We had a conversation about Williamsburg, our upcoming vacation, and the lack of cell phones in the restaurant—a comfortable conversation that lasted until their food arrived, at which point we each wished each other well and continued our journey to Myrtle.

I left the restaurant in a bit of a daze. I felt like I had entered another world, perhaps another time—one in which people still knew how to have conversations with each other. People who knew the art of eye contact and reading body language. People who didn’t need a phone to entertain them 24/7. I actually regretted the fact that I would have to leave that world and—when vacation ended—enter a world in which cell phones seem to be attached at the hip. A world in which restaurants are relatively quiet because people—grown-ups and children alike—are pacified by their phones.

I think Einstein or maybe Orwell would have something to say about how “far” we’ve come with our technology and how “sophistication” has killed the art of conversation.

I wish everyone—especially those who live in a technology-rich location like mine—could have the experience of a place like Parker’s, especially the students I teach, the ones who seem to be unable to live for more than ten minutes without a phone. The experience reminded me of growing up in a time without cell phones, when families “had” to interact and get to know each other while waiting for food. When we could make eye contact and read body language instead of hiding behind the comfort of a glowing screen.

Even though I only get to go once a year, visiting a place like Parker’s is good for my soul. We all need a little reminding from time to time. The best part about life on Earth is not the latest smartphone or the best 4G network. It’s the people, our interactions with each other, and the stories we share.

I look forward to my next opportunity to put down the phone and hope that as my life continues, I don’t need so much reminding.

Welcome to the Spot Writers. The prompt for this month is to write a story using three of the following words – tender, dreamy, boss, week, lamp, table.

Today’s tale comes to you from Val Muller, author of the young adult novel The Scarred Letter, a reboot of Hawthorne’s original. Until August 20th, you can buy the ebook for only $1.99! The post is written in honor of her sister’s birthday, though the story does not in any way reflect reality J .

Princess of the City

By Val Muller

The front door creaked open and then slammed shut. She heard Ellie skip up the stairs and toss her backpack onto the floor in the kitchen. In the driveway, a car horn tooted twice before an engine roared down the street.

Must be nice not to have to take the bus. How embarrassing—for a freshman to have a ride home from school while Meg (a senior, no less!) had to take the bus.

Ah, but that’s the way it always was with Ellie. The week she’d been born, Dad came back from the hospital with a birth certificate. His job had been to prepare Meg for the arrival of little Ellie, due home the next day. He showed Meg the embossed birth certificate the hospital had issued. It was shiny and gold, crisp and thick—printed on textured card stock.

“See, Meggie? Your little sister’s birth certificate. Same as yours.” Dad flashed the certificate.

“Same as mine?” little Meg had asked. Dad walked to the file cabinet and retrieved Meg’s birth certificate to prove it.

But it wasn’t the same. Meg’s birth certificate was printed on flimsy paper—thinner than printer paper, even. It wasn’t gold and embossed. It was completely flat, printed in a border of faded blue instead of gold.

“It’s not the same,” Meg had said. “Hers is special.”

Dad frowned. “Technology has probably improved. When you were born, maybe they weren’t able to print in gold.”

Little Meg shook her head. She stared at the certificate. City of Eldenberg was written in an embellished golden script that Meg could barely read. “I don’t think so. Maybe my new sister is just super special.” Her lip trembled. “Maybe she’s Princess of the City.” Her mind raced with the possibility: she imagined a tiny princess being brought home on a puffy pink cushion, wearing a tiny crown and waving a miniature scepter. The baby would probably order Meg around right away—and surely Mom and Dad would have to obey the Princess as well. She’s be the boss of everyone.

Meg couldn’t stop the tears. Dad tried fruitlessly to hush them away, but he was soon due back at the hospital, and Meg was left once again with Grandma, who didn’t understand a lick about how upsetting it was to be sister of the Princess of the City.

When Ellie came home, things were worse than Meg feared. The baby was so tiny and tender that all Mom or Dad had to do was look at her, and their faces would dissolve into a dreamy oblivion. When Daddy was reading Meg a story, all the baby had to do was cry, and he’d drop the book and tend to the Princess.

When Mommy was feeding Princess, Meg wasn’t allowed to ask for anything—not drink, food, bathroom, or toy.

Even Grandma seemed smitten by the baby.

Meg sighed as she remembered all this. The afternoon was fading into evening, and she turned on the lamp on her night table. It illuminated her report card, the one she had just received at school today. All A’s, as usual. She was still in the running for this year’s valedictorian.

Then a flicker of a smile pulled at her lips. It was report card day, and Ellie had just gotten home. Ellie may have inherited the good looks and lucked out with boys, cars, and popularity, but the one thing Meg had over her were the brains of the family.

Meg crept to the corner of her room and opened her bedroom door. She could hear Mom now, asking about her report card.

“You should see your sister’s grades,” Mom was saying. “She works so hard for those A’s. The least you could do is study just a little. C’s are just not an acceptable grade. I think maybe it’s time…”

Meg smiled and closed the door. She didn’t need to hear the rest. High school was rough, but Meg had a funny feeling that her life would fall into place starting in college. She was a peasant, a craftsman, one used to working. The problem with Princesses is that they never have to learn how to do things for themselves. Even if they do have a golden birth certificate.

 

The Spot Writers—our members:

RC Bonitz: rcbonitz.com

Val Muller: https://valmuller.com/blog/

Catherine A. MacKenzie: http://writingwicket.wordpress.com/wicker-chitter/

Deborah Marie Dera: www.deborahdera.com

Today I’m excited to share my interview with Judy Penz Sheluk, who is celebrating the launch of her new book, The Hanged Man’s Noose (read the first 4 chapters for free here).

Tell us about yourself.

Judy Penz Sheluk (Photo by Jen Short)

Judy Penz Sheluk (Photo by Jen Short)

I’ve been a fulltime freelance writer and editor since 2003, specializing in art, antiques, and the residential housing industry. Currently, I’m the Senior Editor for New England Antiques Journal and the Editor for Home BUILDER Canada. My short crime fiction appears in World Enough and Crime (Carrick Publishing, Nov. 2014) and The Whole She-Bang 2 (Toronto Sisters in Crime). I’ve also had three short stories published in THEMA, a New Orleans-based literary publication.

I grew up in Toronto, Canada, but I’ve lived in a variety of smallish towns, all within a couple of hours from the city. I currently live with my husband in a small town northwest of Toronto.

In my leisure time, I golf a couple of times a week (during our sadly too short season), try to run three to five times a week (anywhere from three miles to whatever distance I might be training for), and read at least one book a week, mostly mystery, suspense and mainstream fiction.

Tell us about your book.

Here’s a brief outline of the premise:

Hang_Man's_NooseBG[1]Journalist Emily Garland lands a plum assignment as the editor of a niche magazine based in Lount’s Landing, Ontario, Canada, a small town named after a colorful nineteenth century Canadian traitor. Emily quickly learns that many are unhappy with real estate mogul Garrett Stonehaven’s plans to convert an old schoolhouse into a mega-box store. At the top of that list is Arabella Carpenter, the outspoken owner of an antiques shop, who will do just about anything to preserve the integrity of the town’s historic Main Street.

But Arabella is not alone in her opposition. Before long, a vocal dissenter of the proposed project dies. A few days later, another body is discovered. Although both deaths are ruled accidental, Emily’s journalistic suspicions are aroused.

Putting her reporting skills to the ultimate test, Emily teams up with Arabella to discover the truth behind Stonehaven’s latest scheme before the murderer strikes again.

As you can see, I’ve managed to incorporate my experience as a freelance writer and my knowledge of antiques! As for the greedy developer, I don’t personally know any, but I’ve seen firsthand how people can become irate when big box development comes to their local community. I merely took that premise and said, “what if?”

Who is your favorite character in your book, and why?

Emily Garland is the protagonist, but I love Arabella Carpenter, the antiques shop owner. To Arabella, authenticity matters, above all else. There’s a paragraph when I introduce Arabella that sums her up nicely:

There were some, among them her know-it-all ex-husband, Levon, who might say this wasn’t the time to invest heart and soul—not to mention her hard-fought life’s savings—into brick and mortar when so much of today’s antiques trade was negotiated online. But while Arabella had considered hiring a web design firm from Toronto to “enhance her online presence,” replacing lemon oil and old leather with search engines and live bidding was as foreign to her as relinquishing the tactile feel of page and paper for a Kindle.

If you were to be stranded on a desert island, what non-survival item would you bring along that you couldn’t live without?

The full collection of works by Agatha Christie. I’ve read them all, but it was many, many years ago. I’d love to reread them all, in order, and maybe figure out the key to writing a locked-room mystery. Besides, Christie was prolific enough that I’d have plenty to read until I got rescued.

Are you working on any other projects at the moment?

My next mystery is Skeletons in the Attic, which I’m almost ready to send out into the world for publishing consideration. Arabella Carpenter makes a brief appearance, but other than that, all the characters and the main town are different. I started Skeletons when I was waiting to hear about the fate of Noose. I couldn’t bear to write a sequel to a book I hadn’t sold yet, but I didn’t want to stop writing. Skeletons was a good compromise.

I have just started outlining A Hole In One, which is a sequel to Noose. In that book, I plan to have Arabella as the protagonist and Emily as her sidekick. But that could change!

Be sure to enter the Goodreads giveaway to win a copy of her book!

You can find Judy on her website, www.judypenzsheluk.com, where she blogs and interviews others about the writing life. You can also find her on Twitter @JudyPenzSheluk, Facebook.com/JudyPenzSheluk, Pinterest/judypenzsheluk, and on amazon.com/author/judypenzsheluk.

Read the first 4 chapters free and receive a 35% off coupon to buy the book!

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Today I’m celebrating the release of two anthologies in which my work appears.

The first is available for pre-order at this point, but for some reason, Amazon.com has the book offered at a 51% discount (which is essentially cheaper than I can buy it from the publisher!). The book is a Chicken Soup for the Soul title called Dreams and Premonitions: 101 Amazing Stories of Miracles, Divine Intervention, and Insight.

In this book, my story “The Mentor” appears. This is the amazing dream I had that changed my life. In the dream, my grandfather, who I never knew, gave me advice that led me down the path as a writer. I was fascinated by the Chicken Soup title Messages from Heaven, and I look forward to reading the collection of stories in this anthology as well.

Description from the publisher: Sixth sense, gut feeling, instinct. Whatever you call it, sometimes we have no logical reason for knowing something—but still we know it. In this collection, you’ll read 101 stories of intuition, insight, and inspiration that will amaze you and encourage you tap into your own inner wisdom We all have the ability to tap into our intuition, but often find it hard to do. Dreams and premonitions are often the way our intuition or our faith in the beyond manifest. You will be awed and amazed by these true stories from everyday people who have experienced the extraordinary. The 101 stories in this book will enlighten and encourage you to listen to your dreams and your own inner voice.

Description from the publisher: Sixth sense, gut feeling, instinct. Whatever you call it, sometimes we have no logical reason for knowing something—but still we know it. In this collection, you’ll read 101 stories of intuition, insight, and inspiration that will amaze you and encourage you tap into your own inner wisdom
We all have the ability to tap into our intuition, but often find it hard to do. Dreams and premonitions are often the way our intuition or our faith in the beyond manifest. You will be awed and amazed by these true stories from everyday people who have experienced the extraordinary. The 101 stories in this book will enlighten and encourage you to listen to your dreams and your own inner voice.

The second release is an anthology published by a company called FTB. The book is called Irrational Fears. My story is about a burned-out teacher who finds escape in lucid dreaming. In her sleep, she is able to live out her desires and cleanse her frustrations so that she can better function at work. The problem is, she becomes so good at lucid dreaming that the line between dreaming and reality starts to blur… and then blur some more.

You can purchase it in paperback, borrow for free with Kindle Unlimited, or purchase the Kindle version for about the cost of a cup of coffee.

Description from the publisher: Irrational fears can be described as an anxiety or phobia of seemingly normal or innocuous objects, animals or happenings. The fear can be subtle or paralyzing, either way it makes for a great story. This is a collection of those stories. Irrational Fears is a anthology of works from a talented and diverse group of international writers. FTB Press is proud to share their voice with a shared community of readers. Among others, the stories include strange fears, of clowns, ballerinas, vomit and a creepy hand floating in a toilet. The cast of writers includes Essel Pratt, Wayne Via, Lance Hyden, Katherine Hannula Hill, Paul Rhodes, Matthew Lett, Tracey Chapman, DJ Tyrer, Alex Harasymiw, David Bergheim, John Timm, Paul Griley, Robin Becker, Thomas Elson, Casey Douglas, Erin O’Loughlin, Val Muller, Anne Wilson and Carol L. Park.

Description from the publisher: Irrational fears can be described as an anxiety or phobia of seemingly normal or innocuous objects, animals or happenings. The fear can be subtle or paralyzing, either way it makes for a great story. This is a collection of those stories.
Irrational Fears is a anthology of works from a talented and diverse group of international writers. FTB Press is proud to share their voice with a shared community of readers. Among others, the stories include strange fears, of clowns, ballerinas, vomit and a creepy hand floating in a toilet.
The cast of writers includes Essel Pratt, Wayne Via, Lance Hyden, Katherine Hannula Hill, Paul Rhodes, Matthew Lett, Tracey Chapman, DJ Tyrer, Alex Harasymiw, David Bergheim, John Timm, Paul Griley, Robin Becker, Thomas Elson, Casey Douglas, Erin O’Loughlin, Val Muller, Anne Wilson and Carol L. Park.

Welcome to the Spot Writers. The prompt for this month is to write a story using three of the following words – tender, dreamy, boss, week, lamp, table.

 Today’s contribution comes from RC Bonitz, author of A BLANKET FOR HER HEART. His latest book, DANGEROUS DECISIONS, will be published soon.

The Mailman

by RC Bonitz

The young woman lifted the end of the table and carefully lowered it again. It was a process she repeated regularly, deciding whether she could move an item by herself. Most of the time it was about a piece of furniture, but last week it was a pair of large paintings in heavy frames and she had concluded then that she needed help. Today’s decision came out the same way. She groaned inwardly. Whenever she asked Uncle Dan to help her move something she ended up with twice as much work. He’d always find some way to improve the display by moving ten other things around and she’d wish she’d done the first move by herself. His wife, Grace, had cut up a small carpet and shown her how to slip pieces of it under the legs of heavy chests and tables so she could slide them across the floor alone. Dan would have had a fit if he’d known what Grace had done, but they had promised each other not to tell him. Grace told her the damn carpet was a piece of junk that she’d been trying to get rid of for ages, but Dan complained that an antique shop couldn’t make money if they kept deciding their stock was worthless. Grace had surreptitiously reduced the price on the rug more than once, but it had still been in its corner collecting dust.

“What if he asks about it?” she asked Grace.

“Millie, if he notices that it’s missing I’ll eat my hat right out in front of the shop with a brass band playing. If he says anything just say you don’t know. Better still; tell him someone probably stole it. That’ll make him mad, but he’ll be happy that he was right about someone wanting it,” Grace answered with a laugh.

Millie carefully hid the carpet squares and thus far Grace’s hat was still safe. She was about to get them out when the front door opened and a voice called out.

“Mailman!”

She fell against a chair in her haste to reach the front of the shop. Her hands went out to save her from a fall and swept the Tiffany lamp on the adjoining table into oblivion.

“Oh damn!” she cried amidst the sound of breaking glass and crashing metal.

“What’s that? Are you okay?” the mailman called as he hurried to her side.

Sprawled across the chair and table with her arms and legs askew, she looked up at him sheepishly. “Only my pride and that lamp are hurt. I’m sorry,” she said and struggled to get up.

“Can I help?” he asked. He reached out as if to take her arm, but stopped uncertainly and waited while she put herself back together. “I hope that wasn’t an expensive lamp.”

“I don’t know.” She reached into the wreckage and found the price tag. “Oh well, just a little bit. One hundred eighty five dollars.”

“Will you have to pay for it?” he asked anxiously.

She sat down heavily on the offending chair. “I don’t know. My boss will be upset, but I’ve broken a couple of small things and it’s been all right.”

“What happened? What were you doing?”

Her face flushed and she struggled for a simple, obscure answer that wasn’t a lie. “I was coming to see who was at the door,” she finally said.

“Oh. I called, didn’t you hear me?”

“I thought it was you but I wasn’t sure. You never know who’s in the store, you know. It could be a thief.”

“That’s not good. It could be dangerous for you,” he said quickly. He looked around at the mess and at the rest of the shop and suddenly seemed to remember the envelopes in his hand. “Here’s the mail.”

She took it from him, careful not to touch him as she did. “Thank you. You could have left it on one of the tables in the front.”

“I didn’t want to do that. You never know who’s in the store. Someone might steal it,” he said.

“Oh, you’re right. I never thought of that,”

“Can I help clean up?”

“You’d better get going. People will be complaining about their mail being late,” she said with a shy smile.

He laughed. “Grace said the same thing the other day. She was worried about old Sam Johnson at the gas station.”

“Well then you’d better go,” she said again.

“Yeah, I guess so.” He didn’t twitch a muscle. “You’re sure you’re okay?”

She nodded vehemently. “Absolutely. You’d better go or you’ll be in trouble.”

“I’ll be fine, but you’re right. I’ll see you tomorrow,” he said and half backed, half stumbled out of the shop, almost knocking over a chair as he left.

She sat staring after him with a dreamy look on her face and tender thoughts in her head. “I’ll be here,” she whispered.

 

The Spot Writers—our members:

RC Bonitz: rcbonitz.com

Val Muller: https://valmuller.com/blog/

Catherine A. MacKenzie: http://writingwicket.wordpress.com/wicker-chitter/

Deborah Marie Dera: www.deborahdera.com

Today I’ll be presenting at Longwood University’s Summer Literacy Institute. One of my presentations is an “about me” author discussion in which I take the audience through my dual life as writer-teacher as well as journey through my past to take a look at my influences. In preparing the presentation, I realized that serendipity, or fate, does play a role in our lives. Sometimes, when we aren’t sure whether we’re in control, factors are pushing us toward our destiny.

Whether they realized it or not, my parents created the perfect mix in an environment that fostered creativity yet kept me on edge just enough to encourage the desire to write.

First, my mom:

One of the first things I remember about my mom and reading/writing is admiring how neat her handwriting was (and still is). It was almost like artwork, the way each letter was shaped consistently. It almost looked like a computer font. Try as I may, I never could (and still cannot) write that neatly. But my fascination with the way letters form on a page has stayed with me. To this day, I write by hand the same way I used to as a kid, only typing the second (or subsequent) draft.

The power of writing: I was obsessed from a young age, scrawling by hand all the time.

The power of writing: I was obsessed from a young age, scrawling by hand all the time.

Mom also read to me all the time, fostering my love of reading and stories—something essential to any writer.

Something else about my mom: she was the voice of reason, the stable rock, of my childhood. She went out of her way—sometimes to a fault—to explain everything to me. If she had to run to the store, she would explain exactly where she was going, why she was going, and how long she would be gone. She was always right almost to the minute. Because of her diligent way of explaining things, I always assumed the world contained a sense of logic.

Enter my dad.

My dad is a logical person, but he did not make the same effort to explain things logically to me—except when it came to tools, which could be dangerous, of course. He explained, for instance, that saws could cut skin, fire could burn, and hammers could bruise. But other than that, he liked to have a little fun. Talking about my dad in college, one of my professors said he is “a writer’s gold mine.” And it’s true. The weird, creative stories he told me definitely made an impact.

As a kid used to Mom’s sense of logic and truth, I could not fathom the fact that a parent would “fib” to a child. So when my dad told me “stories,” I believe him.

An early second draft.

An early second draft.

First: a child will turn to stone if she is awake past midnight. It had to do with trolls who use the power of the moon. I’m sure he told me this as incentive for me to go to bed early, but all it ended up doing was making it harder for me to fall asleep. Who can sleep when they have to constantly check the clock and make sure they aren’t turning into stone? I mean, I would literally sit in bed and wiggle my toes just to make sure the stone-spell wasn’t setting in.

My uncle walks with a cane. But when he would stay at our house at night, he wouldn’t use the cane to get from the couch to the kitchen or the bathroom. I asked my dad why. Instead of logically explaining that he didn’t need a cane for short distances, my dad made up this whole tale: that I only saw my uncle without a cane at night, at night the moon is out, another word for “moon” is “lune,” and my uncle can be pretty “looney” sometimes; hence, he used the power of the moon to be able to walk without a cane.

My younger sister rolled her eyes.

I was fascinated. Who would have thought such power existed in the world? How amazing! If only I could harness some of that magic.

My dad’s crazy stories fostered my sense of wonder. After watching The Dark Crystal and noting that female gelflings have wings, I would check the mirror on the back of my door each morning to see if my wings had sprouted yet. No joke.

Courtesy IMDB.

An episode of Beauty and the Beast. Could that baby be… me??? (Courtesy IMDB)

My mom loved the TV show Beauty and the Beast. Always loving a good joke, my dad told me that Vincent, the lion-man, was really my father. He had to leave me “with the humans” for a while, while he sorted things out. But he was my father and Catherine, the female human lead in the show, was my mother. He even said, in Catherine’s voice, “Oh, Vincent, she has your hair,” explaining that the only way I could have red hair—when Dad had brown and Mom had very dark brown—was that Vincent was actually my father.

Evidence of my fear of Vincent. Excuse the spelling.

Evidence of my fear of Vincent. Excuse the spelling.

My dad laughed at this tale, and once again my younger sister rolled her eyes. He had no idea that I took it seriously. I was terrified to go up to my room at night: I had to enlist my younger sister to go into my room first and turn on the light to make sure Vincent wasn’t there waiting for me. And even if it was safe, there was no telling when Vincent might hop up onto the roof and climb in through the window. He was stealthy that way. And if he arrived after midnight and woke me up—well, then he would have a stone statue of a child.

So much to worry about!

Yet so much to foster the imagination.

I like to think I’ve grown up a little since then—I no longer fear that Vincent will come for me. But I haven’t lost that sense of wonder about the world. Sometimes at work I’ll share my irrational fears with coworkers. “Hey, have you ever gotten to work and had to look down because you worry that maybe you forgot to put on pants, or a shirt, or shoes?”

Their reactions show me just how abnormal my thoughts are. But that’s the thing: I’m always thinking of strange—but slightly possible—possibilities. When an earthquake hit our building and my coworkers were trying to figure out what was happening, my brain already accepted that not-so-abnormal possibility and had my legs running into the door frame before the rumbling was over. I even had time to decide whether it would be smarter to stay there or make a run for the exterior door (I stayed).

My first "book"--The Mystery of Who Killed John Polly

My first “book”–The Mystery of Who Killed John Polly

The point of all this is: my mom’s sense of logic and my dad’s warped sense of creativity fostered the perfect atmosphere for the creative person I would become. My mom’s love of writing and reading made it a logical, calming activity. My dad’s sense of creativity left me with that edge that is never truly content with the world as it is. Combined, it’s the perfect storm for a writer.

IMG_6847The first time I remember words coming together to create true, resonating meaning: My dad had been reading “The Night Before Christmas” with me for weeks and months to the point where I nearly had it memorized. I knew the story and understood what was happening, but it wasn’t until one particular moment that the words resonated with me. It was a snowy Connecticut winter, and one night my dad approached. He reminded me of the line from the poem “The moon on the breast of the new-fallen snow,” and then he pointed out the dining room window. The snow had fallen and sat undisturbed on the lawn. In the moonlight, it sparkled as if fairies had sprinkled dust all over. Indeed, looking out, it was almost as if the midday sun were shining on everything. It was the first time I understood that words could not only paint mental pictures but could also evoke emotions. I realized that whenever I read that line from the poem, even if I was reading it from a tropical island, I would be summoned, at least emotionally, to that moment—to the snow sparkling under the moonlight. What a beautiful image.

IMG_6850

And I don’t even like snow!

But I think from that moment, I was hooked. I understood the power of words, and I needed an outlet for all that creativity. It would be impossible, from that point forward, for me not to be a writer.

I’m excited to be attending a conference at Longwood University along with Susann Cokal, and I wanted to read at least one of her books before meeting her.

I chose The Kingdom of Little Wounds because many reviewers said it was a dark tale—which is right up my alley. The result of seven years of research, this story takes place in the Scandinavian city of Skyggehavn. She wove in elements of fairy tales and history through three main characters: a peasant named Ava Bingen, a slave/nursemaid named Midi Sorte, and a queen. They all live and work at the court, which is plagued by a syphilis (a disease they do not understand). The royal family is all ill—made more so by the horrid medical practices of the time. Under the threat of an empty throne (with princes and princesses dropping dead), there are plots and poisons, spies and alliances.

The story switches perspectives. Ava Bingen is logical and practical, but she also wishes for a better life for herself. Her father works with glass—creating telescopes and other lenses—and Ava is, or was, a master seamstress. Midi Sorte has been brought from a country far away and cannot speak because her tongue was cut and forked. She does know how to write, however, which is how she tells her tale. The queen, as well as the rest of the royal family, has very little choice about her life, her healthcare, and her daily activities. It seems a lack of autonomy compounds her ailments.

In many ways, this is a feminist work, showing how women—and the lower classes in general—were oppressed during this time. I like how the main characters find ways of using the broken system to their advantage (I won’t provide spoilers). The theme of storytelling and the importance of stories was also prominent and resonates with me, as I believe stories are essential to helping us make sense of our lives.

The novel could be considered new adult—I saw on Amazon some people bought it for young adult readers and then were shocked at the content. The story is realistic. There is sex—it’s not explicit or gratuitous, but it’s honest and does not hide anything necessary to tell the tale. There is violence. There are miscarriage described with enough detail to provide the edges of a discomforting mental image. I would recommend it to mature YA readers or adults who are looking for a romanticized—but also grim, realistic—view of a historical time period removed from our own in some ways, and in other ways startlingly similar. It’s a long read–over 500 pages, but it went quickly, and as the story progressed, the tension built.

When I was younger, I read a series of books in the Serendipity series—about a sea creature that I always thought looked like a dragon. I remember at some point, my mom tried to explain the meaning of “serendipity” to me, but I was young for my grade level, and lots of things didn’t make sense that early.

Either that, or maybe I always just operated on a different wavelength.

This past weekend, though, I experienced a serendipitous moment.

I was in the basement (it’s cool down there, and it wasn’t quite hot enough to warrant air conditioning in the rest of the house. The television was on, and the dogs instantly howled, barked, and hurried upstairs. They do this only if someone is at the house or if they are confused (by a nefarious bird tapping at the window, for instance).

Thinking it was the neighbors (their daughter loves to visit the corgis), I prepared myself for a friendly visit. But instead, I saw a young woman shielding her eyes so she could peer into the side window of my front door.

My mind instantly raced: had she indeed sounded the doorbell? Who was she? Why was she peeking inside the house? Was she trying to see if we were home? Trying to break in? Was she the “attractive distraction” while the real thugs were waiting in the bushes until I opened the door? See, the situation did not fit into any known paradigm.

Slowly (it only took a few seconds, but time seems to slow down during moments like this), I came to realize that I recognized that face. But from where? From where? The long, perfectly-trimmed hair… the comfortable yet coordinated outfit. Was this a coworker?

No.

A neighbor?

No.

Maybe someone I met at a conference.

No, no, no.

Then it hit me: it was my sister! What in the world was my sister doing at my front door, peering in, and not even calling my cell phone? She lived at least two (trafficky) hours away and always planned her visits well in advance.

Bear with me here; I’m an author. My mind always races with the strangest possibilities. It’s a helpful skill with storytelling, but it isn’t always the most practical. It’s why I could never fall asleep at night as a kid. My mind can take any innocent fact and turn it into a nightmare if allowed to go far enough.

So my mind raced with possibilities—again, in slow motion—as I retrieved the key to the front door from where it is kept. “Are you alright?” I was mouthing through the glass even as I went for the key.

She nodded her head, but my mind didn’t believe it yet. It raced with possibilities: maybe she ran away from home. Maybe she just had to get away. Maybe her cell battery died—or perhaps she didn’t even have time to grab her phone. And then the more sinister possibilities: maybe she was an outlaw now, looking for a place to hide away (I live somewhat in the middle of nowhere). Or maybe she was being pursued by someone, or something. Zombies, perhaps?

Thankfully, by this time, I had managed to unlock the door and reach out for a hug. I wondered if she would bust through the door and slam it behind her, peering outside in a paranoid way. But no, the dogs were already on her, and she petting them and smiling.

The truth was far more boring and pleasant than the potential my imagination had assigned it: She and her boyfriend had been on a day trip in West Virginia. Their phone’s GPS was taking them “a back way” home and then got “turned around,” giving them directions that didn’t make sense. They just happened to be driving along the road when my sister turned and said, “Hey, that’s Val’s house!”

So on the spur of the moment, even though my husband and I had just eaten pizza (!), we went out to eat with them. He got a cookie sundae and I got a salad (the place has really good salads! And it’s healthier than dessert, right?)

But most importantly, it was a serendipitous moment of togetherness. I tend to be someone who likes things that are planned and expected so that my mind doesn’t have to go through its obsessive-list-of-crazy-possibilities. But once in a while, it’s healthy to do something unplanned—to let your brain cycle through the possibilities, and to live a little.

Welcome to the Spot Writers. The prompt for this month is to write a letter from one character to another about a third character. Cathy’s character, Miranda, has written a letter to her mother. Miranda, the central character in Cathy’s work in progress, veers away from third character Paul and toward other characters, but Paul is the main protagonist in the story.

This book, tentatively titled DOORBELLS AND DECEMBER, is Cathy’s longest work thus far. Two chapters (before she knew she’d continue with the story) were published by Dancing With Bear Publishing in 2012 and 2013 as short stories (parts 1 and 2) in Christmas anthologies. As of now, the story is approximately 45,000 words, and her goal is to have this book finished by the end of the summer and ready for publication by October. Cathy is beyond excited to have written this much on one work and hopes to add another 20,000. The book will likely be categorized as “New Adult” (ages 18-24).

Check out Cathy’s website (below) for information on her books of short stories for sale, as well as her recent children’s books.

***

Dear Mom,

This letter is so very hard to write, but Diane suggested I write it to relieve myself of burdens I can’t let go of. Even if I never give you this letter, she says I’ll feel better afterward.

Paul. Where do I start? I can’t begin to tell you all the things he did to me, most I’d never want you to know. And now I find I can’t even write about it—so much for therapy. I suppose he could have been worse; I’ve heard way more horrific stories than mine. Over time, Diane says the pain will lessen, but I know I’ll always remember. Perhaps someday, if and when joy enters my life to stay, I might forget.

I know I have a bright future, especially now that I’m reunited with Kevin. And Chad—I’m hoping he’s my soulmate. (I love that word, which can mean so many different things.) But I’m not sure Chad feels the same way about me, not with his many mixed messages. He IS a womanizer, as you and Clara have said, so I’ll wait it out, see what happens. All I can do, right? I can’t force someone to love me.

Mom, I’ve lied to you in the past. About Kevin. About Jeremy. Lies I’ll never reveal to you. I can’t. You’d hate me then for sure, so certain things will be left unsaid. Again, I can’t even write them down. Am I trying to hide my secrets from me, too? I’m such a coward!

I miss Dad so much. When he died, I wished you had been killed instead of him. What an awful thought. For sure, this is one secret I’ll never reveal. But I am sorry I rebelled after his death. Bad, bad Miranda.

Well, I haven’t accomplished much with this letter. Except for the revelation about Dad, I could probably hand this to you. Would I feel better then? No, I don’t think so. A female is entitled to her secrets, isn’t she? And I know, in the end, I’ll be okay. I’m a survivor. And I will be until the day I die.

I love you, Mom, and I’m sorry I never told you that enough. I’ll make it up to you. I promise.

Love, Miranda.

***

The Spot Writers- our members:

RC Bonitz: rcbonitz.com

Val Muller: https://valmuller.com/blog/

 Catherine A. MacKenzie: https://writingwicket.wordpress.com/wicker-chitter/

 Deborah Marie Dera: www.deborahdera.com

 

Each Friday, I post something to celebrate–we could all use a bit more good news and positive vibes in the world. Today I’m helping fellow author Melissa Eskue Ousley celebrate the launch of her new book, The Sower ComesShe’s invited 10 authors to celebrate with her on her Facebook page on Sunday, July 12th from 12 noon Pacific time (3 p.m. Eastern). Each author will host 30 minutes and will feature a giveaway.

You’ll find my giveaway below. So even if you can’t join us on Sunday, you can still have a chance to win!

On Sunday, I’ll be highlighting my young adult novel, The Scarred Letter. If you’re not familiar, check out the trailer:

 

And the latest review:

“Val Muller wrote this to be both gut-wrenching and lyrical, drawing inspiration for her characters and the story from Nathaniel Hawthorne’s novel. The juxtaposition of the beautiful and almost-grotesque paint an intriging, accurate picture of life in the halls of a school made famous for sports achievements—and what it’s like to be an outsider. The climax of Heather’s “before” and introduction to the “after”–the branding of her as a traitor in the form of a large “T” drawn across the middle of her face—tugs at readers hearts while putting into perspective what happens when otherwise good people stand by and let others speak (or, in this instance, react) for them.” – Betwixt These Pages (full review here)

And, as promised, the giveaway:

I’ll be giving away one paperback copy of Corgi Capers (book 1, 2, or 3–winner’s choice), two paperback copies of For Whom My Heart Beats Eternal, one paperback copy of the freedom-themed anthology Forging Freedom (volume 1), one paperback copy of The Scarred Letter, and several ebook coupon codes for The Scarred Letter. Please note that paperback copies can only be shipped to US addresses. Winners will be drawn on August 8 and notified via email. (If you are having trouble viewing or using the Rafflecopter entry form below, you can simply enter at this link: http://www.rafflecopter.com/rafl/display/ccb3bdd621/?)
a Rafflecopter giveaway